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Jacques Callot

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Etching of a chaotic cavalry battle with smoke, fallen horses and soldiers, and a distant town on the right.

The Battle, plate three from The Miseries of War

1633

Etching of soldiers looting and attacking villagers in front of a stone inn, with trees and a dirt road.

Scene of Pillage, plate four from The Miseries of War

1633

Etched frontispiece with a title cartouche, grotesque winged figures, and a crowned coat of arms, by Jacques Callot.

Frontispiece, from Capricci di varie figure (The Caprices) - The Nancy Set

c. 1622

Etching of soldiers plundering a farmhouse interior with a fire, hanging figure, and scattered goods, with French verse below

Plundering a Large Farmhouse, plate five from The Miseries of War

1633

Etching of soldiers looting and burning a convent, with a carriage of plunder and scattered debris in the street.

Destruction of a Convent, plate six from The Miseries of War

1633

Etching of soldiers plundering a village, with burning houses, fleeing peasants, livestock, and a church in the background.

Plundering and Burning a Village, plate seven from The Miseries of War

1633

Etching of soldiers attacking a horse-drawn coach on a wooded road, with bodies on the ground and trees framing the scene.

Attack on the Coach, plate eight from The Miseries of War

1633

Etching of soldiers with pikes marching along a wooded road led by a mounted officer, with fallen figures in the foreground.

Discovery of the Criminal Soldiers, plate nine from The Miseries of War

1633

Etching of a town square with soldiers, a hanging frame with a suspended victim, and a bound prisoner beside an executioner.

The Strappado, plate ten from The Miseries of War

1633

Etching of many men hanging from a large tree while soldiers, a ladder and onlookers gather in a military camp.

The Hanging, plate eleven from The Miseries of War

1633

Etching of soldiers and a crowd around a burning stake in a village square, with a church tower and burning houses behind.

The Stake, plate thirteen from The Miseries of War

1633

Etching of a public execution on a wheel and scaffold, with soldiers, a mounted rider, a crowd, and towers behind.

The Wheel, plate fourteen from The Miseries of War

1633

Etching of a city street with a domed church, a well, and crowds of crippled beggars on crutches and kneeling on the ground.

The Hospital, plate fifteen from The Miseries of War

1633

Etching of peasants fighting soldiers in a forest clearing, with bodies on the ground and a church tower in the distance.

The Peasants Avenge Themselves, plate seventeen from The Miseries of War

1633

Etching of a seated ruler on a throne in an arched hall, surrounded by soldiers and flags, with French verse below.

Distribution of Rewards, plate eighteen from The Miseries of War

1633

Etched page with an ornamental cartouche and three landscape prints showing rivers, hills, buildings and boats.

[Le retour de la chasse]

1630

Engraving of a crowded ceremonial hall with plumed figures advancing down a central floor beneath a coffered ceiling.

Duke Charles IV Arriving on Foot, from Combat à la Barrière

1627

Etching of a haloed youth gesturing among seated and standing bearded men inside a columned temple beneath a draped canopy.

Christ Disputing with the Doctors

1635

Etching of a haloed figure preaching from a fishing boat to a crowd on shore, with fishermen working nets and a city in the d

Fisher of Men

1635

Etching of Jesus gesturing to Pharisees as disciples pick grain in a field beneath trees, with a distant landscape and ruins.

Jesus with the Pharisees

1635

Etching of Jesus seated on a hill teaching twelve haloed apostles beneath a large tree and rocky cliffs.

Sermon on the Mount

1635

Etching of Christ with a kneeling woman in a columned hall, surrounded by robed figures and spear-carrying soldiers.

Christ and the Woman Taken in Adultery

1635

Etching of a colonnaded temple interior where a haloed figure stands among a crowd as men gather stones from the floor.

Stoning of Jesus

1635

Etching of Jesus raising Lazarus from a cave tomb as a crowd of onlookers gathers around.

Raising of Lazarus

1635

Etching of Jesus riding a donkey into Jerusalem as a crowd with palm branches welcomes him, city walls behind.

The Entry into Jerusalem

1635

Etching of Jesus among robed men in a colonnaded hall, with a figure in a feathered hat and a seated elder with a cane.

Caesar's Coin

1635

Etching of soldiers fighting near a fortified hill while a divine light breaks through clouds above.

Conversion of Paul

1635

Engraving of a triumphal procession with a chariot, robed figures with scrolls, angels in clouds, and a crowned eagle below.

The Triumph of the Virgin

1625

Engraving of the Virgin and Child receiving kneeling kings bearing gifts, with a star above and a procession in the backgroun

The Adoration of the Magi

1623/1628

Etching of a sailing ship surrounded by tritons and sea creatures, with an island tree and a domed building on rocks below.

Entry of M. le Comte de Brionne, Grand Chamberlain of His Highness,Representing Jason

1627

Etching of a stag hunt with mounted hunters and hounds in a forest, a hilltop castle in the distance.

The Stag Hunt

probably 1619

Etching of Moses raising a staff as Israelites cross rocky terrain while waves overwhelm soldiers in the sea.

