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Jacques Callot

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Engraving of a coronation: a standing man crowns a woman under a tasselled canopy, with courtiers and a mounted rider nearby.

Copy of Couronnement de Christine de Lorraine, la Grande Duchesse (Coronation of the Grand Duchess, Christine de Lorr…

after 1614

Engraving of soldiers with pikes and swords storming a city gate, with archers, fallen figures, ships and smoke in the backgr

Les Troupes Forcent la Porte d'une Ville (The Troops Force Their Way Through the Gate of a City), from La Vie de Ferd…

1614-20

Engraving of armored soldiers led by a plumed commander advancing toward a walled harbor city with ships and scaling ladders.

Prise de la Ville de Bone (Capture of the City of Bonne), from "La Vie de Ferdinand Ier de Médicis série appelée auss…

1614-20

Etching of a naval battle with galleys and sailing ships in rough sea, smoke rising from cannon fire.

2e Combat Naval (Second Naval Battle), from La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des…

1614-20

Engraving of richly dressed officials inspecting workers and mules repairing an arched aqueduct, with a walled city on the ho

Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from "La Vie de Ferdinand Ier de Medici" (The Lif…

1614-20

Etching of an allegorical fireworks chariot shaped like a sea creature, with a winged Cupid, armored figures and sparks over

Le Char de l'Amour appelé aussi Le Vausseau d'Artifice (The Ship of Love also called the Ship of Fireworks)

ca. 1615

Engraving of soldiers firing muskets and climbing ladders against fortress walls, with warships on the sea behind.

Assaut de Deux Fotresses (The Attack of Two Fortresses), from La Vie de Ferdinand Ier de Médicis série appelée aussi…

1614-20

Engraving of officials observing workers and mules repairing an aqueduct, with a walled city and dome in the background.

Restauration de L'Aqueduc de Pise (Restoring the Aqueduct in Pisa), from La Vie de Ferdinand Ier de Médicis série app…

1614-20

Engraving of a formal wedding scene with a couple, a cleric, a young boy and a crowd of courtiers in ruffed collars.

Le Mariage de Ferdinand 1er (The Marriage of Ferdinand I de'Medici), from "La Vie de Ferdinand Ier de Médicis série a…

1614-20

Engraving of a plumed commander pointing a baton as soldiers assault a walled harbor city with ships and ladders.

Prise de la Ville de Bone (Capture of the City of Bone), from La Vie de Ferdinand Ier de Médicis série appelée aussi…

1614-20

Engraving of a nobleman pointing at workers building a harbor fortification with stone blocks and scaffolding.

Le Grand Duc Fait Fortifier le Port de Livourne (The Grand Duke Fortifying the Port of Livourne), from La Vie de Ferd…

1614-20

Engraving of crowded galleys fighting at sea, with soldiers, flags, gun smoke and many ships in the distance.

1er Combat Naval (First Naval Battle), from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Batailles des…

1614-20

Engraving of an armored commander directing musketeers at a fortress wall, with soldiers on ladders and ships at sea behind.

Assaut de Deux Fortresses (Assault of Two Fortresses), from "La Vie de Ferdinand Ier de Médicis série appelée aussi L…

1614-20

Engraving of a courtly procession with a richly dressed woman, guards with halberds, and a child holding flowers in an arcade

La Grande Duchesse Marie des Jeunes Filles, from "La Vie de Ferdinand Ier de Médicis série appelée aussi Les Bataille…

1614-20

Engraving of men in period dress around a draped table examining a document, with a domed cathedral and guards visible outsid

Restauration du Dome de S. Maria del Fiore a Florence (The Restoration of the Dome of S. Maria del Fiore in Florence)…

1614-20

Etching of a sun chariot drawn by horses, with Atlas holding a globe, allegorical figures, and giants walking beside it.

Le Char du Soleil (The Chariot of Sun), from "Guerre de Beauté" (Guerra di Bellezza) (War of Beauty)

1616

Etching of figures in procession on a rocky Mount Parnassus with a winged horse, laurel tree and Italian banner, by Jacques C

Le Char du Mont Parnasse (The Chariot of Mount Parnassus), from "Guerre de Beauté" (Guerra di Bellezza) (War of Beauty)

1616

Etching of a sea-themed festival chariot with coral columns, nymphs, tritons, and giant Neptune figures walking beside it.

Le Char de Thétis (The Chariot of Thetis), from "Guerre de Beauté" (Guerra di Bellezza) (War of Beauty)

1616

Etching of cupids with bows and arrows on clouds above three nude women holding hands, with an Italian inscription scroll.

Le Char de L'Amour, from "Guerre de Beauté" (Guerra di Bellezza) (War of Beauty)

1616

Etching of galleys and sailing ships in a sea battle, one ship ramming another amid smoke and waves.

