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English & British

16,767 works

Lithograph portrait of a bald man in a dark academic gown holding a mortarboard cap, signed William Stephen Gilly.

Portret van William Stephen Gilly

Edward Morton, 1843

Sepia print of Dunblane Abbey ruins above a wooded riverbank, with washerwomen by the water and a distant bridge.

Dumblain Abbey, plate 56 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of Norham Castle ruins above a river, with cattle wading, a rowboat and sunlight breaking through clouds.

Norham Castle, plate 57 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of a wooded river with a footbridge and a ruined castle on the right, by J. M. W. Turner, 1816.

Berry Pomeroy Castle, plate 58 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of a hilltop castle tower above a river town, with trees on the left and rowing boats and figures in the foregrou

Ville de Thun, plate 59 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of jagged alpine peaks, fir trees and a valley below, after J.M.W. Turner's Source of the Arveron.

The Source of the Arveron, plate 60 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of women and children gathering watercress by a stone bridge and river under a stormy sky, with a boat and cart.

Watercress Gatherers, plate 62 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia print of a river landscape with tall trees, a columned rotunda by the water, and buildings under a pale sky.

Isleworth, plate 63 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia engraving of a mountain valley with a river, stone bridge, white church, and two figures resting on rocks in the foregr

Bonneville, plate 64 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia engraving of fishermen in boats on rough water, with windswept trees, a sailing ship, and distant castle and hills.

Inverary Castle and Town, plate 65 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Watercolor of three men in period costume talking on a dirt road under a cloudy sky, one with a tartan sash and feathered bon

Quentin Durward and the disguised Louis XI (recto); Study of male figure (verso)

Richard Parkes Bonington, 1825-26

Sepia print of a stone arch bridge, ruined tower, and shepherd with sheep and cow among trees.

East Gate, Winchelsea, plate 67 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia print of a river landscape with a weeping willow, classical temple, stone bridge, and a white bird on a pedestal.

Isis, plate 68 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Watercolor and pencil design drawing of a desk with carved panels and plan views of portfolio compartments and a knee hole.

Design for desk and/or portfolio cabinet

John Gregory Crace, 19th century

Sepia print of a rugged Scottish mountain glen with rocky slopes, stormy clouds, boulders, and a stream in the foreground.

Ben Arthur, plate 69 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Pencil sketch of two scrolling ornament designs on pale paper, one in a circular medallion, with handwritten notes reading 'n

Ornament Design

John Gregory Crace, 19th century

Sepia print of a Gothic church interior with arches, a pulpit, seated congregation, and an ornate memorial monument.

Interior of a Church, plate 70 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Pen sketch of ornamental door knockers, keyhole plates and mounts with handwritten location notes and measurements.

Door Knockers and Mounts from Rouen Cathedral, Goodwich Court, etc. (recto and verso)

John Gregory Crace, 19th century

Sepia print of Christ and the Woman of Samaria beside a tomb, with a classical arch and ruins in a wooded landscape.

Christ and the Woman of Samaria, plate 71 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Pen drawing of an ornamental border with scrolling foliage, a winged cherub, a unicorn and dolphin-like creatures.

Rinceau Border with Unicorn and Inlay on copper, Italian 18th century

John Gregory Crace, 19th century

Symmetrical ochre and grey drawing of scrolling foliage and strapwork ornament framing a blank central arch.

Rinceau and Strapwork Ornament

John Gregory Crace, 19th century

Gold-washed design drawing of two rectangular ornamental panels, one with strapwork and rosettes, one with scrolling foliage

Two Rectangular Ornaments with Strapwork, Foliage and an Eagle

John Gregory Crace, 19th century

Pencil drawing of a carved wood dining room door with foliate upper panels, fluted lower panels, and flanking pilasters.

Carved Wood Door for Dining Room, Leighton Hall

John Gregory Crace, ca. 1854

Colored design drawing of an arched stained glass window with floral scrollwork panels and patterned borders.

Design for Stained Glass Windows

John Gregory Crace, 19th century

Watercolor design for two stained glass panels with draped swags, fern foliage, fish, and a mermaid medallion.

Window with marine motifs, design for Fishmongers’ Hall, London

John Dibblee Crace, 1898

Design drawing of a blue coffered ceiling with six gilded medallions holding classical figures, with a cornice detail above.

Carved and Painted Ceiling with Six Figural Medallions, for Cleish Castle

John Gregory Crace, 19th century

Pencil design sheet with grid of ceiling panels showing skies, niches, putti medallions and draped standing figures in orname

Design for Panelled Ceiling with Figures and Carving

John Gregory Crace, 19th century

Architectural drawing of a geometric library ceiling design with interlocking octagonal and cross-shaped panels in tan wash.

Ceiling design for the Library, Stuffynwood Hall, Derbyshire

John Gregory Crace, ca. 1857

Pen and wash drawing of a coffered ceiling with foliate rosettes in octagonal and quatrefoil panels, labelled Breakfast Room.

Ceiling design

John Gregory Crace, 19th century

Pencil drawing of a rococo ceiling design with a central oval medallion, garlands and ornate scrolled corner panels.

Rococo Style Ceiling Design

John Gregory Crace, 19th century

Colored design drawing of an ornate ceiling with a central rose motif, fan supports at the corners, and heraldic shields.

Design for Ceiling with Two Portraits and Fan Supports at Corners

John Gregory Crace, 19th century

Watercolor design for a coffered ceiling with a central quatrefoil medallion, diagonal lettered ribbons and green and rust fo

Design for a Coffered and Painted Ceiling in Rust and Olive Green, with a Quatrefoil Motif

John Gregory Crace, 19th century