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Wien Museum

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Sepia print of men in regional costumes before a colonnaded hall, a bust with a motto, and heraldic shields along the border.

Allegorie auf den Wahlspruch Franz Josephs I. "Viribus unitis" (Nationalitäten und Kronländer Österreich und Ungarns…

Franz Kollarz, 1848

Engraved allegorical print of figures on a pedestal before a long palace facade, framed by columns and a Latin inscription.

Allegorie auf Wien, aus: Wahrhafte und genaue Abbildung (...), 3. Teil

Salomon Kleiner, 1733

Ink and wash ceiling design with a central open field, winged putti, and Rococo framing filled with figures, ships and ruins.

Allegorie der vier Fakultäten, Entwurf für das Deckengemälde der Aula der Alten Universität (heute Akademie der Wisse…

Gregorio Guglielmi, 1755

Engraved allegorical tableau of a crowd on a grand staircase with statues, a marble bust, and an opera house view.

Allegorisch-historisches Tableau zur Eröffnung der Hofoper

Ferdinand Tewele, 1869

Engraved allegory with two oval portraits, a seated woman, a sea god with trident, shells, putti and a winged figure holding

Allegorische Darstellung der Gründung der Muschelsammlung durch Maria Theresia und Franz I.

Carl Schütz, 1779

Ink and wash drawing of a crowd of workers around a central allegorical female figure with torch and banners, dated 1890.

Allegorische Darstellung mit sozialdemokratischer Symbolik (Allegorie auf den 1. Mai 1890?)

Carl von Stur, 1890

Triangular allegorical drawing with a smiling sun, a globe, putti and a German inscription banner, painted in watercolor and

Allegorischer Entwurf für eine Giebelfüllung eines Keller- und Vorratshauses

Johann Martin Schmidt, 1750

Engraved antique map of the Mediterranean and Near East with vignettes of ancient monuments and two text tables below.

Allgemeine Landkarte [...] / Carte Generale [...] / Ordnung der Kupfer-Platten des Ersten Buchs. / Table des Planches…

Johann Bernhard Fischer von Erlach, 1721

Pencil sketch of a log alpine hut with pine trees, a goat in the foreground, a cow by a fence, and mountains behind.

Almhütte, Rückseite: Ansicht von Wien

Rudolf von Alt, 1825

Watercolour design of an arcaded hall with a seated king, a man in green coat, crouching figures on steps and a central medal

Alpenkönig und Menschenfeind (Entwurf zum Ferdinand Raimund-Zyklus (Alpenkönig und Menschenfeind) auf Schloss Kogl, A…

Josef Engelhart, 1912

Pencil sketch of a symmetrical stage set with arched colonnades, stone steps, figures, and a horned creature.

Alpenkönig und Menschenfeind (Studie zum Ferdinand Raimund-Zyklus (Alpenkönig und Menschenfeind) auf Schloss Kogl, At…

Josef Engelhart, 1912

Hand-colored print of a river valley with a wooden bridge, a hilltop town, a rider on horseback, and walking figures.

Alt Sandecz (Galizien)

Rudolf Lang, 1840

Charcoal sketch of an old mill with a waterwheel beside dark hills and hatched sky on tan paper.

Alte Mühle

Anton Heinrich Peschka, 1925

Engraved portrait of an elderly bearded man in a cap pointing to the right, within a double-ruled border.

Alter Mann

Etching of an old wine house with an arched door and a large gnarled tree beside it, signed and dated lower right.

Altes Weinhaus in Neustift aW

Max von Scherer, 1918

Hand-colored print of six theatre costumes for Turandot characters, including a masked harlequin figure and a woman in pink.

Altwiener Mandlbogen - Theaterfiguren (Blatt Nr. 158, Turandot), aus der Serie "Theater-Costumes"

Matthäus Trentsensky, 1851

Six hand-colored theatre figures in black Chinese-style robes and red hats, standing in a row, gesturing with pointing hands.

Altwiener Mandlbogen - Theaterfiguren (Blatt Nr. 160, Turandot), aus der Serie "Theater-Costumes"

Matthäus Trentsensky, 1851

Hand-colored print of twelve costumed theatre figures in two rows, men and women in period dress, Vienna, 1845.

Altwiener Mandlbogen - Theaterfiguren (Mignon-Theater, Blatt Nr. 1, Czar und Zimmermann)

Matthäus Trentsensky, 1845

Pencil sketch of a valley with a lake, wooded mountain slopes, scattered shrubs, and a small figure on a path.

Am Hintersee

Eduard Peithner von Lichtenfels, 1886

Etching of hills, a small house and tree, figures in the foreground and a sailboat, by Anton Heinrich Peschka, 1914.

Am Rosenhügel

Anton Heinrich Peschka, 1914

Woodcut of a seated woman in a dark dress by a calm lake beside a large tree and drooping willow branch.

Am See (Sommerabend) (Jahresmappe der Gesellschaft für vervielfältigende Kunst Wien 1914)

Carl Alexander Brendel, 1914

Pen and watercolor drawing of a ruined brick arcade set among trees and shrubs beside a grassy path.

Amphitheater am Liechtenstein bei Mödling

Fide, 1822

Watercolor landscape of wooded hills with a ruined structure and a domed rotunda, framed by tall pine trees.

Amphitheater und Hundskogel in der Hinterbrühl

Fide, 1832

Engraving of Roman amphitheatre ruins in Tarragona above a view of the Scipios' tomb monument by the sea.

Amphitheatrum Col. I. V. T. Tarrac. / les Ruines du Grand Amphitheatre de Tarragone. / Sepulcrum Cnei et Publ. Cornel…

Johann Bernhard Fischer von Erlach, 1721

Etching of a long wooden bridge on piers over calm water, with trees on the banks and a cart crossing under a pale sky.

An der alten Donau, Wien

Marie Adler, 1900

Graphite anatomical sketch of a human pelvis and upper femur on brown paper, with handwritten notes in the margins.

Anatomische Zeichnung: Becken

Anton Heinrich Peschka, 1907

Pencil and blue crayon studies of vertebrae from several angles on brown paper, signed Peschka.

Anatomische Zeichnung: Wirbel

Anton Heinrich Peschka, 1907

Pencil anatomical study of three skull and head views on tan paper, by Anton Heinrich Peschka, 1907.

Anatomisches Studienblatt

Anton Heinrich Peschka, 1907

Engraving of Andreas Hofer receiving imperial gifts in the Innsbruck Hofburg, with men gathered around and a dog in front.

Andreas Hofer empfängt die kaiserlichen Geschenke in der Hofburg zu Innsbruck (aus "Neue Illustrirte Zeitung")

Franz Defregger, 1880

Engraving of Andreas Hofer taking leave of his people in a stone archway, surrounded by kneeling figures and soldiers.

Andreas Hofer´s Abschied von den Seinen (aus "Gartenlaube")

Theodor Knesing, 1879