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Jacques Callot

1,591 works

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Etching of two masked figures in feathered hats crossing swords, with small onlookers in the background.

Taglia Cantoni - Fracasso, plate 24 from Balli di Sfessania

c. 1622

Etching of Judith holding a platter with the severed head of Holofernes beside a canopy bed, with a maidservant.

Judith with the Head of Holofernes

n.d.

Etched panoramic view of a crowded street with townhouses, carriages, horsemen and a coat of arms cartouche at top.

The Carrière, or Rue Neuve, at Nancy (The New Street)

1626

Lithograph of three caricatured male figures in feathered hats and period dress, one holding a walking stick.

Three male dwarfs. Lithograph by F. Piloty after J. Callot

Etching of a ragged man with a feathered hat carrying a banner inscribed Capitano de Baroni, with small figures and a church

Captain of the Barons, frontispiece to The Beggars

c. 1622

The Hurdy-Gurdy Player, plate two from The Beggars

c. 1622

Etching of two ragged pilgrims with tall staves and hats, with small townspeople and a church in the background.

The Two Pilgrims, plate three from The Beggars

c. 1622

Beggar on Crutches Wearing a Hat, plate four from The Beggars

c. 1622

Etching of a ragged beggar seen from behind, wearing a wide hat and leaning on a long staff.

Beggar on Crutches and Wearing a Hat, seen from Back, plate five from The Beggars

c. 1622

Etching of an elderly bearded beggar in a ragged cloak leaning on a staff and holding a footwarmer.

The Beggar with a Footwarmer, plate six from The Beggars

c. 1622

Etching of an elderly woman in a headscarf and long cloak, leaning on a staff and holding a rosary.

Woman Beggar with a Rosary, plate seven from The Beggars

c. 1622

Etching of two bearded beggars in tattered cloaks and hats, one leaning on a walking stick, standing together.

The Blind Man and his Companion, plate nine from The Beggars

c. 1622

Etching of a ragged beggar standing on two crutches, wearing a hat and tattered coat, with a wallet at his side.

The Beggar on Crutches and His Beggar's Wallet, plate ten from The Beggars

c. 1622

Etching of a bearded elderly beggar in tattered clothing, wearing a rosary and holding a hat, standing on a ground line.

The Beggar with a Rosary, plate eleven from The Beggars

c. 1622

Etching of a ragged barefoot beggar in a torn cloak extending one hand, numbered plate 12 in the lower right corner.

Beggar without Hat or Shoes, plate twelve from The Beggars

c. 1622

Etching of a bearded man in a cloak seated beside a reclining sick figure with bare feet and a jug.

The Sickly One, plate thirteen from The Beggars

c. 1622

Etching of a bearded beggar with a feathered hat leaning on two wooden crutches, in ragged clothing.

The Beggar with the Wooden Leg, plate fourteen from The Beggars

c. 1622

Etching of an elderly woman in a headscarf and long fur-trimmed coat, leaning on a walking stick, standing frontally.

The One-Eyed Woman, plate fifteen from The Beggars

c. 1622

Etching of an elderly bearded beggar in ragged clothes walking with a long staff, by Jacques Callot.

The Beggar on Crutches, plate sixteen from The Beggars

c. 1622

Etching of the Virgin Mary rising on clouds with a halo, surrounded by angels playing musical instruments and putti.

The Glorification of the Virgin, from The Life of the Virgin

n.d.

Brown ink drawing of the Virgin Mary ascending among angels above apostles gathered around an open tomb.

Assumption of Mary

1631

A beggar, holding his hat in his hand, in profile to the left

Pen drawing of couples dancing in a tiled hall while a woman plays piano and musicians play in a gallery above.

Gentlemen and ladies dancing, a lady plays piano and is accompanied by an orchestra

Pen drawing of a seaport with sailing ships, small boats, towers and a large rock on the right.

Seaport with ships, on the right a large rock

Red chalk drawing of a windblown tree and small figures, with a tall tower and hilltop town on the right.

Landscape, on the right on a hill a large tower, on the left a tree section and some figures

Pen drawing of a deer hunt with horsemen and hounds below a large villa on a hill, with a distant town.

Landscape with deer hunt

Pen and brown wash drawing of an ornate fireplace with a seated allegorical figure, standing figures, cherubs and a coat of a

Richly ornamented fireplace

Engraved architectural plan of the Basilica of the Nativity with numbered rooms, courtyards, a compass rose, and a legend.

Journey to the Holy Land, First plate. Lieure 307 [Plan of the Basilica of the Nativity]

1620

Etched architectural plan and elevation of the Holy Cenacle church with lettered key and compass rose, by Jacques Callot.

Journey to the Holy Land, Eleventh plate. Lieure 320-321 [Plan and elevation of the church of the Holy Cenacle]

1620

Engraved longitudinal section of the Holy Sepulchre basilica showing domes, arcades, and keyed chapels with lettering.

Journey to the Holy Land, Twentieth plate. Lieure 330 [Longitudinal section of the Basilica of the Holy Sepulchre]

1620

Etched architectural section of the Holy Sepulchre basilica with domed chapel, arches, staircase and Italian key text.

Journey to the Holy Land, Twenty-first plate. Lieure 331 [Longitudinal section of the Basilica of the Holy Sepulchre,…

1620

Engraved ground plan of the Holy Sepulchre with a circular colonnade, central chapel, and lettered key in Italian.

Journey to the Holy Land, Twenty-fourth plate. Lieure 337 [Plan of the Basilica of the Holy Sepulchre]

1620

Etched ground plan of the church of Saint Anne in Jerusalem with lettered key, cloister, cells and cistern.

