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Jacques Callot

1,575 works

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Engraving of a triumphal procession with a chariot, robed attendants, banners, winged figures in clouds, and a city by the se

The Triumph of the Virgin

1624

Etching of a plumed-hat soldier with a ruff collar and sword, with cavalry fighting in the background landscape.

The Soldier with a Plumed Hat, plate three from La Noblesse

c. 1625

Etching of a gentleman in a fur-trimmed cloak saluting, with a town and figures in the background.

The Genleman who Salutes While Holding his Hat Beneath his Arm, plate two from La Noblesse

c. 1625

Etching of an elderly bearded man in a long cloak and cap standing before a crowded Italian town street with stone buildings.

Pantalone, from Three Italian Comedians

1618-20

Etching of a bearded gentleman in a fur-trimmed mantle and plumed hat, with a street scene of buildings and figures behind hi

The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse

c. 1625

Etching of a fashionably dressed gentleman with clasped hands, standing before a busy city street with a bridge and tower.

The Gentleman with Clasped Hands, plate eleven from La Noblesse

c. 1625

Etching of twenty-three crucified friars on crosses along a road, with soldiers below and angels in the clouds above.

The Martyrs of Japan

1627

Engraving of a naval and land siege: warships fire from the sea while soldiers and carts crowd a fortified coastline.

The Siege of La Rochelle: Plate 10

1628-1630

Engraving of a naval battle with sailing warships and smoke, beside a fortified city with numbered keys.

The Siege of La Rochelle: Plate 11

1628-1630

Etching of a siege: warships fight in a bay while troops, cannons and tents surround a walled coastal town.

The Siege of La Rochelle: Plate 12

1628-1630

Etched panoramic view of a coastal siege with massed troops, cavalry, burning town, and ships offshore.

The Siege of La Rochelle: Plate 5

1628-1630

Etched aerial view of a walled port city under siege, with bastions, troops, cannon smoke and ships in the harbor.

The Siege of La Rochelle: Plate 6

1628-1630

Etched panoramic view of a siege with fortified walls, cannon smoke, marching soldiers, and windmills across open land.

The Siege of La Rochelle: Plate 7

1628-1630

Etched frontispiece with Latin title, Virgin Mary in oval medallion at top, two angels flanking the text panel.

Frontispiece for "The Life of the Virgin"

c. 1633/1634

Etching of the Birth of the Virgin with attendants around an infant, a canopied bed, and angels in clouds above.

The Birth of the Virgin

c. 1633/1634

Etching of the young Virgin climbing temple steps toward a priest, with onlookers and columns around her.

The Presentation of the Virgin

c. 1633/1634

Etching of the Marriage of the Virgin: a priest joins Mary and Joseph in a columned temple with a crowd watching.

The Marriage of the Virgin

c. 1633/1634

Etching of the Virgin Mary seated reading as the angel Gabriel kneels on clouds with rays of light, cherubs above.

The Annunciation

c. 1633/1634

Etching of two haloed women greeting on a city street beside an arched portico, with onlookers and a small dog.

The Visitation

c. 1633/1634

Etching of the Nativity: infant Christ in a manger lit by rays, Mary and Joseph beside him, shepherds kneeling and angels abo

The Nativity

c. 1633/1634

Etching of the Adoration of the Magi: a kneeling king offers gifts to the Christ child and Virgin beneath an arcade, with a p

The Adoration of the Magi

c. 1633/1634

Etching of the Virgin presenting Jesus at a temple, a priest receiving the child at a table amid a crowd and columns.

The Virgin Presents Jesus at the Temple

c. 1633/1634

Etching of the Virgin Mary riding a donkey with the Christ Child, led by a man past trees, with angels overhead.

The Flight into Egypt

c. 1633/1634

Etching of the Virgin Mary's death, she lies on a bed surrounded by haloed apostles while angels gather in clouds above.

The Death of the Virgin

c. 1633/1634

Etching of the Virgin's burial: bearers lift a shrouded body as haloed mourners stand around, with angels in clouds above.

The Burial of the Virgin

c. 1633/1634

Etching of the Virgin ascending on clouds toward Christ, with apostles gathered around an open tomb below.

The Assumption of the Virgin

c. 1633/1634

Etching of the Virgin Mary ascending on clouds, surrounded by angels and cherubs, with a small walking figure in a landscape

Attributes of the Virgin

c. 1633/1634

Etching of a fashionable woman with a mirror and peacock, with a winged figure above, captioned Superbia.

Pride (Vanity)

probably after 1621

Etching of a seated woman beside a goat, with a winged demon on a rock and a flying devil above, labeled Pigritia.

Sloth

probably after 1621

Etching of a nude allegorical woman holding a bird, with a goat and a flying creature beside her, labeled Luxuria.

Lust

probably after 1621

Etching of an armed figure raising a sword beside a lion, with a winged creature above and the word Ira below.

Anger

probably after 1621

Etching of a woman holding a goblet and jug beside a pig, with a dragon above her head and the label Gula below.

Gluttony

probably after 1621