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Francisco Goya

1,146 works

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Etching of a man leaning toward a woman in a black mantilla, with a small dog at their feet and figures behind them.

Quien mas rendido? (Which of Them Is the More Overcome?)

published 1799

Etching of a half-nude man pointing while a crowd of grotesque, agitated figures surrounds him against a dark background.

Disorderly Folly, plate seven from The Proverbs

1815/24, published 1864

Brown etching of a woman and two frightened children on a sofa, staring at a tall shrouded figure in a hooded cloak.

Que viene el coco (Here Comes the Bogey-Man)

published 1799

Etching of a man embracing a limp woman against a brick wall, with a sword and hat on the ground below.

El amour y la muerte (Love and Death)

published 1799

Etching of a gaunt figure bending over a nude companion on a rock while a clawed creature rises beneath, under a dark sky.

Quien lo creyera! (Who Would Have Thought It!)

published 1799

Goya etching: a woman reaches toward a hanged man bound at the wrists on stone steps, under a dark sky.

A caza de dientes (Out Hunting for Teeth)

published 1799

Sepia etching of a donkey seated by an easel as a monkey paints on a small panel, with the caption Ni mas ni menos below.

Ni mas ni menos (Neither More nor Less)

published 1799

Etching of gaunt nude figures huddled under a starry night sky, one pointing upward; Goya, published 1799.

Si amanece; nos vamos (When Day Breaks We Will Be Off)

published 1799

Etching of three grotesque hooded goblin figures drinking, one standing and gesturing, beneath a barred window in a dim room.

Duendecitos (Hobgoblins)

published 1799

Etching of a violent melee with armed men, a woman raising her arms, and fallen bodies on the ground.

Y son fieras (And They Are Like Wild Beasts)

published 1863

Etching of a man shouting as two figures hold him down while a third stands with a raised weapon beside a tree.

Por que? (Why?)

published 1863

Etching of a woman standing by a cannon beside fallen soldiers on a battlefield, by Francisco Goya.

Que valor! (What Courage!)

published 1863

Etching of seated men in cross-marked hats and robes, several reading papers on a bench, with the caption No se puede saber p

No se puede saber por que (One Can't Tell Why)

published 1863

Etching of a soldier seizing a kneeling woman as a child lies on the ground and figures recoil in a dark scene.

Ni por esas (Neither Do These)

published 1863

Etching of a standing figure beside a post amid fallen bodies on the ground, rendered in dense dark hatching.

Y no hai remedio (And There's No Help for It)

published 1863

Etching of a mounted soldier with a raised sword beside a rearing horse, with fallen and fighting figures on the ground below

No se convienen (They Do Not Agree)

published 1863

Etching of two men pointing while a woman and child and a crowd flee across a landscape with a hilltop castle.

Yo lo vi (I Saw It)

published 1863

Etching of women carrying bundles and a pot past a dead animal and prostrate figures under a dark, hatched sky.

Y esto tambien (And This Too)

published 1863

Etching of several dead men in military dress piled on barren ground, with swords and a ruined building behind.

Tanto y mas (Even Worse)

published 1863

Etching of huddled figures, women and a child clinging together, a kneeling man at right, and rifles at the edge of the scene

No se puede mirar (One Can't Look)

published 1863

Etching of a man with bat-like wings flying among other winged figures against a dark night sky.

Modo de volar (A Way of Flying)

published 1864

Etched print of armed men struggling with a bayonet, with fallen bodies on the ground and soldiers in tricorn hats behind.

Rightly or wrongly, plate two from The Disasters of War

1812/15, published 1863

Etching of a man raising an axe over a fallen body while other figures fight with swords in a violent struggle.

The Same, plate three from The Disasters of War

1810/15, published 1863

Brown etching of armed men thrusting poles at a struggling crowd, with a woman lying on the ground at left.

And they are like wild beasts, plate five from The Disasters of War

1812/15, published 1863

Etching of figures in white clothing gathered on dark ground beside a prone body, with distant figures in an open landscape u

It Serves You Right, plate six from The Disasters of War

1810/15, published 1863

Etching of a woman in white standing on a cannon above fallen soldiers on a battlefield.

What Courage!, plate seven from The Disasters of War

1810/12, published 1863

Etching of a horse collapsing on open ground with a fallen rider and other horses in the background.

It Always Happens, plate eight from The Disasters of War

1814/20, published 1863

Etching of a couple embracing as an older woman behind them raises a knife, with a wall and fallen figure at left.

They Don't Like it, plate nine from The Disasters of War

1810/15, published 1863

Etching of tangled, fallen figures in a dark, hatched landscape, from Goya's Disasters of War series.

Neither do these, plate ten from The Disasters of War

1810/15, published 1863

Etching of soldiers attacking civilians beside a small building, one man held down with a raised sword, under a dark night sk

Nor do these, plate eleven from The Disasters of War

1810/15, published 1863

Etching of a man standing over several fallen bodies on a battlefield, smoke rising behind, with the caption Para eso habeis

This is What You Were Born For, plate twelve from The Disasters of War

1810/12, published 1863

Etching of a woman on the floor held by two men in a vaulted cellar, with another figure leaning in from the left.

Bitter to be Present, plate 13 from The Disasters of War

1810/11, published 1863