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Wien Museum

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Pencil drawing of a man and woman looking out a window in a furnished room with curtains, a sculpture and a chest of drawers.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Bianca und Max schauen aus dem Fenster ("Episode")

Moritz Coschell, 1899

Pencil drawing of a reclining woman on a sofa, a lounging man, and a standing man by an easel in a room with framed paintings

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Cora in Hypnose (Die Frage an das Schicksal)

Moritz Coschell, 1899

Pencil drawing of a kneeling woman in a long gown reaching toward a hearth in a room with a window and side table.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Emilie sucht mit der Feuerzange den schwarzen Diamanten…

Moritz Coschell, 1899

Pencil drawing of a seated man in a bowler hat with a cane and a standing man leaning against a wall in an interior.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Max und Anatol ("Agonie")

Moritz Coschell, 1899

Pen drawing of a couple embracing beside a title block reading Arthur Schnitzler, Anatol, illustrated by M. Coschell.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Schlussvignette zu "Die Frage an das Schicksal"

Moritz Coschell, 1899

Pencil sketch of a man seen from behind and a woman in a feathered hat seated at a table with wine, 1899.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Abschiedssouper"

Moritz Coschell, 1899

Pencil sketch of two horses pulling a carriage with a man and woman passengers along a tree-lined road.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Agonie"

Moritz Coschell, 1899

Pencil and green-wash drawing of a furnished room with a marble fireplace, candelabra, bust, two armchairs and a side table.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Anatols Hochzeitsmorgen"

Moritz Coschell, 1900

Pencil drawing of a man and woman in period dress looking into a shop window under a street lantern.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette zu "Weinachtseinkäufe"

Moritz Coschell, 1899

Title page in German blackletter with coloured initials dedicating plans of the Heilandskirche in Vienna to Archduke Ferdinan

Votivkirche, Ausführungsprojekt, Blatt mit Widmung an Erzherzog Ferdinand Maximilian

Heinrich von Ferstel, 1859

Ink architectural elevation of a Gothic church choir with twin spires and detailed tracery, mounted on a card.

Votivkirche, Ausführungsprojekt, Chorfassade, Aufriss

Heinrich von Ferstel, 1859

Two red-tinted architectural floor plans of a Gothic church with a central tower plan, mounted on a beige board.

Votivkirche, Ausführungsprojekt, Grundrisse in der Höhe des Hauptschiffs und der Seitenschiffe

Heinrich von Ferstel, 1859

Pencil elevation drawing of a Gothic church main facade with twin spires and a central rose window.

Votivkirche, Ausführungsprojekt, Hauptfassade, Aufriss

Heinrich von Ferstel, 1859

Colored longitudinal section drawing of a Gothic church with spires, arched windows and a rose window, mounted on card.

Votivkirche, Ausführungsprojekt, Längsschnitt

Heinrich von Ferstel, 1859

Pen drawing of a Gothic church with twin spires and rose window, with a crowd of people gathered in front.

Votivkirche, Ausführungsprojekt, Perspektive

Heinrich von Ferstel, 1859

Architectural section drawing of a gothic church showing nave and chapel profiles with red-highlighted structural elements.

Votivkirche, Ausführungsprojekt, Schnitt durch das Langhaus und das Langhausjoch vor dem Querhaus

Heinrich von Ferstel, 1859

Pen drawing of a Gothic church side elevation with tall spires, pointed windows and a rose window, mounted on a tan board.

Votivkirche, Ausführungsprojekt, Seitenfassade zur Währingerstraße, Aufriss

Heinrich von Ferstel, 1859

Architectural drawing of a Gothic confessional booth with front elevation, side section, and floor plan in brown ink on paper

Votivkirche, Beichtstuhl für die Votiv-Kirche, Ansichten, Schnitt, Grundriss

Hermann von Riewel, 1878

Colored architectural elevation of an ornate choir screen and a gas candelabrum, labeled Votivkirche, 1878.

Votivkirche, Chorschranken und Gas-Kandelaber

Dominik Stadler, 1878

Pen drawing of a Gothic Revival church organ facade with pinnacles and pointed arches, with a floor plan below.

Votivkirche, Grundriss und Aufriss der Orgel

Heinrich von Ferstel, 1870

Architectural cross-section drawing of a Gothic church with a tall spire, rose windows, and pointed arches on paper.

Votivkirche, Querhaus und Schnitt durch den Chor

Heinrich von Ferstel, 1856

Ink architectural drawing of a Gothic church side elevation with pointed windows, pinnacles and a tower on paper.

Votivkirche, Seitenansicht

Heinrich von Ferstel, 1856

Ink and wash situation plan showing the Votivkirche church plan surrounded by pink-shaded city blocks and street lines.

Votivkirche, Situationsplan der Votivkirche vor dem Schottentor

Heinrich von Ferstel, 1878

Black-and-white architectural cross-section of a Gothic church with pointed arches, vaults, flying buttresses and pinnacles.

Votivkirche, Wien 9., Rooseveltplatz, Querschnitt

Heinrich von Ferstel, 1855

Engraved plate of Isfahan: palace and square with horsemen, a bridge cross-section, and a long view of the great bridge over

Vue du Palais des Rois de Perse à Ispahan et du Meidan; / Coupe du Pont Alyverdy-Chan. / Vue du grand Pont d´Ispahan…

Johann Adam Delsenbach, 1721

Monochrome engraving of the Prater park with large trees, a rowing boat on a river, and the Palais Razumovsky in the distance

Vue du Prater et du Palais Razomowsky

fraglich: Franz Jaschke, 1809

Lithograph portrait of a man with swept-back hair and ruffled cravat seated in a carved armchair, titled W. A. Mozart.

W. A. Mozart

Gabriel Decker, 1855

W. A. Mozart

Rudolf Hoffmann, 1850

Pen drawing of a cemetery gravestone with a hooded bust and inscription panel, beside a bare tree, 1900.

W. Scholz' Grab am alten Dornbacher Friedhof

Ludwig Wegmann, 1900

Lithograph of a military parade with infantry, cavalry and cannons before a white tent, with spectators and hills behind.

Wachtparade in Prag anläßlich des Geburtstages Kaiser Ferdinands am 25. April 1848