The Crossing of the Red Sea

1629

Etching of an oval Florentine festival arena with cavalry, a foot battle, crowds, carts and a large palace facade.

View of the Festival

1616

Brown wash drawing of a farmhouse beside a winding road, with large trees and a distant town under cloudy skies.

Landscape with Buildings and a Town in the Distance (recto); Study of a Building (verso)

Etching of a crowded fair with tents, carts, and figures in front of a large church with a bell tower and hills behind.

The Fair at Impruneta

1620

Etching of hanged men dangling from a large tree while soldiers and onlookers stand beneath it in a camp setting.

Strafmaatregelen: ophanging

1633

Etching of a firing squad executing prisoners before a walled town, with onlookers, a dog, and military tents in the backgrou

Strafmaatregelen: het vuurpeloton

1633

Etching of soldiers gathered around a burning pyre in a village square, with a church tower and houses behind, by Jacques Cal

Strafmaatregelen: de brandstapel

1633

Etching of a public execution on a wooden scaffold surrounded by soldiers, pikes, a crowd and town towers.

Strafmaatregelen: radbraken

1633

Etching of a city square with a domed church, crowds of beggars on crutches in the foreground, and a well at center.

Gewonden bij een ziekenhuis

1633

Etching of a village street with beggars and dying figures on the ground beside buildings, an arched gate and trees.

Bedelaars en stervenden langs de weg

1633

Etching of peasants attacking soldiers in a wooded landscape, with bodies on the ground and a church tower in the distance.

Boeren nemen wraak op soldaten

1633

Etching of a king on a throne receiving soldiers and courtiers in an arcaded hall with hanging banners.

De koning deelt onderscheidingen uit

1633

Etching of soldiers landing from boats onto a beach, framed by an ornate scrolled cartouche, with ships and a fortified town

The Landing of the Troops

probably 1628/1631

Etching of a mustached man in a plumed hat and doublet standing before a crowded city street with buildings.

Il Capitano, or L'Innamorato

1618/1620

Etching of Pantalone, a stooped elderly man in a long cloak with a hooked nose and beard, before a crowded city street.

Pantalone

1618/1620

Etching of a standing Zanni comic figure with a feathered hat and wooden sword, with a crowded town street behind him.

Zanni

1618/1620

Back of a paper sheet with brown water stains, a purple BN library stamp and handwritten shelfmark numbers.

[Martyre de saint Pierre : Inc.:] Mar. Beati Petri Appostoli

1632

Etching of a city street with a procession of guards and turbaned figures before classical palazzi and a distant arch.

Illustratie bij de eerste acte van de tragedie 'Il Solimano

1619

Etching of a classical theatre street with palazzo facades and a costumed procession of figures in plumed headdresses.

Illustratie bij de tweede acte van de tragedie 'Il Solimano

1619

Etching of a stage-like city street with classical buildings, statues, and groups of soldiers and robed figures in procession

Illustratie bij de derde acte van de tragedie 'Il Solimano

1619

Engraved stage set of a city street with costumed figures in turbans and spearmen in procession, by Jacques Callot, 1619.

Illustratie bij de vierde acte van de tragedie 'Il Solimano

1619

Etching of a burning city street with fleeing crowds, armed soldiers with shields, and fallen bodies beneath heavy smoke.

Illustratie bij de vijfde acte van de tragedie 'Il Solimano

1619

Etching of a horseback procession passing through a city gate, with pikemen, hooded figures and a crenellated wall.

Intocht van Margaretha van Oostenrijk in Ferrara

1612

Etching of courtiers in ruffs and cloaks greeting women in hooded dress, with a carriage behind them, by Jacques Callot.

Ontvangst van Margaretha van Oostenrijk in Mantua

1612

Engraving of a kneeling woman before a seated figure under a canopy, attended by clergy, courtiers and halberd-bearing guards

Margaretha van Oostenrijk op audiëntie bij de paus

1612

Etching of richly dressed figures in ruffed collars boarding a gangway, with a harbor city and ship in the background.

Inscheping van Margaretha van Oostenrijk in Genua

1612

Etched procession of nobles and attendants with a white horse passing a city gate toward a harbor with ships.

Aankomst van Margaretha van Oostenrijk in Valencia

1612

Etching of a formal court reception with a crowned king and a noblewoman in a gown, surrounded by courtiers in ruffled collar

Onderhoud van Margaretha van Oostenrijk met Filips III

1612

Etching of a ceremonial wedding in an arched interior with a priest, seated royal couple, and kneeling courtiers.

Huwelijk van Margaretha van Oostenrijk met Filips III

1612

Engraving of a bishop baptizing an infant at a stone font, surrounded by richly dressed courtiers beneath draped columns.

Doop van de zoon van Margaretha van Oostenrijk en Filips III

1612

Etching of ships tossed in a storm with a sea monster and a figure in the waves, by Jacques Callot, 1612.

Margaretha van Oostenrijk met Filips III in een storm voor de kust van Barcelona

1612

Engraving of a courtly scene with a seated ruler, a woman in a ruff, attendants, and soldiers with pikes beyond a balustrade.

