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Jacques Callot

1,591 works

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Etching of two duelists fighting across a barrier in a grand hall, with lancers, spectators in galleries, and a coffered ceil

Combat at the Barrier

1627

Etched panorama of a cavalry battle in a valley below hilltop towns, framed by military trophies and an oval portrait.

The Combat of Avigliana

in or after 1631

Etching of a busy river scene with boats, crowds on the quay, medieval towers and a long palace facade.

View of the Louvre

1629

Etching of the Pont Neuf in Paris with a stone tower, boats on the Seine, and figures and horses on the riverbank.

View of the Pont Neuf

1629

Etching of a winged dragon over a chaotic battle of demons, soldiers and ruined buildings, by Jacques Callot, 1635.

The Temptation of Saint Anthony [second version]

1635

Engraving of Saint Paul falling from his horse as soldiers react, with Christ and angels in clouds above under a beam of ligh

The Conversion of Saint Paul

1608/1611

Engraving of robed men gathered around a collapsed woman before classical columns and a raised platform with figures.

Sapphira Punished by Death

1608/1611

Engraving of a robed figure falling from the sky supported by a demon, while a crowd below reacts before classical architectu

Fall of Simon the Magician

1608/1611

Engraving of Saint Peter raising a kneeling woman as apostles watch, with angels in clouds above an arched frame.

Peter Raising Tabitha

1608/1611

Engraving of two apostles healing a kneeling lame beggar before a crowd, with Christ and angels in clouds above.

Peter and John Healing the Lame

1608/1611

Engraving of Saint Peter's martyrdom with an upside-down crucifixion, a crowd of onlookers, and angels in clouds above.

The Martyrdom of Saint Peter

1608/1611

Etching of Christ extending his hand to Saint Peter on the water, with angels on clouds above in an arched frame.

Christ Walking on the Water [first plate]

1608/1611

Engraving of Christ walking on water toward a boat of apostles, with angels and light rays in an arched sky.

Christ Walking on the Water [second plate]

1608/1611

Etching of the Virgin Mary ascending among angels and clouds while robed apostles gaze upward from below.

The Assumption

1608/1611

Etching of Saint Jerome teaching disciples beside a cross, with a smoking mountain and tree in an arched landscape.

Saint Jerome Instructing his Disciples in the Desert

1608/1611

Etching of Saint Basil celebrating mass at an altar, with clergy, kneeling worshippers and soldiers in an arched interior.

Saint Basil Celebrating the Mass

1608/1611

Engraving of Saint Benedict's death with monks, mourners and children below and angels and a heavenly host in clouds above.

Death of Saint Benedict

1608/1611

Etching of an ornate church side aisle with arches, columns, draped curtains, heraldic shields, statues and skeleton figures.

Side Aisle of San Lorenzo, Florence

1612

Engraving of a tiered architectural facade decorated with skeletons, skulls, draped curtains and classical columns.

Façade of San Lorenzo, Florence

1612

Etching of an ornate funerary catafalque with columns, seated figures, rows of candles, and draped curtains above.

The Catafalque

1612

Etching of mounted riders and pikemen in cloaks and hats passing through a city gate beside a crenellated tower.

Entry into Ferrara [recto]

1612

Etching of two gaunt, plumed pantaloon figures dancing in a field, with onlookers and a rural landscape behind them.

The Two Pantaloons

1616

Etching of a formal audience with robed clergy, courtiers and a kneeling woman before a seated figure under a canopy.

Papal Audience [verso]

1612

Etching of courtiers in ruffed collars and cloaks greeting elegantly dressed women beside a carriage.

Reception at Mantua [recto]

1612

Etching of richly dressed figures with ruff collars boarding from a gangplank toward a distant harbor city.

Embarkation at Genoa [recto]

1612

Etching of richly dressed figures and a horse on a street, with ships and towers of a walled harbor city behind.

Arrival at Valencia [recto]

1612

Etching of a crowned couple clasping hands before a canopy, surrounded by courtiers in ruffled collars and gowns.

Meeting of Margaret of Austria and Philip III [recto]

1612

Engraving of a church wedding ceremony with a priest at an altar, a seated royal couple, and courtiers in ruffled collars.

Marriage of Margaret of Austria and Philip III [verso]

1612

Etching of tilting ships in a stormy sea with a sea monster and a reclining merman in the foreground.

Storm off the Coast of Barcelona [recto]

1612

Engraving of a bishop baptizing an infant at an ornate font, watched by courtiers in ruffs and draped columns.

Baptism of the Prince of Spain [verso]

1612

Etching of a seated king and queen on a dais receiving a standing man, with armed soldiers and a drummer behind a balustrade.

King and Queen in Consultation about the Turks [recto]

1612

Etching of a courtly couple facing a bearded friar in a hooded robe, with a crowd in an arched hall behind them.

