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Jacques Callot

1,591 works

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Etched title print of crucified Christ with angels above and apostles around a tomb, inscribed Martiryum Apostolorum.

Titelprent voor de prentreeks 'De kleine apostelen' (Het martelaarschap van de apostelen)

1632

Etching of Saint Peter's upside-down crucifixion on a hill, with soldiers, a crowd, angels in clouds and a city behind.

Het martelaarschap van Petrus

1632

Etching of Saint Paul's martyrdom: an executioner with a raised sword, soldiers, a city skyline, and a heavenly figure in clo

Het martelaarschap van Paulus

1632

Etching of soldiers lying wounded by a village road while townspeople and beggars pass, with trees and buildings behind.

Dying Soldiers by the Roadside, plate sixteen from The Miseries of War

1633

Etching of a stage set with ruined arches and towers, filled with demons and fireworks, from Callot's Les Intermèdes.

2e Intermède (2nd Interlude), from "Les Intermèdes" (The Interludes)

early 17th century

Etching of soldiers attacking fleeing crowds before a grand palace facade, with an obelisk and city in the distance.

The Massacre of the Innocents (Second plate)

1622

Etched frontispiece by Jacques Callot showing hunchbacked caricature figures around a banner with the title Varie Figure Gobb

Frontispiece, from Varie Figure Gobbi

1616

Etching of a crowded fair with tented stalls, carts and horsemen in front of a church with a bell tower.

Jaarmarkt te Impruneta nabij Florence

1620

Etching of a crowded market fair with tents, carts and figures before a church with a tall bell tower, framed by trees.

Jaarmarkt te Impruneta nabij Florence

1622

Etched decorative panel with a military procession before a walled town in an oval cartouche, beside a crowned coat of arms.

Beleg van La Rochelle, september 1627-oktober 1628 (randwerk, deel rechtsboven)

1628

Engraved allegorical procession of the Virgin Mary on a chariot, with angels, banners, a heraldic eagle and a distant town an

Triomf van de maagd Maria

1625

Etched coat of arms under a cardinal's hat, flanked by two winged putti, with a crosier and mitre at the sides.

Wapenschild van Nicolas François, kardinaal van Lotharingen

1629

Engraving of galleys in close naval combat, soldiers crowding the decks amid smoke, with fleets and flags in the distance.

Naval Combat

early 17th century

Engraving of a nobleman with attendants pointing at workers building stone fortifications beside a harbor with ships.

The Grand Duke fortifies the Port of Livourne

early 17th century

Brown ink wash study of a hanging male figure with head tilted and arms raised, on pale paper.

Studie eines Gehenkten

1620

Pen and brown ink drawing of musketeers firing near a burning farmstead, with smoke, dogs and a church tower in a rural lands

Landschaft mit einem brennenden Gehöft und Gewehrschützen

1620

Etching of a female dancer in a feathered hat and a lute player facing her, with a town street and figures in the background.

Riciulina - Metzetin

1621

Etching of the Israelites crossing the Red Sea, with a robed figure raising a staff above crowds, soldiers and rocky cliffs.

The Passage of the Red Sea

1628-30

Etching of a standing noblewoman in a tall cap and lace collar, with a small town street and market behind her.

The Lady with the Small Raised Cap, plate one from La Noblesse

c. 1625

Etching of a stone watermill beside a river, with rowboats, fishermen, and a sunrise over distant hills.

The Watermill, from Various Scenes Designed in Florence

1618-20

Etching of nude bathers in a river beside an arched stone gateway, with a distant city and bridge under a cloudy sky.

The Bathers, from Various Scenes Designed in Florence

1618-20

Etched landscape of rolling hills, a large tree at right, a hilltop town, and small figures with a dog in the foreground.

Hunting Birds, from Various Scenes Designed in Florence

1618-20

Etching of a stag hunt with riders and dogs below a large hillside villa, with distant hills and cypress trees.

The Stag Hunt, from Various Scenes Designed in Florence

1618-20

Etched landscape with a stone bridge, farm buildings, rocky hills, cypress trees, and travelers with a dog on a road.

Returning from the Hunt, from Various Scenes Designed in Florence

1618-20

Etching of a naval battle with sailing ships, smoke over fortified cliffs, soldiers on shore and a distant town.

The Naval Battle, from Various Scenes Designed in Florence

1618-20

Etching of a forest clearing with a large stag hunt, hounds, mounted huntsmen, and a distant castle on a hill.

La grande chasse (The great stag hunt)

1619

Engraved frontispiece with a French inscription in an oval cartouche, a cherub head at top and scrolling ornament.

Frontispiece, from the New Testament

1635

Etching of a haloed figure gesturing among seated and standing elders inside an arched temple with draped canopy.

Jesus Among the Doctors, from The New Testament

1635

Etching of Jesus gesturing to robed men beside a wheat field where haloed figures harvest, with hills and a ruined tower behi

Jesus with the Pharisees, from The New Testament

1635

Etching of Christ preaching to seated and standing disciples in a hilly landscape beside a large tree.

The Sermon on the Mount, from The New Testament

1635

Etching of Jesus and a kneeling woman in a colonnaded hall, surrounded by a crowd of robed men and soldiers.