L'Abordage du Taccio (The Collision of Taccio), from "Les Combats de Quatre Galères" (The Battles of Four Galleys)

early 17th century

Etching of a large sailing ship attacked by several galleys in rough sea, with smoke and labeled vessels.

L'Abordage du 'Bertone' (The Colission of 'Bertone'), from "Les Combats de Quatre Galères" (The Battles of Four Galleys)

early 17th century

Etching of a naval battle with four galleys firing smoke at a large sailing ship on open sea.

L'Attaque (The Attack), from "Les Combats de Quatre Galères" (The Battles of Four Galleys)

early 17th century

Etching of a stage with colonnades, armed figures in battle, drummer and musicians, and winged figures in clouds above.

3e Intermède (3rd Interlude), from "Les Intermèdes" (The Interludes)

early 17th century

Etching of an oval tournament arena with riders, infantry, chariots, and crowds in wooden stands before a palace facade.

Reprint of Le Défilé Entrée des Chars de l'Afrique et de l'Aise (The Entrance Parade of the Chariots of Africa and As…

Engraving of ornate parade chariots pulled by camels, elephants and horses, with costumed riders and foot soldiers below.

Reprint of Le Chars et Les Personnages (The Chariots and The Characters), from La Guerre d'Amour (Guerra d'Amore) (Wa…

Etching of demons, a winged dragon and armed figures battling among ruined arches and smoke, by Jacques Callot, 1635.

Die Versuchung des Heiligen Antonius

1635

Etched title page by Jacques Callot, 1633, with soldiers, weapons and drums framing French text on war's miseries.

Titelblatt zu "LES GRANDES MISÈRES DE LA GUERRE, 1633

1633

Etching of soldiers and crowds in a town square around a tall gallows with a hanging figure, with houses and a church behind.

Der Wippgalgen

1633

Etching of a tree with many hanged men, an executioner on a ladder, soldiers, tents and a crowd of onlookers.

Der Galgenbaum

1633

Etching of a firing squad executing bound prisoners on a field, with a crowd, tents and a town behind.

Die Erschießung

1633

Etching of a mock infantry battle in an oval arena with crowded stands and city buildings behind.

Reprint of Le Combat des Sections d'Infantrie (The Battle of the Sections of Infantry), from La Guerre d'Amour (Guerr…

after 1615

Etching of a village street with ragged figures, some kneeling or lying on the ground, beside an archway and trees.

Die Sterbenden am Straßenrand

1633

Etching of armed soldiers and peasants fighting among trees, with fallen bodies on the ground and a church in the distance.

Die Rache der Bauern

1633

Etching of marching soldiers with pikes and flags before a walled town, with plumed officers at a table under a tree on the r

Die Truppenanwerbung

1633

Etching of ornate chariots, horses, mounted kings, and costumed soldiers and giants in labeled rows.

Le Chars et Les Personnages (The Chariots and The Characters), from "La Guerre d'Amour" (Guerra d'Amore) (War of Love)

1615

Etching of a cavalry battle with fallen horses, smoke-filled sky, and a distant fortress and infantry on the horizon.

Die Schlacht

1633

Etching of soldiers attacking villagers on a village street, with stone houses, trees and a fleeing woman in long dress.

Das Marodieren

1633

Etching of soldiers looting a farmhouse kitchen, with fleeing women, hanging pots, livestock and smoke near a fire.

Die Plünderung eines Bauernhofes

1633

Etching of soldiers on horseback and on foot plundering a town square in front of a church, with scattered loot and fleeing f

Verwüstung eines Klosters

1633

Etching of soldiers plundering and burning a village, with fleeing villagers, carts, livestock and a church in the centre.

Plünderung und Niederbrennen eines Dorfes

1633

Etching of soldiers attacking a horse-drawn coach on a wooded road, with fallen figures in the foreground.

Der Überfall auf den Postwagen

1633

Etching of armed men marching on a wooded road with a mounted rider, a farmhouse in the distance, and trees framing the scene

Aufspüren der Missetäter

1633

Etching of a military encampment with tents, a wagon, soldiers drinking at a table beneath a large tree.

Das Feldlager

1636

Etching of a roadside robbery with armed men attacking travelers among trees, a hanging figure, and bodies on the ground.

Raubüberfall auf der Landstraße

1636

Etching of soldiers attacking and setting fire to a church with a bell tower, while figures flee across a street.

Verwüstung eines Klosters

1636

Etching of soldiers plundering and burning a village, with a horse-drawn cart, fleeing villagers and a church tower.

Plünderung und Brandschatzung eines Dorfes

1636

Etching of peasants fighting in a village street beside timber houses, a church tower and large trees, with bodies on the gro

Die Rache der Bauern

1636

Etching of a crowded city-square mock battle with infantry masses, mounted riders, and spectators in galleries and windows.

