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Wien Museum

6,126 works

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Watercolour of Judith and Holofernes as costumed theatre figures in an ornate blue and gold interior, 1849.

"Judith und Holofernes./ Hr. Scholz Nestroy und Mad. Schmidt

Johann Christian Schoeller, 1849

Pen and watercolor drawing of a young man in a flat cap and clogs leaning against a wall, cigarette in mouth.

Junger Wasserer

Josef Engelhart, 1888

Pencil sketch on cream paper of abstract outlines and a diagonal streak ending in a small circle, with handwritten inscriptio

"Die Sternschnuppe" (Bleistiftskizze)

Karl Wiener, 1943

"Junius" (Vorlage zu: Gerlach & Schenk, Allegorien N.F. Nr. 53)

Gustav Klimt, 1896

Colored architectural elevation of a brick museum facade with arched windows, central portal and tiled roof, by Heinrich von

"k. k. österr. Museum für Kunst und Industrie", 1., Stubenring 3, Aufriss des Mittelrisalites und des linken Seitentr…

Heinrich von Ferstel, 1867

Pencil drawing of a tall dark mourning figure above a city with smoke rising from rooftops under a grey sky.

"Die trauernde Mutter"; aus "Die 150 Blätter"

Karl Wiener, 1940

Watercolor drawing of a neoclassical academy complex with gardens and hills, framed by an Art Nouveau border with two nude fi

K.K. Akademie - 100 Meter hoch gesehen auf 12 Hectaren

Otto Wagner, 1898

Colored architectural elevation of a red brick museum facade with arched windows, tiled roof and iron railing, titled in Germ

"k. k. österr. Museum für Kunst und Industrie", 1., Stubenring 3, Fassade gegen den Stadtpark

Heinrich von Ferstel, 1867

Pencil and ink sketch of a helmeted figure beside a diagonal staircase and a distant lighthouse on a pale background.

Die Treppe

Karl Wiener, 1942

Drawing of a gilded sleigh pulled by two white horses with green embroidered harness and white feathered plumes.

K.K. Galla Schlitten verwendet bei der Perutschade zu Ehren d. 3 verbündeten Monarchen in Wien 1814

Friedrich Philipp Reinhold, 1814

Watercolor architectural elevation of an arcaded courtyard wall with columns, painted panels and a central coat of arms.

"k. k. österr. Museum für Kunst und Industrie", 1., Stubenring 3, Großer Hof - Aufriss einer Wand

Heinrich von Ferstel, 1867

Pencil sketch of a group of caricatured faces with hats and collars in front of a grid of building windows.

"Die Unüberwindlichen" (Skizze)

Karl Wiener, 1935

Hand-colored parody scene of figures in an elegant interior, a woman in a wedding gown reaching toward men in a shawl struggl

"Kabale und Liebe" von Bäuerle, Vorlage zum Druck für: Gallerie drolliger Scenen zur Theaterzeitung, 2. Jg., Nr. 8

Johann Christian Schoeller, 1828

Architectural floor plan of the first storey of a museum with labeled rooms, central court and stairs, in brown ink on paper.

"k.k. österr. Museum für Kunst und Industrie", 1. Stock

Heinrich von Ferstel, 1867

Angular pencil drawing with soft colour washes showing two men and a woman walking in a row, in a cubist style.

"Die Verdammten" Zwei Männer und eine Frau schräg hintereinander

Karl Wiener, 1925

Pencil sketch of a coffee house waiter pouring from a pot at a counter with cups, plates, and shelves of crockery.

Kaffeehauskoch Griensteidl

Friedrich Kaskeline, 1897

Pencil and ink floor plan of the second storey of a building, with labelled rooms, stairs and faint construction lines on cre

"k.k. österr. Museum für Kunst und Industrie", 2. Stock

Heinrich von Ferstel, 1867

Pencil sketch of two hunched, elongated standing figures beside bare trees and a fence, with dense hatched shading.

"Die Verzweifelten" (Bleistiftskizze)

Karl Wiener, 1935

Ink and wash drawing of mounted riders passing a pavilion with spectators on its balconies, carriages and tall trees behind.

Kaiser Franz mit seinem Gefolge beim Lusthaus im Prater

Johann Nepomuk Hoechle, 1812

Pencil elevation drawing of a long multi-story museum facade with arched openings and a central balustraded block.

"k.k. österr. Museum für Kunst und Industrie", Aufriss

Heinrich von Ferstel, 1867

Pencil sketch of four loosely drawn standing male figures on an open ground with faint perspective lines, dated 1941.

