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William Hogarth

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Characters and Caricaturas by William Hogarth

1764

Engraving of a crowded London street with a whirligig, fortune-teller booth, and South Sea Monument, satirising speculation.

William Hogarth - The South Sea Scheme

1750

Engraving of a crowded fashionable 18th-century interior with figures around a dressing table and an arched alcove with curta

Marriage à-la-mode. Plate 4. The toilette

1745

Engraving of elegant figures dancing and making music in a grand room, with a harpsichordist and framed paintings on the wall

Prosperity, with Harlot's Smiles

1735

Engraving of a church interior where a preacher reads in a pulpit while congregants sleep in pews below.

Slapende parochie

1762

Printed price list of prints published by William Hogarth in 1762, with titles and prices in pounds, shillings and pence.

Lijst met prenten uitgegeven door William Hogarth

1762

Engraved studio scene with classical statues, a nude figure, workers at a hoist, and framed ornamental and anatomical details

The Analysis of Beauty, Plate 1

March 5, 1753

Engraving of figures in traditional dress dancing in a hand-linked circle beneath trees, with a distant town on the horizon.

A Native Dance

published 1723

Engraving of a mosque interior with whirling dervishes in long skirts, kneeling figures, and spectators on a balcony.

The Inside of a Mosque

published 1723

Engraved interior of a seraglio with women dancing, seated figures on platforms, attendants, and ornate windows.

The Seraglio

published 1723

Engraved tavern scene of a crowded election feast with drinking men, musicians, a flag, and a servant pouring drink.

An Election Entertainment, Plate I: Four Prints of an Election

February 1755

Printed fan leaf with three rococo cartouches showing figures in interior scenes and verse text, after William Hogarth.

Plates four, five, and six from A Harlot's Progress

1732/61

Engraved interior of a seraglio with dancing women, seated figures on platforms, attendants, and guards with shields in an or

The Seraglio (Aubry de La Mottraye, Travels throughout Europe, Asia and into Part of Africa..., London, 1724, vol. I,…

1723-24

Engraving of a Turkish bath interior with a seated nude woman being bathed by an attendant beneath a perforated dome.

A Turkish Bath (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vo…

1723-24

Engraved print of a procession past an obelisk in a city square, with domed buildings, riders and mountains in the distance.

Procession through the Hippodrome, Constantinople (Aubry de La Mottraye's "Travels throughout Europe, Asia and into P…

1723-24

Engraving of whirling dervishes dancing in a mosque interior under a chandelier, with spectators on a balcony.

The Inside of a Mosque, the Dervishes Dancing (Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part…

1723-24

Etched print of men in ruffled collars seated at a table, with handwritten receipt text and signature below.

Ontvangstbewijs voor een aanbetaling voor The Analysis of Beauty door William Hogarth

1752

Engraving of a crowded 18th-century room with a harpsichord player, fashionably dressed men and a kneeling servant.

A rake's progress. Plate 2. The Levée

1735

Etching of six men in period dress gathered around a table, several holding eggs, with a plate of eggs at centre.

Christoffel Columbus breekt een ei om het te laten staan

1753

Engraving of a cluttered room with a young man, kneeling tailor, writing old man, and women, by William Hogarth, 1735.

Plate One, from A Rake's Progress

June 1735

Engraving of an 18th-century crowded interior with a harpsichord player, men in wigs and hats, and a kneeling attendant.

Plate Two, from A Rake's Progress

June 1735

Engraving of a noisy tavern-like room with revelers at a table, a seated man with a wine glass, and a woman adjusting her sto

Plate Three, from A Rake's Progress

June 1735

Engraved street scene with a woman in white at centre, a sedan chair, beggars, and lightning in the sky.

Plate Four, from A Rake's Progress

June 1735

Engraved church interior showing a wedding, with a clergyman, bride, groom, kneeling attendant, dogs and children.

Plate Five, from A Rake's Progress

June 1735

Engraving of a crowded tavern with gamblers, a kneeling disheveled man, a dog, and smoke, by William Hogarth, 1735.

Plate Six, from A Rake's Progress

June 1735

Engraving of a crowded prison room with a seated man, women, a child, and a jailer holding keys near a barred door.

Plate Seven, from A Rake's Progress

June 1735

Engraving of an asylum room with a chained, semi-nude man, a comforting woman, a violinist, and visitors among barred cells.

Plate Eight, from A Rake's Progress

June 1735

Engraved street scene of early morning with a woman in a gown, market women by a fire, and a coffee house sign.

Morning, plate one from The Four Times of the Day

May 1738

Engraving of a crowded 18th-century London street at noon, with a fashionable couple, beggars, a church spire, and signs.

Noon, plate two from The Four Times of the Day

May 1738

Engraved morning street scene with a woman smoking a pipe, vendors around a fire, and Tom King's Coffee House at right.

Morning, Plate One from The Four Times of Day

1738

Engraving of a street scene with a couple, a child, a dog, and a building labeled Sadler's Wells under a cloudy sky.

Mensen bij Sadler's Wells Theatre en de New River

1738

Engraving of a crowded city street with a tavern sign, church spire, beggar, gentlemen and children.

Menigte in een straat met kroegen en een kapel

1738