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William Hogarth

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Etching of a standing armoured man gesturing toward a seated woman and companions beneath a large tree, with palms behind.

Cassandra, Frontispiece, Vol. 2:

1725

Etched frontispiece with a seated allegorical figure, horned creatures on each side, a church, and a Latin inscription below.

The New Metamorphosis: Frontispiece, Vol.1

1724

Etching of a church interior with an altar and crucifix, a standing crowd, a child and veiled woman, and musicians in a galle

The New Metamorphosis, Plate 2: Fantasio at Church

1724

Etching of mounted bandits seizing a woman before a stone building while other women react under a dark night sky.

The New Metamorphosis, Plate 3: The Bandits Abduct Camilla

1724

Etched domestic interior with a fireplace, a woman in a cloak, a man leaning over a child in a basket, and a broom.

The New Metamorphosis, Plate 4: Invidiosa Releases Fantasio

1724

Engraving of a bedroom with a canopy bed, an open door, and two figures standing beside the curtains.

Cassandra, Frontispiece, Vol. 3

1725

Etching of a helmeted warrior beside seated women and onlookers under a draped tree, with hills in the distance.

Cassandra, Frontispiece, Vol. 4

1725

Etching of a helmeted woman holding a figurine before kneeling men beside a shield and spear, with a rocky cliff behind.

Cassandra, Frontispiece, Vol. 5

1725

Etching of a soldier raising rods to flog a man bound to a post, with a watching guard and military tents behind.

Fustigatio (John Beaver, Roman Military Punishments, 1725)

after 1725

Etching of soldiers beating a man with staves in a military camp, with tents and a tree in the background.

Fustium Admonitio (John Beaver, Roman Military Punishments, 1725)

after 1725

Etching of a hanging figure from a tree, armored soldiers with spears, and violent struggle with fallen animals on the ground

Dismemberment, etc. (John Beaver, Roman Military Punishments, 1725)

after 1725

Etching of soldiers in armor gathered before a large central tent with a bird on top and rows of tents behind.

Taking Away the Military Belt or Girdle (John Beaver, Roman Military Punishments, 1725)

after 1725

Engraving of Roman soldiers with standards and shields, a dejected prisoner, and an officer on a brick platform pointing.

Shameful Discharge (John Beaver, Roman Military Punishments, 1725)

after 1725

Etching of Roman soldiers distributing barley and coins beside a tent, with kneeling figures and a stone platform in the fore

Issued Barley Instead of Wheat [first version] (John Beaver, Roman Military Punishments, 1725)

after 1725

Etching of a bedroom with a canopy bed, a seated woman, and a standing man in a long coat and tall hat gesturing.

The New Metamorphosis, Plate 5: Fantasio, Transformed into a Lapdog, in the with Donna Theresa

1724

Etching of a cardinal, a woman holding a small animal, and a kneeling hermit in a rocky wooded landscape with a cross.

The New Metamorphosis, Plate 7: The Cardinal, a Hermit and Donna Angela Holding Fantasio

1724

Etching of Psyche holding a lamp over the sleeping winged Cupid on a bed in a columned bedchamber.

The New Metamorphosis, Plate 6: The Story of Cupid and Psyche

1724

Hogarth 1724 street print of crowds before Masquerade and Opera signs, Academy of Arts building, and a wheelbarrow of waste p

Masquerades and Operas

1724

Etching of a military punishment: a man tied to a post, chained prisoners, soldiers with flags and a drum, castle ruins behin

Cutting Off the Nose (Modern Military Punishments)

after 1725

Etching of nearly nude men led past soldiers, tents and a wooden palisade with standards, by William Hogarth.

Decimation (John Beaver, Roman Military Punishments, 1725)

after 1725

Etching of a crucifixion, a hanging man attacked by two lions, soldiers on a cliff and a tent camp in the distance.

Crucifixion, etc. (John Beaver, Roman Military Punishments, 1725)

after 1725

Etching of a soldier hanging by the thumbs from a post, with mounted officers and troops watching in a military camp.

Hanging by the Thumbs (Modern Military Punishments)

after 1725

Etching of soldiers executing a kneeling man beside a distant military camp with tents and figures.

Beheading (John Beaver, Roman Military Punishments, 1725)

after 1725

Etching of a military camp with tents where soldiers beat prisoners with clubs while officers and standard-bearers look on.

Breaking the Legs (John Beaver, Roman Military Punishments, 1725)

after 1725

Engraved plate of an emerald vessel with a wide bowl on a stepped base, with Latin caption below.

An Emerald Vessel (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724,…

1723-24

Etching of tiny figures operating a giant clyster syringe aimed at a stone tower, with a crowd watching and a cat attacking.

The Political Clyster

January 1757

Etching of three putti drawing and painting in a studio beside a classical bust and an oval portrait sketch.

Boys Peeping at Nature

1751

Etched print of three children drawing beside an easel and bust, with a subscription receipt inscription below.

Boys Peeping at Nature

1731-51

Engraved portrait of a woman in a white headscarf and dark dress, resting her arms on a ledge, by William Hogarth.

Sarah Malcolm

after 1733

Etching of a man seated in a pillory beside a barred building while a crowd in hats gathers in a street.

Hudibras in Tribulation (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 7)

1721-26

Etching of two men arguing in a narrow street beside a brick building with a wooden door.

Hudubras and Ralpho Disputing (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 8)

1721-26

Etching of a cloaked man aiming a telescope at a kite on a tall pillar, with a gesturing man beside a stone tower.

Sidrophel Examining the Kite Through His Telescope (Seventeen Small Illustrations for Samuel Butler's Hudibras, no. 10)

1721-26