Le Combat des Sections d'Infantrie (The Battle of the Sections of Infantry), from "La Guerre d'Amour" (Guerra d'Amore…

ca. 1615

Etching of a stage performance with dancers in plumed costumes, curtains, and a crowded audience in the foreground.

1er Intermède (1st Interlude), from Les Intermèdes (The Interludes)

1616

Etching of an oval arena with horsemen, chariots, pikemen and a dense crowd beneath a large palace facade.

Vue d'Ensemble de la Fête (View of the Ensemble of the Festival), from "Guerre de Beaute" (Guerra di Bellezza) (War o…

1616

Etching of a festival arena with horsemen, marching troops, chariots and crowded stands before a large palace facade.

Le Défilé Entrée des Chars de l'Afrique et de l'Aise (The Entrance Parade of the Chariots of Africa and Asia), from "…

1615

Etching of a standing commedia dell'arte figure with a feathered hat and sword, with a crowded city street behind him.

Le Zani ou Scapin, from "Les Trois Pantalons pièces appélees Les Trois Acteurs" (The Three Pants also called the Thre…

ca. 1618-20

Engraving of the Last Supper with Christ at a central banquet table, apostles seated around it, servants and columns framing

La Cêne (The Last Supper), from "La Grande Passion" (The Large Passion)

ca. 1619-24

Etching of a judgment scene in a colonnaded hall, with a seated judge, armed soldiers, a haloed prisoner, and a Latin caption

La Condamnation a Mort (The Condemnation to Death), from "La Grande Passion" (The Large Passion)

ca. 1619-24

Etching of soldiers mocking a figure in a courtyard, with spectators on a balcony and robed onlookers at left.

Le Couronnement D'Épines (The Crowning with Thorns), from "La Grande Passion" (The Large Passion)

ca. 1619-24

Etching of Christ carrying the cross through a crowd of soldiers, with kneeling women in the foreground and a hill behind.

Le Portement de Croix (Christ Carrying the Cross), from "La Grande Passion" (The Large Passion)

ca. 1619-24

Etching of Christ presented to a crowd before a classical building, with soldiers, a large cross, and onlookers in the street

La Présentation au Peuple (The Presentation of Christ to the People), from "La Grande Passion" (The Large Passion)Pas…

ca. 1619-24

Etching of a crucifixion scene with soldiers, mounted riders, workers with tools, and spectators on a hill; Latin text below.

Le Crucifiement (The Crucifixion), from "La Grande Passion" (The Large Passion)

ca. 1619-24

Etching of a stooped, masked figure in a long cloak standing before a crowd in a town square with tall buildings.

Le Pantalon ou Cassandre, from "Les Trois Pantalons pièces appélees Les Trois Acteurs" (The Three Pants also called t…

ca. 1618-20

Etching of a riverside water mill with an arched passage, figures at the water's edge, and a distant town skyline.

Le Moulin a Eau (The Water Mill), from "Les Quatre Paysages" (The Four Landscapes)

17th century

Etching of a small harbor with moored sailing boats, rowboats, ruined stone buildings and a tree on the right bank.

Le Petit Port appelé aussi Le Port de Mer (The Small Port, also called the Sea Port), from "Les Quatre Paysages" (The…

17th century

Etching of a farmyard with a thatched shed, a well, workers in a field, a grazing sheep, and a barn on the right.

Le Jardin, appelé aussi Le Marais (The Garden, also called The Marsh), from "Les Quatre Paysages" (The Four Landscapes)

17th century

Etching of a river scene with rowing boats, stone houses along the bank, a large tree, grazing animals and a shepherd.

La Promenade sur L'Eau (The Walk by the Water), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages De…

ca. 1618

Etching of a harbor with a stone building, loading figures, moored sailboats, and a hilltop town across the water.

L'Embarquement des Marchandises (The Embarkation of Goods), from "Paysages Gravés..."

ca. 1618

Etching of a harbor with a stone fortress, moored boats, a cart on the quay, and a hilltop town across the water.

L'Embarquement des Marchandises (The Embarkation of Goods), from Paysages Gravés pour Jean de Médicis appelées aussi…

ca. 1618

Etching of a stone water mill with an arched gateway on a river, with fishermen in boats and a distant hilltop town under a s

Le Moulin a Eau (The Water Mill), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Floren…

ca. 1618

Etching of a violent street massacre with soldiers, fleeing figures and bodies before classical buildings, in an oval frame.

Plate 1, from "Le Massacre des Innocents" (The Massacre of the Innocents)

ca. 1617-18

Etching of Christ washing a disciple's feet in an arcaded hall while apostles watch and a servant holds a towel.

