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Jacques Callot

1,591 works

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Small painting of gypsy travelers on horseback and on foot on a hilltop road, with a distant town under a pale sky.

Gipsies on the road

Painting of mounted horsemen attacked by armed robbers on a dirt road, with a hanged figure on a bare tree.

Horsemen Attacked by Robbers

1601

Painting of a village brawl with armed men fighting among fallen figures, thatched cottages, a church and large trees.

Village Fight

1601

Amber-toned riverside painting of a palace facade, tall tower, and boats on the water under a glowing sky.

L'Hôtel de Nevers, la Tour de Nesle, la Grande Galerie et le Louvre, vus du Pont-Neuf, vers 1640

1640

Painting of Paris riverfront with medieval towers, a long palace facade, and boats with flags on the Seine.

La Tour de Nesle, la Grande Galerie et le Louvre, vus du Pont-Neuf, vers 1630

1635

Oval painting of the Holy Family at a candlelit table, with Mary standing, Joseph seated and the Christ Child haloed.

Holy Family at supper

Etching of a band of travelers on horseback and on foot, plumed hats and cloaks, passing along a road with distant buildings.

The Bohemians Marching, from The Bohemians

1621

Etching of an inn with a thatched roof, travelers gathered by a cart, and a horseback rider beneath a large tree.

The Stopping Place, from The Bohemians

n.d.

Etching of a crowded forest camp with people cooking over a fire and preparing a feast beneath large trees.

Camping Place of the Gypsies: The Preparation of the Feast

n.d.

Engraving of a triumphal procession with a chariot, robed attendants, banners, winged figures in clouds, and a city by the se

The Triumph of the Virgin

1624

Etching of a crowded fair before a church with bell tower, with tents, carts, horsemen and a large tree at right.

The Fair at Impruneta

1622

Large etched panoramic print of a naval siege with ships, rowboats, a fortified town, and soldiers fighting on shore.

Siege of the Citadel of Saint Martin on the Isle de Ré

1631

Etching of a ragged procession with a wagon, horseback riders, and women and children on foot along a road.

The Bohemians Marching: The Rear Guard, from The Bohemians

n.d.

Etching of a procession of crowned figures ascending a rocky mountain toward Pegasus, a laurel tree, and classical goddesses.

The Float of Mount Parnassus, from The War of Beauty

1616

Etching of a plumed-hat soldier with a ruff collar and sword, with cavalry fighting in the background landscape.

The Soldier with a Plumed Hat, plate three from La Noblesse

c. 1625

Etching of a gentleman in a fur-trimmed cloak saluting, with a town and figures in the background.

The Genleman who Salutes While Holding his Hat Beneath his Arm, plate two from La Noblesse

c. 1625

Etching of a ceremonial procession with torch bearers, drummers, and ornate chariots, including a winged figure and clouds.

Entry of the Monseigneur the Prince of Phalsbourg, Defender in the Combat, from The Combat at the Barrier

1627

Etching of a marching procession with drummers, fifers, pikemen and plumed figures in feathered hats.

Entry of M. de Macey, from The Combat at the Barrier

1627

Etching of a grand hall with crowds of spectators, guards with pikes, and a nobleman entering on foot beneath an ornate ceili

Entry of His Highness on Foot, from The Combat at the Barrier

1627

Etching of a haloed bishop preaching to a crowd in a forest clearing, with soldiers and a village in the distance.

Saint Nicholas Preaching

n.d.

Etching of an elderly bearded man in a long cloak and cap standing before a crowded Italian town street with stone buildings.

Pantalone, from Three Italian Comedians

1618-20

Etching of a bearded gentleman in a fur-trimmed mantle and plumed hat, with a street scene of buildings and figures behind hi

The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse

c. 1625

Etching of a fashionably dressed gentleman with clasped hands, standing before a busy city street with a bridge and tower.

The Gentleman with Clasped Hands, plate eleven from La Noblesse

c. 1625

Etching of a crowded city square with robed figures, stone buildings, a tower, and an arched bridge over a river.

The Slave Market

1629

Etching of a small harbor with moored sailing boats, figures on a quay, stone buildings, and a distant hilly coastal town.

The Small Port, from Various Scenes Designed in Florence

1618-20

Etching of a large rocky island with hilltop towns, sailing boats on the sea, and figures and moored ships on the shore.

The Large Rock, from Various Scenes Designed in Florence

1618-20

Etching of three armored men with spears standing on a sea monster, with a lute player on another creature and ships at sea.

Entry of Mm. de Vroncourt, Tyllon, and Marimont, from The Combat at the Barrier

1627

Etching of a sailing ship surrounded by sea figures with trumpets and tridents, with a tree and domed pavilion on rocks below

Entry of M. le Comte de Brionne, Grand Chamberlain of His Highness, Representing Jason, from The Combat at the Barrier

1627

Etching of a procession with a winged sea creature, a dragon, and ornate chariots carrying armored figures and musicians.

Entry of Monseigneur Henry de Lorraine, Marquis de Moy, under the Name of Pirandre, from The Combat at the Barrier

1627

Etching of a ceremonial procession with a fountain, a horse-drawn sun chariot, a rocky grotto, and a decorated float.

