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Drawings & Sketches

79,663 works

Pencil architectural drawing with a floor plan and vertical sections of arcades, columns and staircases on pale paper.

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Mittelteil, Grundriss, Vertikalschnitte

Heinrich von Ferstel, 1874

Brown wash drawing of the Last Supper with Christ at a table surrounded by apostles, angels above, bread basket and ewer in f

Laatste Avondmaal

Cornelis Schut, 1607

Pen drawing of the crowned Virgin with the Christ Child, surrounded by angels, saints and clouds in a heavenly scene.

Kroning van Maria door Christuskind

Cornelis Schut, 1607

Ink and wash drawing of a helmeted youth kneeling before a seated king in a vaulted hall with courtiers and guards.

Telemachus en Mentor voor koning Sesostris

Mattheus Ignatius van Bree, 1783

Pencil architectural drawing of a ground plan and sections showing arcades, staircases and niches of a multi-storey building.

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Mittelteil, Grundriß, Vertikalschnitte

Heinrich von Ferstel, 1874

Ground-floor architectural plan in red wash showing rooms, a central staircase and a projecting entrance, on tan paper.

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Parterre, Grundriss

Heinrich von Ferstel, 1874

Valentine card with painted pink and white flowers, green leaves, blue handwritten verse, and an embossed white lace border.

Dearest 'Tis Time Alone (valentine)

George Meek, c. 1840

Architectural drawing of a stepped plinth moulding for a connecting passage, with red and black dimensioned profiles on cream

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Sockelgesims des Verbindungsganges

Heinrich von Ferstel, 1874

Valentine card with blue and white urn of pink roses and flowers, green garland, lace border, and a small dark bird below.

Untitled Valentine (Vase of Flowers with Bird)

George Kershaw, c. 1840

Red-washed floor plan of a basement with rectangular rooms, central corridors and a scale bar, labeled Souterrain.

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Souterrain, Grundriss

Heinrich von Ferstel, 1874

Illuminated initial G showing attendants bathing an infant beside a haloed woman in a red-draped bed, with a gold and pink bo

The Birth of the Virgin in a Historiated Initial "G" from an Antiphonal

Unknown artist, c. 1500

Pen and wash drawing of the Adoration of the Christ Child with angels above, kneeling figures, and animals in a stable.

Adoration of the Christ Child

Filippo Bellini or circle of, 1580/1600

Pencil architectural drawing of a staircase with a ground plan, vertical section, iron balustrade and arched vaults.

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Stiegenhaus, Grundriss, Vertikalschnitt

Heinrich von Ferstel, 1873

Valentine card with two birds beside a yellow nest with eggs, flowers and leaves, inside a white lace border.

An Offering of Love (valentine)

George Kershaw, c. 1840

Pen and ink cross-section of a multi-story staircase with arches, balustrades and columns, with red wash on the walls.

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Treppenhaus, Querschnitt

Heinrich von Ferstel, 1875

Valentine card with lace border showing two grey birds, a yellow nest with eggs, blue flowers, and the words 'To my dear Vale

To My Dear Valentine (valentine)

George Kershaw, c. 1840

Pencil architectural drawing of a colonnaded passage elevation with doorways, steps, and handwritten annotations on paper.

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Verbindungsgang, Aufriss, Querschnitt

Heinrich von Ferstel, 1874

Watercolor of a blue and white vase with yellow and pink flowers, framed by an embossed paper border.

Untitled Valentine (Blue and White Vase with Flowers)

George Kershaw, c. 1850

Aged architectural drawing with multiple wall sections, plans and dimension lines for a passage, with German handwritten labe

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Verbindungsgang, verschiedene Risse

Heinrich von Ferstel, 1875

Valentine card with embossed border, a silver dove within blue rays and a blue scroll oval, and painted pink and yellow flowe

Untitled Valentine (Silver Dove)

George Kershaw, c. 1850

Architectural drawing with floor plans of three rooms, a scale bar and handwritten heading, on aged paper, with a colour chec

Kunstgewerbeschule des österreichischen Museums für Kunst und Industrie, Verschiedene Räume, Grundrisse

Heinrich von Ferstel, 1875

Charcoal drawing of a man sketching on a sketchpad among tall forest tree trunks and undergrowth.

Künstler, beim Skizzieren im Wald

Anton Heinrich Peschka, 1925

Medieval Bible page with gold and blue foliate border and a small illuminated initial showing a man and woman joining hands.

The Marriage of Hosea and Gomer in a Historiated Initial "V" from a Bible

Unknown artist, 1345/48

Architectural floor plan of the first storey of the Künstlerhaus Wien with labelled rooms and a scale bar, drawn on paper.

Künstlerhaus Wien, 1., Karlsplatz 5, Grundriss 1. Stock

Heinrich von Ferstel, 1861

Architectural floor plan of the second floor of the Künstlerhaus Wien, with exhibition room, studios and staircases, in brown

Künstlerhaus Wien, 1., Karlsplatz 5, Grundriss 2. Stock

Heinrich von Ferstel, 1861

Architectural section drawing of the Künstlerhaus Wien showing storeys, arches, a glazed gallery and roof, with a color check

Künstlerhaus Wien, 1., Karlsplatz 5, Schnitt AB

Heinrich von Ferstel, 1861

Hand-painted pink rose with green leaves and metallic gold and rose leaves, framed by lace paper border, with 'Love Me or I D

Love Me or I Die (Valentine)

Joseph Addenbrooke, c. 1840

Architectural elevation drawing of the Künstlerhaus facade with columns, arched windows, statues, and a balustrade, in pen an

Künstlerhaus, Hauptfassade

August Weber, 1865

Brown ink and wash drawing of a bearded nude figure in a cloak raising a hand and holding a tall cross-topped banner pole.

Resurrected Christ

Luca Cambiaso, c. 1559

Pencil sketch of a woman in a ruffled period dress painting at an easel in a studio, dated 1866.

Künstlerin an der Staffelei (Fr. Heinzen?)

Franz Alt, 1866

Valentine card with lace border, painted tulip and pansy bouquet, and blue handwritten verse.

Thou Art to Me More Lovely (valentine)

George Meek, c. 1850

Brown ink floor plan of a symmetrical building with a central circular rotunda and flanking courtyards on aged paper.

Kunstmuseum (nicht identifiziert), Grundriss

Heinrich von Ferstel, 1860