Journey to the Holy Land, Thirty-first plate. Lieure 344 [Plan of the church of Saint Anne of Jerusalem]

1620

Engraved architectural plan and perspective section of the Holy Sepulchre of the Virgin church with lettered key.

Journey to the Holy Land, Thirty-third plate. Lieure 346 [Plan of the church of the Holy Sepulchre of the Virgin]

1620

Engraved longitudinal section of the Holy Sepulchre church interior with arched vaults, steps, altars and lettered keys.

Journey to the Holy Land, Thirty-fourth plate. Lieure 347 [Longitudinal section of the church of the Holy Sepulchre o…

1620

Engraved plan and elevation of a church with lettered labels, showing arches, a staircase and the Holy Sepulchre tomb.

Journey to the Holy Land, Thirty-fifth plate. Lieure 348 [Plan and elevation of the church of the Holy Sepulchre of t…

1620

Etched bird's-eye view of walled Jerusalem with dense domed buildings, numbered landmarks and a lettered key below.

Journey to the Holy Land, Thirty-sixth plate. Lieure 349 [Plan of the city of Jerusalem]

1620

Engraved plan of a funerary complex with burial chambers and passages, plus drawings of domed tombs and sarcophagi.

Journey to the Holy Land, Thirty-eighth plate. Lieure 351 [Plan of the funerary complex]

1620

Engraved architectural plate showing a vaulted tomb chamber elevation with arched doorways, smaller detail views, and a label

Journey to the Holy Land, Thirty-ninth plate. Lieure 352 [Elevation of the funerary complex]

1620

Pen and ink sketch of two riders on a horse with a man carrying a sack walking behind, on tan paper.

Two riders, followed by a man carrying a sack

Pen sketch of two peasant figures seen from behind, one with a long tool over his shoulder, on a light brown sheet.

Two peasants in back view during the harvest

Pen and brown ink drawing of a six-horse carriage with riders and attendants in procession, on tinted paper.

Six-horse carriage

Etching of a bearded beggar in a feathered hat leaning on two crutches, in ragged clothing.

The Beggars, The Beggar with the wooden leg. Fifteenth number of a series of 25 pieces (Lieure 493, Meaume 698)

Etching of a ragged blind beggar with a staff and cup, accompanied by a small shaggy dog on a leash.

The Beggars, The Blind Man and his Dog. Twenty-second number of a series of 25 pieces (Lieure 500, Meaume 706)

Pen and brown ink sketch of a gaunt bent man standing on two crutches, drawn in loose hatched lines on tan paper.

Beggars with two crutches

Pen and brown ink sketch of a soldier with a plumed hat and staff driving two goats forward on tan paper.

Two soldiers drive two goats before them

Pen and grey wash drawing of an elderly woman seen from behind, wearing a high collar, headdress and long cloak.

Old woman in rear view

Pen and ink drawing of a cavalier with a ruffled collar holding a hat, beside a woman in a long gown and veil.

A cavalier with his lady

Twice the same peasant woman with wicker basket, seen on the left side

1621

Etching of a market stall with a seated merchant, children, and a man with a basket examining small prints under a title bann

Title print for print series 'Diverse figures' / 'Varie figure di Jacopo Callot

1621

Two front-facing etched studies of the same soldier in a plumed hat and buttoned coat, one hand on hip.

Twice the same soldier with small feathered hat and hand on hip, seen from the front

1621

Etching of a cavalry battle with smoke over a field, mounted soldiers fighting, and fallen horses and men in the foreground.

The Battle, from The Miseries and Disasters of War

1633

Etching of a rural landscape with a stone bridge, farmhouses, rocky hills, travelers, and a large tree on the right.

[The return from the hunt]

1630

Etching of two duellists fighting across a barrier before crowds in an ornate hall, with soldiers and drummers in ranks.

Fight Across the Fence, from Combat à la Barrière

1627

Etching of a public execution on a wheel scaffold, with soldiers, a crowd, and a walled town behind.

Les grandes miseres de la guerre: No. 14 - La roue

Etching of rocky boulders framing a coiled serpent on the ground, numbered 9, by Jacques Callot.

The Serpent - no. 9 from the series "Lux Claustri" (The Light of the Monastery)

1628

Etching of a chaotic battle with a large winged dragon, demons and soldiers among smoke and ruined arches.

The Temptation of St. Anthony (La tentation de St. Antoine)

1635

Allegorical engraved title print with a seated central figure, winged horse, chariots, and a dense Latin text panel below.

Promotion print of Nicolas François of Lorraine

1625

Etching of Ecce Homo by Jacques Callot showing a crowded city square, a central figure before a doorway, and a large cross at

Ecce Homo

n.d.

Engraved ornamental border with a coat of arms and a scene of crowds and kneeling men, lettered OBSID, after Jacques Callot,

Siege of La Rochelle, September 1627-October 1628 (border work, top-left part)

1628

Engraved border with a coat of arms and a central panel showing a coastal siege with soldiers and a fleet of ships.

Siege of Saint Martin on the Île de Ré, July-November 1627 (border work, top-left part)

1629

Etching of a sailing ship with an armoured figure, sea creatures with horns and tridents, and small rocky islands with a tree

The entry of the Count of Brionne, dressed as Jason, from Combat à la Barrière

1627

Etching of a hunchbacked man seen from behind, wearing a plumed hat, buttoned cloak and sword.

Man with a Large Hunchback Adorned with a Row of Buttons

1616

Etching of a walled port city under siege, with troop formations, artillery smoke, and ships in the harbor below.

Plate Two from La Siège de la Rochelle

1631