Entry of His Highness, Representing the Sun, from The Combat at the Barrier

1627

Engraving of a barrier combat in a grand hall, with armored combatants, pikemen, dense crowds and a coffered ceiling.

The Grand Tournament: The Combat

1627

Etching of a village fair under a huge tree, with crowds, horse riders, cottages and a church tower.

The Fair at Gondreville

1624

Three soldiers in plumed hats stand holding halberds in an etching, numbered plate 3 from Callot's Military Exercises.

Drill with Halberds, plate three from The Military Exercises

published 1635

Etching of soldiers in plumed hats loading a cannon up a wooden ramp, with a Latin inscription below.

Loading the Canon, plate eleven from The Military Exercises

published 1635

Brown ink wash drawing of a drummer in a plumed hat and ruffled collar, one arm raised, a drum at his side.

The Drummer

1600s

Etching of the formal parterre gardens of the Palace of Nancy with scrolled flower beds and crowds of figures.

The Palace Gardens at Nancy

1625

Brown wash drawing of rocky mountains and cliffs rising above a lake, with a village on the shore and a small sailboat.

A View of Mountains Across a Lake

about 1632

Brown ink drawing of a rearing horse seen from behind, with flowing mane and tail and small sketches in the corners.

Study of a Rearing Horse

about 1616

Red chalk drawing of a colonnaded hall with a stepped platform, draped canopy, soldiers with spears, and robed figures.

Pilate Washing His Hands

1631-1634

Etching of a river scene with a tall round tower, boats, figures and horses, and a multi-arched bridge in the distance.

Les deux grandes vues de Paris: Vue du Pont Neuf

1628-30

Etching of Paris riverfront with a medieval tower, crowded quay, many boats on the Seine, and the long Louvre facade.

Les deux grandes vues de Paris: Vue du Louvre

1628-30

Etching of a river scene with boats, crowds on the quay, a round tower at left and a long palace facade at right.

View of the Louvre

1630-35

Etching of the Pont Neuf over the Seine, with a stone tower, rowboats, carts, figures on the banks, and a city skyline.

View of the Pont Neuf

1630-35

Etching of troops disembarking from boats onto a shore, framed by an ornate scrolled cartouche.

Le Débarquement des Troupes

c. 1628

Brown wash drawing of an army column with camels and banners passing a crenellated castle on a hillside.

An Army Leaving a Castle

about 1632

Etching of two soldiers firing a wheeled cannon, with smoke rising, barrels and cannonballs on the ground.

Firing the Canon, plate twelve from The Military Exercises

published 1635

Three soldiers in feathered hats demonstrate firing a musket in sequence, with smoke rising in the right figure.

Firing the Musket, plate nine from The Military Exercises

published 1635

Etching of twenty-three crucified friars on crosses along a road, with soldiers below and angels in the clouds above.

The Martyrs of Japan

1627

Etching of two soldiers preparing a cannon on a carriage with cannonballs and a barrel nearby, numbered plate 10.

Preparing to Fire the Canon, plate ten from The Military Exercises

published 1635

Engraved title page with a coat of arms, trumpeters, a drummer and fifer, and military flags framing a dedicatory inscription

Frontispiece, from The Military Exercises

published 1635

Etching of three men in plumed hats and period dress holding sticks, with Latin caption and plate number 1 below.

Unarmed Drill, plate one from The Military Exercises

published 1635

Etching of three drummers in plumed hats holding drums and sticks, with a Latin caption below.

Drill with Drums, plate two from The Military Exercises

published 1635

Three soldiers in plumed helmets hold long pikes upright in different drill positions, etched in fine black lines on paper.

Drill with Raised Pike, plate six from The Military Exercises

published 1635

Etching of three soldiers in feathered hats performing a drill with tilted pikes, with Latin caption below.

Drill with Tilted Pikes, plate five from The Military Exercises

published 1635

Three small etched soldiers in feathered hats hold muskets at different angles in a military drill sequence.

Drill with the Musket, plate four from The Military Exercises

published 1635

Etching of three soldiers in plumed helmets holding long pikes at different angles during a military drill.

Drill with the Musket, plate seven from The Military Exercises

published 1635

Three soldiers in plumed hats demonstrate musket drill positions, one aiming a long gun, in a 1635 etching by Jacques Callot.

Taking the Firing Position with the Musket, plate eight from The Military Exercises

published 1635

Engraved title plate with ornate cartouche showing a crowd of figures, a royal coat of arms, and the word OBSID above.

The Siege of La Rochelle: Plate 1

1628-1630

Engraving of a naval and land siege: warships fire from the sea while soldiers and carts crowd a fortified coastline.

The Siege of La Rochelle: Plate 10

1628-1630

Engraving of a naval battle with sailing warships and smoke, beside a fortified city with numbered keys.

The Siege of La Rochelle: Plate 11

1628-1630

Etching of a siege: warships fight in a bay while troops, cannons and tents surround a walled coastal town.