Filips III geeft op advies van Margaretha van Oostenrijk militaire hulp aan Hongarije tegen de Turken

1612

Pen and ink sketch of two 17th-century men in plumed hats, one playing a lute and one seen from behind.

Study of Two Figures

ca. 1617

Pen and brown ink sketch of small figures grouped inside an oval cartouche with ornamental scroll framing.

Drawing for a Cartouche

early 17th century

Pen and brown ink drawing of a bearded haloed St. Paul holding a sword, with small figures and a town in the background.

St. Paul

early 17th century

Pen and ink landscape drawing of a thatched cottage beside trees, a river, and distant hills under clouds.

Landscape with Cottage

early 17th century

Pen and ink drawing of a shepherd beside a large tree, with cattle grazing in a rolling landscape and a distant town.

Shepherd in a Landscape

early 17th century

Pen drawing of a formal parterre garden before a palace, with a crowd of figures in the foreground and a colonnade at left.

Parterre du Palais de Nancy / The Garden Palace of Nancy

early 17th century

Red chalk drawing of a hunched beggar with a staff and dog beside a tree, with grazing cattle and a distant town.

A Beggar Playing a Flute

early 17th century

Etching of Christ kneeling to wash an apostle's feet before a group of robed onlookers in a street with ruined columns.

Christ Washing the Feet of the Apostles

c. 1624/1625

Etching of the Last Supper with Christ at center table, apostles seated around, servants at edges, under a stone arch with a

The Last Supper

c. 1624/1625

Etching of Christ kneeling in a garden as an angel offers a chalice, with sleeping disciples and soldiers beyond a fence.

The Agony in the Garden

c. 1624/1625

Etching of soldiers with spears seizing a robed figure, a fallen man at right, a windblown tree and a walled city behind.

The Betrayal

c. 1624/1625

Etching of soldiers leading a haloed figure through a Roman street past classical buildings and a crowd of onlookers.

Christ Condemned to Death by Pilate

c. 1624/1625

Etching of a bound figure being whipped by guards in an arched stone portico, with a prison building behind.

The Flagellation

c. 1624/1625

Etching of a haloed figure led by soldiers through a city square before robed officials, with a tower and SPQR banner.

Christ before Caiaphas

c. 1624/1625

Etching of soldiers crowning a figure beneath a stone arcade, with onlookers and a tower behind, by Jacques Callot.

The Crowning with Thorns

c. 1624/1625

Etching of Christ carrying the cross past mounted soldiers, a banner, and a crowd before a city gate and ruined tower.

Christ Carrying the Cross

c. 1624/1625

Etching of Christ being raised on a cross on a rocky hill, with soldiers, a mounted rider, banner and mourners below.

Raising of the Cross

c. 1624/1625

Etching of the Crucifixion with Christ centered on a cross, two thieves at the sides, soldiers, and mourning women below.

The Crucifixion

c. 1624/1625

Etching of many horses in different poses, rearing, galloping and one fallen, across an open field.

Paarden in diverse houdingen

1621

Tweemaal dezelfde rennende man, op de rechterzijde gezien

1621

Etching of one violin-playing man in a feathered hat and cloak shown twice side by side, playing a violin.

Tweemaal dezelfde vioolspelende man, op de rechterzijde gezien

1621

Two side views of the same elderly man walking, wearing a cloak and short breeches, drawn as an etching in 1621.

Tweemaal dezelfde lopende man, op de rechterzijde gezien

1621

Two repeated etched figures of a man in a feathered hat and fur-trimmed cloak holding a walking stick, side by side.

Tweemaal dezelfde man met bontmantel en wandelstok, van voren gezien

1621

Tweemaal dezelfde man met bontmantel, wandelstok en zwaard, op de rechterzijde gezien

1621

Two repeated etched studies of a man in a feathered hat and cloak, seen from behind, one leaning on a wall.

Tweemaal dezelfde man met mantel en zwaard, leunend op een muurtje, op de rug gezien

1621

Etching of one man shown twice, wearing a plumed hat, cloak and sword, with one arm outstretched to the right.

Tweemaal dezelfde man met mantel en zwaard, de rechterarm uitgestoken, op de rug gezien

1621

Dame en oude vrouw

1621

Two etched figures of the same man in feathered hat, cloak and breeches with a sword, side by side on a pale sheet.

Tweemaal dezelfde man met mantel en zwaard, van voren gezien

1621

Tweemaal dezelfde vrouw (man?) met lange mantel, op de rechterzijde gezien

1621

Etching of the same man seen from behind twice, wearing a feathered hat, cloak, and sword, by Jacques Callot.

Tweemaal dezelfde man met mantel en zwaard, op de rug gezien

1621

Two etched figures of the same man in feathered hat and cloak, one hand on hip, holding a sword, side by side.

Tweemaal dezelfde man met mantel en zwaard, de rechterhand in de zij, van voren gezien

1621

Etching showing the same man twice, holding a cup and walking stick, one seen from the side and one from behind.

Tweemaal dezelfde man met beker en wandelstok, op de rechterzijde gezien

1621

Etching of a plumed officer pointing a baton toward pikemen and smoke rising over a distant fortified town.

Bevelhebber te voet

1621