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Louis Auguste Lepère

394 works

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Painting of snowy Seine riverbank with moored barges, figures in winter coats, stacked timber and smoking factory chimneys in

La Seine, au quai d'Austerlitz, effet de neige

1900

Oil painting of moored barges and masts on the Seine, with riverside buildings and smoking chimneys behind them.

La Seine, au quai de la Rapée

1884

Painting of a sunlit Paris street with stone houses, a blue gate, a guard with a rifle, and figures in red trousers.

Épisode de la Commune, rue des Rosiers, à Montmartre

1875

Painting of a calm bay with small sailboats, a windswept autumn tree on the right, and distant headlands under a cloudy sky.

Au bord de la mer

Woodcut print of breaking waves on a beach with figures in a dark rowboat at left, in brown and cream tones.

The Breaking Waves, Tide of September 1901

1901

Etching of a large stone windmill with a horse and workers, two seated men in the foreground, and distant windmills on hills.

The Chapelles Mill

1908

Etching of riverbank houses and tall trees beside the Somme, with rowing boats and figures in the foreground water.

Banks of the Somme at Amiens

1907

Etching of a country road lined with large trees, two walking figures, grazing animals and a wooden fence on the right.

The Road to St. Gilles

1911

Tonal print of women, a man in a hat, grazing cows and trees in a countryside meadow.

Modern Bucolic

1901

Woodcut-style seascape of breaking waves on a sandy beach with a dark rowboat and three figures at left.

Breaking Waves, September Tide

1901

Colored print of a woman in a patterned gown beside a pier, with a ferry and masted ships in harbor behind her.

Pier on the Garonne, Bordeaux (Embarcadère sur la Garonne, Bordeaux)

1897

Etching of a canal, arched stone bridge, gabled houses and a spire behind bare trees in Bruges, 1901.

The Béguinage Bridge in Bruges (La Pont du Beguinage à Bruges)

1901

Etching of villagers pushing carts down a road past tall trees and a farmhouse toward a distant church spire.

Return from the Market

1911

Black and white print of grape clusters, leaves and curling vine tendrils forming a decorative tailpiece design.

Tailpiece to La Forêt de Fontainebleu

published 1908

Woodcut of an elderly man with a cane and a family with children gathered before a rural cottage on a village road.

The Beggars at the Last House

1905

Black-and-white tail-piece of two girls beside a large blossom, with a bird, a butterfly and falling petals.

Paris Almanac, 1897: Tail-piece, Spring

1897

Black-and-white woodcut of sunflowers and leaves with small reclining children beneath, signed in the lower right.

Paris Almanac, 1897: Tail-piece, Summer

1897

Black-and-white tail-piece with two women among flowers and grapes, and a seated figure at right, signed in pencil.

Paris Almanac, 1897: Tail-piece, Autumn

1897

Etching of leaning trees beside a farmhouse, with cattle and a herder on a path under a sky of diagonal hatching.

Farm with Poplar Trees of Holland

1914

Etching of riverside houses and tall trees along the Somme, with rowboats and figures in the foreground and a church spire be

Amiens, the Banks of the Somme

1907

Etching of a riverbank with tall trees, a seated fisherman, and cattle grazing beside the water.

Bords de la Vie

1908

Etching of a rural house behind a large tree and stone wall, with a seated woman in the foreground and a man walking at left.

The House of Madame B.

1915

Black and white etching of a Seine riverbank with seated figures, a ferry boat, a rowboat, and city buildings beyond a bridge

Bercy Wharf, plate two from Le Long de la Seine et des Boulevards

1890, published 1910

Black-and-white print of workers at a canal lock under a stone arch, with factory chimneys and smoke in the background.

Woodblock for Lock of the Canal Saint-Martin

1890, published 1910

Charcoal study of two figures writing and reading at a table beneath a lamp in a dim room.

Study for the lithograph "Around the Lamp"

1888

Black and white print of workers unloading at a riverside wharf beside tall city buildings and a chimney.

Plaster Unloaders, plate three from Le Long de la Seine et des Boulevards

1890, published 1910

Black and white print of barges and moored boats at a dock, with an arched bridge and buildings in the background.

Villette Dock, plate five from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of workmen operating a canal lock beneath a stone arch, with factory chimneys and smoke in the background.

Lock of the Canal Saint-Martin

1890, published 1910

Etching of horses and figures bathing in a river at dusk, with an arched stone bridge in the background.

The Horse Pond at the Pont Marie, plate ten from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of a rainy panoramic view of Paris over the Seine, with bridges, spires, domes and barges on the river.

Paris, Viewed from the Pavillon de Flore, plate eleven from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of the Louvre palace seen across the Seine, with a bridge, small boats, a tree and figures on an embankment.

The Louvre, Viewed from the Pont-Neuf, plate thirteen from Le Long de la Seine et des Boulevards

1890, published 1910

Etching of a Paris street corner with a columned building, a woman in a feathered hat, carriages, and an advertising kiosk.

Corner of the Rue Royale, plate sixteen from Le Long de la Seine et des Boulevards

1890, published 1910