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Francesco Bartolozzi

307 works

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Sepia engraved portrait of a young woman in a large bonnet with a striped ribbon bow and fur collar, titled Winter.

Winter

Sepia engraving of a young woman with a flower crown holding foliage and a basket of flowers, titled Ophelia.

Ophelia

1784

Sepia print of a young man in naval dress on a warship deck, with sailing ships and a harbor behind him.

Portret van Prins William Henry aan boord van een oorlogsschip van de Britse Koninklijke Marine

1780

Hand-coloured print of a woman in a white gown and fur-trimmed cloak standing in a wooded landscape with cloudy sky.

Miss Elizabeth Farren, Countess of Derby

1792

Twaalf neuzen en monden

1803

Sepia oval print of a seated woman in classical dress with a winged child reaching up, beside a tree and distant hills.

Sappho Listening to Love

n.d.

Engraved plate of twelve studies of human eyes in varied gazes and lid positions, arranged in three rows.

Twaalf ogen

1803

Engraved study sheet showing twelve views of human ears arranged in a grid, some framed by hair, on a cream page.

Twaalf oren

1803

Sepia engraving of a courtly scene: a man clasps hands with a veiled bride as a crowned woman and armored guards look on.

The Conclusion of the Treaty of Troyes

1788

Engraved portrait of a seated man in a white wig, ermine robes and gold chain, beside a column and curtain.

Earl Mansfield

1786

Etching of Noah making a sacrifice at an altar as angels appear above and kneeling figures and a donkey stand nearby.

Offer van Noach

1738

Etching of ancient ruins with columns and urns, where figures in robes bury a body beside a bearded man in a turban.

Tobit en het begraven van de doden

1738

Sepia engraving of shepherds adoring the infant Christ with Mary, angels above, sheep and a cow nearby.

Aanbidding door de herders

1738

Engraving of three saints in clouds, one holding a monstrance, another with arms raised, and a kneeling monk with a chalice.

S. Isidorus, S. Vincentius, S. Hyacinthus

1760

Engraving of a storm at sea with a man clinging to rocks in the foreground and a woman reaching from a cliff above.

Shakespeare's Tempest (Macklin's British Poets)

1798

Etching of Hagar and a child leaving a ruined stone building as an older man points away, with a tree and onlookers.

Hagar Sent into the Wildnerness

1758

Engraved portrait of a seated man in a powdered wig and lace cuffs, resting his chin on his hand in an armchair.

The Right Honorable Charles Pratt, 1st Earl Camden, Lord Chancellor

1795

Stipple engraving of a man with curly hair in an oval frame, titled Mr. Henderson in the Character of Iago.

John Henderson, in the Character of Iago (Shakespeare's Othello)

1786

Ignatius Sancho

1802

Engraving of a woman in classical dress holding a comic mask and placing a laurel wreath on a bust beside a lyre.

Mrs. Abington as Thalia

August 20, 1783

Engraved bust portrait of Jane Shore, a woman with jewelled hair and a pearl necklace, with a Shakespeare quotation below.

Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1)

February 1, 1790

Engraved oval portrait of a man and woman as Romeo and Juliet, with a cherub and Capulet sign above them.

Mr. Dimond and Miss Wallis in the Characters of Romeo and Juliet

May 1, 1796

Hand-colored oval print of Jupiter and Juno embracing on a cloud, with an eagle and two cupids nearby.

Jupiter and Juno on Mount Ida

January 1, 1784

Engraving of men in period dress in a draped room, one with a monkey on his shoulder, two women watching by a mirror.

Frontispiece for Fanny Burney's "Evelina": Mr. Lovel Bitten in the Ear by Captain Mirvan's Monkey, vol. III

November 24, 1779

Engraved title page with a seated woman writing in a circular landscape vignette, above printed title and London imprint.

Title Page, "Sancho's Letters, with Memoirs of his Life," by Joseph Jekyll, Esq., M.P.

December 20, 1802

Sepia engraving of Romeo in pilgrim dress holding a staff, touching hands with Juliet, as an older woman gestures beside them

Romeo and Juliet at the Masquerade (Shakespeare, Romeo and Juliet, Act 1, Scene 5)

June 15, 1785

Engraving of a winged nymph crowning a bust of Shakespeare as cherubs bring laurel garlands, with a waterfall behind.

The Nymph of Immortality, Attended by the Loves, Crowning the Bust of Shakespeare

September 1784

Oval stipple engraving of a young woman in a flower crown holding a basket of blossoms, inscribed Ophelia.

Ophelia (Shakespeare, Hamlet, Act 4)

1784

Sepia engraving of a woman on a white horse crossing a river with a bearded guide and spear-carrying soldiers.

The Flight of Mary Queen of Scots to England

August 2, 1794

Engraving of classical statues of draped figures in a garden under a tree, with two seated people at left.

Demosthenes, Cicero and William Pitt, Earl of Chatham

1750-1815

Sepia print of the Virgin holding the infant Christ, with shepherds, a seated man with a staff, and cherubs in clouds above.

The Adoration of the Shepherds

before 1764

Oval engraving of Coriolanus showing a pointing armored man, kneeling women, a child, and a helmet on a pedestal in a tent.

Coriolanus: "The God of Soldiers, to shame invulnerable..." (Shakespeare, Coriolanus, Act 5)

November 3, 1785