New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Max Klinger

295 works

Featured

Filters

Works per page

Etching of robed classical figures in two architectural compartments with an ornate frieze of scrolls and masks above.

Pyramus und Thisbe I (verworfene Platte) (Rettung Ovidischer Opfer, Opus II, Blatt 2 [2a])

1880

Line engraving by Max Klinger showing Pyramus and Thisbe seated beside a brick pillar, with draped figures and ornamental bor

Pyramus und Thisbe I (Rettungen Ovidischer Opfer, Opus II, Blatt 2 [2b])

1879

Etching of two veiled figures and a dog in a hilly landscape with a distant white town under a pale sky.

Pyramus und Thisbe II (Rettungen Ovidischer Opfer, Opus II, Blatt 3)

1879

Etching of a wooded road with two draped figures, a seated figure by a stone monument, and hills in the distance.

Pyramus und Thisbe III (Rettungen Ovidischer Opfer, Opus II, Blatt 4)

1879

Etching of an interior with a seated woman pointing at a reclining figure on a couch, and figures peering through a doorway.

Pyramus und Thisbe IV (Rettungen Ovidischer Opfer, Opus II, Blatt 5)

1879

Etching of a nude woman with flowing hair flying through clouds while gripping two taut lines.

Intermezzo (Erstes Intermezzo) (Rettungen Ovidischer Opfer, Opus II, Blatt 6)

1879

Etching of two seated nude figures by a river under trees, with distant standing figures, hills, and a decorative floral frie

Narcissus und Echo I (Rettungen Ovidischer Opfer, Opus II, Blatt 7)

1879

Etching of a riverside landscape with trees, poplars and reeds, framed by an ornate architectural border with floral panel be

Narcissus und Echo II (Rettungen Ovidischer Opfer, Opus II, Blatt 8)

1879

Etching of a seated figure beside reeds and spiky plants, with four long-legged birds wading in a lake below distant hills.

Intermezzo (Zweites Intermezzo) (Rettungen Ovidischer Opfer, Opus II, Blatt 9)

1879

Etching by Max Klinger showing two figures in a landscape, one standing and one seated with a flowering staff, beneath a tree

Apollo und Daphne I (Rettungen Ovidischer Opfer, Opus II, Blatt 10)

1879

Etching of two nude women restraining a large white bull in a meadow, with decorative friezes above.

Apollo und Daphne II (Rettungen Ovidischer Opfer, Opus II, Blatt 11)

1879

Etching of a nude woman riding a galloping white bull across a meadow, with cattle and a nude figure by a pond.

Apollo und Daphne III (Rettungen Ovidischer Opfer, Opus II, Blatt 12)

1879

Etching of two standing figures on a shore, one spear-holding with a wreath, one bearded with a staff, and a seated figure in

Schluss (Satyre / Beschluss) (Rettungen Ovidischer Opfer, Opus II, Blatt 13)

1879

Etching of a bear gazing up at a nude figure perched in flowering trees, with a river and hills behind.

Bär und Elfe (Intermezzi, Opus IV, Blatt 1)

1881

Etching of a woman in a windswept dress standing at the sea's edge as waves roll toward a distant horizon.

Am Meer (Intermezzi, Opus IV, Blatt 2)

1881

Etching of a rearing centaur pursued by armed riders across an open grassy plain under a cloudy sky.

Verfolgter Centaur (Intermezzi, Opus IV, Blatt 3)

1881

Etching of a seated nude figure before a cliff and waterfalls in a mountain valley, by Max Klinger.

Mondnacht (Intermezzi, Opus IV, Blatt 4)

1881

Etching of two centaurs fighting on a snowy slope below a craggy mountain under a stormy sky.

Kämpfende Centauren (Intermezzi, Opus IV, Blatt 5)

1881

Etching of draped women near a fountain among cypress trees, with a river and temple on a hill, in a classical border.

Psyche Wandering, plate 28 from Cupid and Psyche

1880

Etching of three draped women seated on a terrace between classical columns, with trees and mountains in the background.

Psyche and her Sisters, plate 18 from Cupid and Psyche

1880

Etching of a rocky mountain landscape with centaurs among boulders above a lake and forested hills.

Bergsturz (Intermezzi, Opus IV, Blatt 6)

1881

Etching of an old bearded man helping a child write at a rough wooden table in a forest hut beside a stream.

Simplici Schreibstunde (Intermezzi, Opus IV, Blatt 7)

1881

Etching of a kneeling long-haired man in a forest clearing beside a hermit's hut, cabbages, rocks and a pond.

Simplicius am Grabe des Einsiedlers (Intermezzi, Opus IV, Blatt 8)

1881

Etching of soldiers on a sunlit forest path beneath dark, overhanging trees, by Max Klinger, 1881.

Simplicius unter den Soldaten (Intermezzi, Opus IV, Blatt 9)

1881

Etching of a rocky forest clearing with a boulder, fallen trunk, small figure, and distant rolling hills.

Simplicius in der Wald-Einöde (Intermezzi, Opus IV, Blatt 10)

1881

Etching of a fallen rider and horse beneath a large tree, with birds flying overhead and a sword on the ground.

Gefallener Reiter (Intermezzi, Opus IV, Blatt 11)

1881

Etching of a skeleton driving a cart beside a curly-haired child, with cypress trees and a horse-like figure in a pale landsc

Amor, Tod und Jenseits (Intermezzi, Opus IV, Blatt 12)

1881

Etching of a nude woman beside a large tree with birds on a lake shore, with a decorative German text panel below.

Prefacio I (Ein Leben, Opus VIII, Blatt 1)

1884

Etching of a nude woman tending a fire in a forest clearing while a bearded man sits nearby in the shadows.

Prefacio II (Ein Leben, Opus VIII, Blatt 2)

1884

Etching of a young woman in bed with grotesque faces, a skull and clawed hands looming out of darkness behind her.

Träume (Ein Leben, Opus VIII, Blatt 3)

1884

Etching of two nude figures kissing atop fish-like sea creatures beneath a breaking wave, with a snail below.

Verführung (Ein Leben, Opus VIII, Blatt 4)

1884

Sepia etching of a lone woman in a long dark dress walking along a wet beach under a glowing sky.

Verlassen (Ein Leben, Opus VIII, Blatt 5)

1884