A Capucin bringing thanks of the King of Bavaria [recto]

1612

Etching of a queen in a ceremonial gown with a kneeling man, a bishop with crozier, courtiers, and workers in a street.

The Queen Laying the First Stone for the Church of the Poor Clares in Spain [verso]

1612

Etching of a seated ruler on a throne receiving a kneeling envoy while courtiers in ruffs stand around the dais.

Reception of the Envoy of Poland [recto]

1612

Engraving of a seated queen in a chair receiving a cloaked envoy, with courtiers watching in a hatched interior room.

The Envoy of Tuscany thanking the Queen [verso]

1612

Printed Italian text page in old italic type describing statues of virtues and mottoes on a ship, with a decorative initial.

Death of the Queen

1612

Etching of an Annunciation scene on a painted wall, with a crowd of onlookers, a painter on a ladder, and children below.

Painting of the Annunciation

1619

Etching of a bedridden man in a canopied bed with attendants and angels appearing in clouds above.

Innocent VIII

1619

Etching of a man embraced by a rearing bear beside a tree, with horsemen and mountains in the distance.

Spadino

1619

Etching of a courtyard where a figure falls from a high window while onlookers gesture and angels appear in clouds above.

Accursio

1619

Engraving of a kneeling man in a bedchamber with women and a child, a canopy bed, fireplace and Italian caption below.

Gioanni

1619

Etching of a hanged man in an arched room, with a guard, a seated official at a table, and robed onlookers beside him.

Mariotto di Martino

1619

Etching of a kneeling man with a rope on a tree, guarded by armored soldiers and mounted troops, with an army in the distance

Bernardo

1619

Etching of a bound man on a stake among flames, guarded by soldiers, with ships on the sea behind.

Mariotto

1619

Engraving of a grand duchess and courtiers in a procession past guards, a child with flowers, and onlookers under arcades.

Grand Duchess at the Procession of the Young Girls

c. 1614

Engraving of richly dressed men examining a large plan at a draped table, with halberd guards and a domed building beyond.

Restoration of the Duomo, Florence

c. 1614

Engraving of a seated nobleman pointing at workers building a stone fortification with scaffolding and towers in the distance

Construction and Fortification of the Port of Livorno

c. 1614

Engraving of officials with guards observing workers repairing an arched aqueduct, with a walled city behind.

Restoration of the Aqueduct at Pisa

c. 1614

Etching of soldiers in plumed hats paying and registering at a table with coins, a spaniel, and a marching column behind.

The Hiring of the Troops

c. 1614

Etching of a mounted commander pointing toward marching troops with pikes and banners, with a loaded pack horse in the foregr

The Troops on the March

c. 1614

Engraving of armored soldiers hauling a cannon past fallen bodies, with ships and a battle line visible on the shore.

The Re-embarkation of the Troops

c. 1614

Etching of a bearded gentleman in a fur-trimmed mantle and plumed hat, with a town street scene behind him.

The Gentleman in the Fur-Trimmed Mantle with his Hands Behind his Back, from the series The Nobility of Lorraine

1620/23

Etching of soldiers storming a town gate, with archers, pikemen, fallen figures, ships and smoke in the background.

The Troops Forcing the Gate of a Town

c. 1614

Etching of a naval battle with sailing ships and oared galleys firing amid smoke on rough sea.

The Second Naval Battle

c. 1614

Engraving of a battle with swordsmen and musketeers in the foreground and a walled fortress with ships behind them.

Assault on the Outer Forts of Bone

c. 1614

Engraving of armored soldiers pointing toward a walled harbor town, with ships at sea and troops attacking the city walls.

Taking of Bone

c. 1614

Engraving of an armored officer pointing as musketeers advance on a fortress while soldiers climb ladders and ships sit offsh

Assault on Two Fortresses

c. 1614

Engraving of a crowning ceremony with a woman kneeling as a man sets a crown on her head, watched by courtiers and guards.

Crowning of the Grand Duchess

c. 1614

Engraving of Saint Paul seated with books, a sword and a scroll, gesturing toward falling figures under a cloudy sky.

Saint Paul, Seated

c. 1611/1622

Etching of Christ carrying the cross through a crowd of soldiers, with kneeling women and a dog in the foreground.

The Small Carrying of the Cross

1624/1625

Etching of a sailing ship surrounded by galleys in smoky seas, with a small vessel approaching in the distance.

Boarding of the Bertone

1617

Etching of galleys in a sea battle, with smoke from cannon fire and swimmers in the waves, by Jacques Callot, 1617.

The Prize

1617

Etching of three men seated at a round table with bread, the central haloed figure surrounded by radiating light lines.

The Supper at Emmaus

1618

Engraved portrait of Saint Francis with hood, open book and radiating halo, inside an ornate oval border.

The True Effigy of Saint Francis

c. 1620-1621