Die vier verlorenen Männer

Karl Wiener, 1941

Sepia perspective drawing of a Vienna square with tall buildings, a tram stop pavilion, pedestrians and a winged statue in th

"Kaiserin Elisabeth-Platz. Pavillon der Haltestelle", Perspektivische Ansicht zum Generalregulierungsplan für Wien

Otto Wagner, 1892

Pencil architectural drawing showing a symmetrical museum facade elevation below and a building cross section above.

"k.k. österr. Museum für Kunst und Industrie", Aufriss der Hauptfassade, Schnitt

Heinrich von Ferstel, 1867

Pencil sketch of a man in a long coat raising a fist and holding a paper among rubble, broken weapons and ruined buildings.

Die Waffen nieder!

Karl Wiener, 1949

Pencil and brown wash sketch of an elderly woman in a feathered headdress and ruffled skirt, holding a parasol.

Kávé-nénike (Caffeeschwester)

Ladislaus von Thann, 1857

Ink and pencil ground floor plan of the Austrian Museum for Art and Industry with a central courtyard and labeled galleries.

"k.k. österr. Museum für Kunst und Industrie", Erdgeschoß

Heinrich von Ferstel, 1867

Colored pen drawing of a dark hatched sphere in a green ringed base against a yellow scribbled background, with handwritten t

Die Wahrheit ist plastisch gebildet...

Karl Wiener, 1921

Pen and brown wash sketch of a female cashier at a coffeehouse counter beside a seated man at a table under arched ceilings.

Kávéházi-pénztárnökné (Caffeehaus-Cassierin)

Ladislaus von Thann, 1857

Ink and red wash ground floor plan of a glass-roofed courtyard with colonnades and a vestibule, labeled in German.

"k.k. österr. Museum für Kunst und Industrie", Erdgeschoß-Grundriss

Heinrich von Ferstel, 1867

Ink drawing of a wide-eyed woman in a pale dress running forward against heavy black hatching.

Die Wahsinnige (1)

Karl Wiener, 1926

Pen and brown wash sketch of a walking man in a long coat and cap, hand raised to his mouth, labeled Kávès (Caffetier).

Kávès (Caffetier)

Ladislaus von Thann, 1857

Watercolour caricature of a distressed man in formal dress riding a donkey past a crowd, soldiers and banners, 1848.

"Kein Champagner! abgezogenen Johannisberger am Renweg" (Karikatur auf die Flucht Metternichs)

Johann Christian Schoeller, 1848

Ink drawing of a wild-eyed woman in a dark dress against dense crosshatched lines, one hand raised.

Die Wahsinnige (2)

Karl Wiener, 1926

Ground plan drawing of a church design with nave, apse, altar and organ gallery, colored in green wash on paper.

Kirchenprojekt für Bruck-Kiralyhida

Ludwig Baumann, 1917

Pastel drawing of a cluster of colorful houses with red, black, and yellow roofs on tan paper.

Küstenland

Anton Heinrich Peschka, 1924

Pen and ink drawing of a wide-eyed woman in a pale dress striding forward against dense black hatching.

Die Wahsinnige (3)

Karl Wiener, 1926

Pencil architectural elevation of a multi-storey building facade with columns, tall windows, rooftop statues, and shop signs.

"Landeshof" (Ausstellungshallen am Karlsplatz), Hauptfassade, Aufriss

Otto Wagner, 1914

Architectural section drawing of arcaded halls, columns, a balustrade and a grand staircase, with red wash highlights.

Längendurchschnitt durch den Börsehof und die große Stiege

Heinrich von Ferstel, 1856

Pencil drawing of a tall column of stacked cubes tapering upward toward a star and crescent moon on pale paper.

"Die Würfelsäule"; aus: "Die 150 Blätter"

Karl Wiener, 1942

Watercolor of passengers boarding a crowded lorry on a city street, with a uniformed officer and pedestrians nearby.

Lastautos als Straßenbahnersatz! / ('Nehmen S' mi a mit')

Karl Hornstein, 1945

Colour architectural section drawing of a courtyard building with arcades, glazed roof, staircase and cellars, titled Längens

Längenschnitt durch den Börsehof

Heinrich von Ferstel, 1856

Pencil sketch of a crowd of cloaked figures walking toward a uniformed man under a dark, shaded sky.

"Dies irae" (Bleistiftskizze)

Karl Wiener, 1935

Hand-colored drawing of a comic scene in an apothecary with costumed figures, a reclining man, and a servant holding a bottle

Le diable boiteux

Johann Christian Schoeller, 1833

Brown wash drawing of a crowd in top hats and uniforms under banners, with a speaker raising his arm before hills.