The Siege of La Rochelle: Plate 12

1628-1630

Engraved plate of a royal entry procession of horsemen approaching a walled city, framed by scrollwork and a crowned coat of

The Siege of La Rochelle: Plate 3

1628-1630

Etched panoramic view of a coastal siege with massed troops, cavalry, burning town, and ships offshore.

The Siege of La Rochelle: Plate 5

1628-1630

Etched aerial view of a walled port city under siege, with bastions, troops, cannon smoke and ships in the harbor.

The Siege of La Rochelle: Plate 6

1628-1630

Etched panoramic view of a siege with fortified walls, cannon smoke, marching soldiers, and windmills across open land.

The Siege of La Rochelle: Plate 7

1628-1630

Etching of Saint John seated on rocks by the sea, looking up at an angel blowing a trumpet in the clouds.

Saint John on the Isle of Patmos

1625

Etching of a crowded river festival with boats, carriages, fireworks and a city skyline, within an ornate scrolled frame.

The Fan

1619

Etched frontispiece with Latin title, Virgin Mary in oval medallion at top, two angels flanking the text panel.

Frontispiece for "The Life of the Virgin"

c. 1633/1634

Etching of the Birth of the Virgin with attendants around an infant, a canopied bed, and angels in clouds above.

The Birth of the Virgin

c. 1633/1634

Etching of the young Virgin climbing temple steps toward a priest, with onlookers and columns around her.

The Presentation of the Virgin

c. 1633/1634

Etching of the Marriage of the Virgin: a priest joins Mary and Joseph in a columned temple with a crowd watching.

The Marriage of the Virgin

c. 1633/1634

Etching of the Virgin Mary seated reading as the angel Gabriel kneels on clouds with rays of light, cherubs above.

The Annunciation

c. 1633/1634

Etching of two haloed women greeting on a city street beside an arched portico, with onlookers and a small dog.

The Visitation

c. 1633/1634

Etching of the Nativity: infant Christ in a manger lit by rays, Mary and Joseph beside him, shepherds kneeling and angels abo

The Nativity

c. 1633/1634

Etching of the Adoration of the Magi: a kneeling king offers gifts to the Christ child and Virgin beneath an arcade, with a p

The Adoration of the Magi

c. 1633/1634

Etching of the Virgin presenting Jesus at a temple, a priest receiving the child at a table amid a crowd and columns.

The Virgin Presents Jesus at the Temple

c. 1633/1634

Etching of the Virgin Mary riding a donkey with the Christ Child, led by a man past trees, with angels overhead.

The Flight into Egypt

c. 1633/1634

Etching of the Virgin Mary's death, she lies on a bed surrounded by haloed apostles while angels gather in clouds above.

The Death of the Virgin

c. 1633/1634

Etching of the Virgin's burial: bearers lift a shrouded body as haloed mourners stand around, with angels in clouds above.

The Burial of the Virgin

c. 1633/1634

Etching of the Virgin ascending on clouds toward Christ, with apostles gathered around an open tomb below.

The Assumption of the Virgin

c. 1633/1634

Etching of the Virgin Mary ascending on clouds, surrounded by angels and cherubs, with a small walking figure in a landscape

Attributes of the Virgin

c. 1633/1634

Unarmed Drill

1634/1635

Three drummers in plumed hats and tasseled breeches, drawn in fine line, with a Latin inscription beneath.

Drill with Drums

1634/1635

Three soldiers in plumed hats hold long halberds in a line, drawn in ink on pale paper with a Latin caption below.

Drill with Halberds

1634/1635

Three etched figures of soldiers in plumed hats performing musket drill in successive positions, with a Latin caption below.

Drill with the Musket

1634/1635

Etching of three soldiers in plumed helmets holding tall upright pikes during a drill, with a Latin caption below.

Drill with Raised Pikes

1634/1635

Three soldiers in plumed helmets hold long pikes at different angles in a military drill, etched in a linear style.

Drill with Tilted Pikes

1634/1635

Three soldiers in plumed hats demonstrate musket firing positions in a line etching by Jacques Callot.

Taking the Firing Position with the Musket

1634/1635

Three etched soldiers in plumed hats show musket drill, the rightmost figure firing with smoke rising.

Firing the Musket

1634/1635

Etching of a cannon with barrels and cannonballs, with two soldiers in plumed hats, one pointing, beside a pike.

Preparing to Fire the Cannon

1634/1635

Etching of two soldiers in plumed hats loading a cannon up a wooden ramp, with cannonballs and a ramrod on the ground.

Loading the Cannon

1634/1635

Etching of two boys in plumed hats firing a cannon, with smoke, cannonballs and a powder barrel on the ground.

Firing the Cannon

1634/1635

Etching of travelers gathering outside a rustic inn with a loaded cart, a mounted rider, and a large tree.

The Stopping Place

1621

Etching of a procession with plumed riders, a cloaked woman with a child on horseback, and walkers along a road.

The Bohemians Marching: The Vanguard

1621

Etching of a travelling band of vagrants with a cart, mounted riders, women with infants and children on a road.

The Bohemians Marching: The Rear Guard

1621

Etching of a crowded outdoor feast under trees, with figures cooking over a fire and a French verse inscription above.

The Feast of the Bohemians

1621