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William Hogarth

440 works

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Engraving of revelers drinking and gambling in a crowded interior, with a seated woman in the foreground amid scattered cloth

A Rake's Progress, Plate 3

June 25, 1735

Engraving of a workhouse interior with a gentleman and two fashionable women at left and working women and children at right.

A Harlot's Progress, Plate 4

before April 1732

Engraving of a cluttered bedchamber with a canopied bed, fireplace, seated woman, two wigged men and a kneeling woman at a tr

A Harlot's Progress, Plate 5

before April 1732

Etching of a crowded tavern-like room with women at a card table, a small child on the floor, and a bottle in the foreground.

A Harlot's Progress, Plate 6

before April 1732

Engraving of a crowded London street at noon with a church spire, a well-dressed couple, beggars and a tavern sign.

Noon (The Four Times of Day)

March 25, 1738

Engraved interior with a woman and gentleman before a clerk at a desk, a kneeling servant, two dogs, and children.

A Rake's Progress, Plate 5

June 25, 1735

Engraved asylum interior with a chained man tended by figures, a violinist, and visitors; verses below.

A Rake's Progress, Plate 8

June 25, 1735

Engraved prison interior with barred windows, a jailer with keys, and figures gathered around a table and bed.

A Rake's Progress, Plate 7

June 25, 1735

Engraving of a crowded tavern with men gambling at tables, a dog, a fallen wig, and smoke filling the room.

A Rake's Progress, Plate 6

June 25, 1735

Engraved 18th-century London street scene at morning with a coffee house, market women by a fire, and crowds of people.

Morning: The Four Times of the Day

March 25, 1738

Engraving of a busy morning street scene with market women by a fire, a couple near Tom King's Coffee House, and a clock.

Morning (The Four Times of Day)

March 25, 1738

Engraved night street scene with a lantern-carrying couple, bonfire, overturned cart, and tavern signs under a crescent moon.

Night: The Four Times of Day

March 25, 1738

Engraving of a cluttered garret with a poet at his desk, two women working by the fireplace, a cat and dog on the floor.

The Distrest Poet

March 3, 1737

Engraving of an evening town street with a couple on a footbridge, a child, a cow, a dog, and an inn sign.

Evening (The Four Times of Day)

March 25, 1738

Engraved print of an actor in Richard III costume gesturing from a draped bed, with armor and a crown beside him.

Mr. Garrick in the Character of Richard III

June 20, 1746

Engraved scene of a stone city gate with soldiers, a friar, beggars, and a woman carrying a basket in the foreground.

O the Roast Beef of Old England--The Gate of Caiais

March 6, 1749

Engraving of a crowded city gate with a soldier, a friar, a stout man, beggars and a cooking pot under heraldic shields.

O the Roast Beef of Old England--The Gate of Calais

March 6, 1749

Engraving of Pharaoh's daughter seated on a dais receiving a young boy brought by a woman and an older man in a palace.

Moses Brought to Pharaoh's Daughter

February 5, 1752

Engraving of a seated princess receiving a child from a woman and bearded man, with attendants and an Egyptian-style landscap

Moses Brought to Pharaoh's Daughter (Exodus 2:10)

February 5, 1752

Engraving of an artist's studio with statues, anatomy figures, and a border of ornaments, heads, and plants by Hogarth.

Analysis of Beauty, Plate 1

March 5, 1753

Engraving of a crowded ballroom with dancing couples and chandelier, framed by numbered studies of faces and ornamental curve

Analysis of Beauty, Plate 2

March 5, 1753

Engraved crowd scene of an election at a wooden platform, with a carriage crossing a stone bridge and a church in the distanc

The Polling, Plate III: Four Prints of an Election

February 20, 1758

Engraving of a chaotic street crowd with men fighting around a sedan chair, pigs, a donkey, and onlookers at windows.

Chairing the Members, Plate IV: Four Prints of an Election

January 1, 1758

Engraved portrait of a seated bishop in ceremonial robes and chain, with stained glass windows behind him, dated 1743.

The Right Reverend Father in God, Dr. Benjamin Hoadly, Lord Bishop of Winchester, Prelate of the Most Noble Order of…

1743

Engraved print of a seated man with a palette at an easel sketching a classical figure labeled Comedy 1764.

William Hogarth, Serjeant Painter to His Majesty

1764

Engraving of two women tending a bruised man on a table in a dim brick room, with a candle, a soldier and an owl.

The Innkeeper's Wife and Daughter Taking Care of ye Don after Being Beaten and Bruised (Six Illustrations for Don Qui…

1756 or after

Engraved frontispiece with an oval portrait of Samuel Butler above an allegorical bas relief of satyrs, a chariot, and Britan

The Frontispiece and Its Explanation (Plate 1: Illustrations to Samuel Butler's Hudibras)

1725-30 (?)

Engraving of two mounted riders on a road beside a brick house, with a dog, a market woman and a man with a barrel.

Sir Hudibras His Passing Worth the Manner How He Sallyed Forth (Plate 2: Illustrations to Samuel Butler's Hudibras)

1725-30 (?)

Engraving of a mounted knight with a pistol facing a crowd of musicians, a fiddler, and a chained bear beneath a tree.

The Adventure of the Bear and the Fiddle (Plate 3: Illustrations to Samuel Butler's Hudibras)

1725-30 (?)

Engraving of a mounted knight, a squire, and a man climbing a wall to hang a fiddle, with onlookers and verse captions below.

Hudibras Triumphant (Plate 4: Illustrations to Samuel Butler's Hudibras)

1725-30 (?)

Etching of a woman with a raised sword among armed men outside buildings, with a fallen man at her feet and a bridge at left.

Hudibras Vanquish'd and Protected by Trulla (Plate 5: Illustrations to Samuel Butler's Hudibras)

1725-30 (?)

Engraving of a man in wooden stocks in a yard, watched by a crowd including a woman in a black cloak.

Hudibras in Tribulation (Plate 6: Illustrations to Samuel Butler's Hudibras)

1725-30 (?)