Le Lavement des Pieds (The Washing of the Feet), from "La Grande Passion" (The Large Passion)

ca. 1619-24

Etching of a small harbor with moored sailboats, stone houses on a rocky slope, and a distant hilltop town across the water.

Le Petit Port pièce appelée aussi Le Port de Mer (The Small Port also called the Seaport), from "Paysages Gravés pour…

ca. 1618

Etching of a large rocky outcrop with a seaside town, sailing boats on the water, and figures and a tent on the shore at righ

Le Grand Rocher (The Large Rock), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Flore…

ca. 1618

Etching of a naval battle with ships and smoke beside rocky cliffs topped by ruined fortifications, under swirling clouds.

Le Combat Naval (The Naval Battle), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Flo…

ca. 1618

Etching of a hilly landscape with a bird hunter, a leaning tree, a river, village buildings and hunters with dogs.

Le Chasse aux Oiseaux (The Bird Hunt), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a…

ca. 1618

Etching of an Italian countryside with a stone bridge, farmhouses, rocky hills, cypress trees, and small figures with animals

Le Retour de la Chasse (The Return of the Hunt), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages D…

ca. 1618

Etching of bathers in a river beside an arched stone building, with a boat, a tree, hills and a distant town.

Les Baigneurs (The Bathers), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence,…

ca. 1618

Etching of a stag hunt with horsemen and hounds in hilly countryside, a large villa on the left and a distant town on the rig

Le Chasse au Cerf (The Stag Hunt), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Flor…

ca. 1618

Engraved portrait of an elderly bearded man in an oval frame with Latin inscription and ornate architectural border.

Portrait du Sénateur Donato dell'Antella (Portrait of Senator Donato dell'Antella)

ca. 1618

Etching of a church interior with a tall pyramidal catafalque, mourners in black, skeletons beside columns, and a pulpit.

Le Catafalque de l'Empereur Mathais pièce appelée aussi Le Petit Prédicateur, La Chapelle Funèbre de Florence et Requ…

1619

Etching of a tree with robed friars kneeling beneath it, and a dove and two enthroned figures in clouds above.

L'Arbre de St. François (The Tree of St. Francis)

early 17th century

Engraved frontispiece with two seated allegorical women, laurel branches, a coat of arms and an inscribed banner, by Jacques

Frontispiece of Fiesole Distrutta, also called La Belle Jardinière, or Poésie et L'Agriculture, or Catakasta

1619

Engraved frontispiece with columns, crowned coat of arms, garlands and an Italian title on a central drapery.

Frontispiece, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images…

1620

Etching of a stage-like city street with classical facades and statues, with turbaned figures and guards processing in the fo

Soliman, 1er Act, from "Soliman"

1620

Engraved plate with a floor plan of burial chambers and drawings of sarcophagi and vessels, from Callot's 1620 Holy Land trea

Plate 38, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraving of underground vaulted chambers with doorways and niches, plus smaller architectural elevation diagrams and a legen

Plate 39, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraved architectural plan of a church, cloister, cells and cistern with lettered key, from Callot's 1620 Holy Land treatise

Plate 31, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraved plates showing an octagonal domed shrine elevation, floor plan, and a temple perspective with ground plan and compas

Plates 27 and 28, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Im…

1620

Engraved architectural plate showing church interior elevations, arched vaults, a cloister with cistern, and lettered keys.

Plate 32, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Two engraved architectural plates showing church elevations, an isometric cutaway and floor plans with Italian inscriptions.

Plates 29 and 30, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Im…

1620

Engraved plate of Holy Land chapel elevations with pointed arches, a domed roof, lettered cartouche, and small robed figures.

Plate 25, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraved plate showing plan and elevation of the Holy Sepulchre with a domed tomb, arches, columns and an Italian caption.

Plate 26, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraved plan and section of the Holy Sepulchre church with lettered altars, stairs, vaulted chambers and a legend.

Plate 33, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraved architectural elevation of a church interior with lettered altars, arched vaults, stone steps and a small cloaked fi

Plate 34, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraved bird's-eye view of ancient Jerusalem with city walls, hills, valleys and a numbered key below.

Plate 37, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraved bird's-eye view of walled Jerusalem with domed buildings, towers, rolling hills, and a numbered key below.

Plate 36, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620

Engraved frontispiece showing a turbaned figure with a crescent staff, a title scroll, flags, armor and battle scenes.

Frontispiece, from "Soliman"

1620

Engraved plates showing exterior elevation, floor plans and interior view of sacred buildings in the Holy Land, with a tree b

Plates 12 and 13, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Im…

1620

Engraving of the Palace of Pilate showing a courtyard, arcades, stairs, and a column, with lettered labels along the Via Dolo

Plate 14, from "Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa" (Treatise of the Plans & Images of…

1620