Jesus and the Adulterous Woman, from The New Testament

1635

Etching of Lazarus rising from a tomb in a rocky cave while robed onlookers and a haloed figure gather around him.

The Resurrection of Lazarus, from The New Testament

1635

Etching of Christ riding a donkey into a city, surrounded by kneeling figures, followers and palm trees.

Christ's Entry into Jerusalem, from The New Testament

1635

Etching of robed figures exchanging a payment within a columned stone colonnade, with a seated elderly man with a staff in th

The Tribute to Caesar, from The New Testament

1635

Engraved frontispiece with Latin title, the Virgin Mary in an oval medallion, flanking angels, and putti below a central embl

Frontispiece, from The Life of the Virgin

n.d.

Etching of the birth of the Virgin Mary with attendant women, a bed, and angels in clouds above.

The Birth of the Virgin Mary, from The Life of the Virgin

n.d.

Etching of a girl climbing temple steps toward a priest, with onlookers and columns, captioned in Latin below.

The Virgin Mary Presented at the Temple, from The Life of the Virgin

n.d.

Etching of Mary's betrothal to Joseph in a columned temple, with a crowd watching and draped curtains above.

Mary Marries Joseph, from The Life of the Virgin

n.d.

Etching of the Annunciation: the Virgin seated indoors at left, an angel with a staff kneeling on a cloud at right, figures i

The Annunciation, from The Life of the Virgin

n.d.

Etching of two haloed women greeting on a city street before an arched doorway, with onlookers and a small dog nearby.

The Visitation of St. Elizabeth, from The Life of the Virgin

n.d.

Etching of the Nativity in a stable with the infant Christ, Mary, Joseph, shepherds and angels above.

The Birth of Jesus, from The Life of the Virgin

n.d.

Etching of Mary presenting the infant Christ to a priest at a temple altar, with onlookers and statues in niches.

Mary Presenting Christ in the Temple, from The Life of the Virgin

n.d.

Etching of the Adoration of the Magi: a kneeling magus offers gifts to the Virgin and Christ Child beneath a portico, with a

The Adoration of the Magi, from The Life of the Virgin

n.d.

Etching of the Virgin and Child riding a donkey led by Joseph through a wooded landscape, with angels in the sky above.

The Flight into Egypt, from The Life of the Virgin

n.d.

Etching of the Virgin Mary's death, with apostles around her bed and Christ and angels in clouds above.

The Death of the Virgin Mary, from The Life of the Virgin

n.d.

Etching of the Virgin's burial: haloed mourners carry a shrouded body in a cave, with light and angels above.

The Interment of the Virgin, from The Life of the Virgin

n.d.

Etching of the Virgin Mary ascending to heaven toward Christ while apostles gather around an open stone tomb below.

The Assumption of the Virgin, from the Life of the Virgin

n.d.

Etching of armored soldiers in battle, with fallen men in the foreground and sailing ships on the water behind them.

The Re-embarkation of the Turks

c. 1614

Etching of a theatre stage with dancers in plumed costumes, painted trees and a seated audience in the foreground.

First Intermezzo

1617

Etching of a stage set with colonnades, plumed dancers in a choreographed battle, and cloud-borne figures above.

Third Intermezzo

1617

Etching of ships tossed by stormy waves, with a bearded sea god and a sea serpent in the foreground.

Storm off the Coast of Barcelona

1612

Etching of a bishop baptizing an infant at a font, surrounded by richly dressed courtiers and attendants in a columned hall.

Baptism of the Prince of Spain

1612

Etching of a formal court ceremony in an arched hall, with a priest, a seated couple, kneeling attendants and onlookers.

Marriage of Margaret of Austria and Philip III

1612

Etching of a seated queen on a throne receiving a bearded envoy holding a paper, with courtiers watching in a hall.

The Envoy of Tuscany Thanking the Queen

1612

Etching of horsemen in cloaks and plumed hats entering a city gate past a tower, with pikemen and onlookers.

Entry into Ferrara

1612

Etching of a bearded friar bowing to a richly dressed courtly couple in an arched hall with onlookers.

A Capucin Bringing Thanks of the King of Bavaria

1612

Etching of a seated ruler on a dais receiving a bowing envoy, with courtiers in ruffs and hats watching in a columned hall.

Reception of the Envoy of Poland

1612

Etching of a king and queen seated on a dais in conversation with courtiers, while a soldier-lined balustrade appears at righ

King and Queen in Consultation about the Turks

1612

Etching of a crowned couple holding hands before a canopied throne, flanked by courtiers in ruffled collars.

Meeting of Margaret of Austria and Philip III

1612

Etching of richly dressed figures, a horse and a crowd walking past city walls and an arch, with ships in the harbor behind.

Arrival at Valencia

1612

Etching of elegant figures in ruffs and cloaks boarding from a gangway, with a harbor city and ship in the distance.

Embarkation at Genoa

1612

Etching of courtiers in ruffled collars and gowns greeting each other outdoors, with a crowd and carriage behind.

Reception at Mantua

1612

Etching of a kneeling man before a seated dignitary under a canopy, surrounded by clergy, courtiers and soldiers.

Papal Audience

1612

Etched plan of underground burial chambers with a central hall, labeled passages, and drawings of domed tombs and sarcophagi.

Plan of the Spelunche Regee

1619