"Leichenrede für die am 23. August / 1848 gefallenen Arbeiter" (am 3. September 1848 am Währinger Friedhof)

Carl Anton Goebel, 1848

Ink and watercolour drawing of a woman seen from behind, hands on hips, in a blue skirt and green blouse against green.

Dirne

Karl Wiener, 1923

"Leichtes Corps" (bewaffnete Frau in der Revolution von 1848, Vorzeichnung für die Serie "ERINNERUNGS=BILDER / aus /…

Anton Zampis, 1848

Watercolor of a monastery with red roofs beside a river, a village, and misty mountains behind it.

Lilienfeld

fraglich: Thomas Ender, 1850

Ink drawing of a small village with a church tower, gabled houses and fir trees under sweeping clouds.

Dörfchen

Karl Wiener, 1922

Pen drawing of a lottery office with a seated clerk, standing customers, children, a cat, and numbered boards on the wall.

Lotto-Collectur

Joseph d. Ä. Lanzedelly, 1810

Brown wash drawing of Lucifer in a horse-drawn chariot above a crowd of tormented nude figures in a dark hellscape.

Luzifer in der Hölle

Rudolf Jettmar, 1892

Pencil sketch of a winding road, hillside church tower, gabled village houses and distant mountains on cream paper.

"Drau, Marburg" (Skizze)

Karl Wiener, 1934

Monochrome drawing of an armored figure in a plumed helmet holding a sword, inside an oval vignette with a gold border.

Mad: Hendel als Jeane de' Arc

Johann Adam Klein, 1810

Watercolor of a standing woman in a black bodice and white skirt before a lake and mountains, with a handwritten caption belo

Mad. Thomé als Marg. Knoll im Zauberschleier

Johann Christian Schoeller, 1844

Charcoal drawing of three women on an open ground, two partly nude holding cloth and one clothed in a long dress and shawl.

Drei Frauen

Karl Wiener, 1927

Pencil caricature of a standing man bending toward a seated woman with a cane, with German verse below, 1848.

"Madame! Wer ist jetzt glücklicher als die Stadt Wien? (...)", Karikatur auf die Minister Theodor Graf Baillet von La…

Francisque, 1848

Watercolor portrait of a woman in a striped dress and pink shawl beside a table with candles and flowers, 1847.

Mad.Brüning als Mathilde. Ein Mädchen vom Theater. S 1847

Johann Christian Schoeller, 1847

Blue ink drawing of a narrow night street between tall buildings, with two hatted figures walking toward a cross-hatched sky.

Dunkle Gasse

Karl Wiener, 1922

Pencil sketch of fishing nets hung on poles in a flat field, a thatched cottage at right, and birds flying overhead.

"Masuren" (?) (Blatt aus: Skizzenbuch Erster Weltkrieg)

Anton Heinrich Peschka, 1917

Watercolor of a dancer in a feathered headdress balancing on a wire above a garden with a fountain and urns.

Madame Romanini. La Sylphide aerienne

Johann Christian Schoeller, 1837

Pencil drawing of rocky cliffs with pine trees under a pale full moon in a night sky.

"Dürre Wand - Mondnacht"; aus: "Die 150 Blätter"

Karl Wiener, 1941

Colorful 1913 illustration of a red Vienna tram with passengers, a conductor, and a woman with two children crossing, under t

Mehr Vorsicht!

Fritz Schönpflug, 1913

Watercolor interior of a straw-strewn room with bedding, a wash basin on a stool, boots, and a window with green foliage outs

Mein Quartier in Zoltance

Josef Engelhart, 1915

Ink and watercolor drawing of a couple walking arm in arm while a young girl in purple watches them from a wall.

Eifersucht

Karl Wiener, 1923

Hand-colored interior scene of costumed figures in a room with framed portraits and a green-draped table, 1827.

"Menagerie und optische Zimmerreise in Krähwinkel" von Gleich und Hopp (Gallerie drolliger Scenen zur Theaterzeitung,…

Johann Christian Schoeller, 1827

Pencil sketch of mobile guard soldiers in top hats and cloaks gathered around a campfire under a wooden shelter.

"Mobilgarden-Piquet / am Linienwall in Wien im October 1848." (Vorzeichnung)

B. Bachmann-Hohmann, 1849

Pen and ink drawing of two women on a grassy path under hatched clouds, with a distant figure waving on the horizon.

Eifersucht

Karl Wiener, 1925

Watercolor of a man in a riding coat and boots walking a greyhound, with an elephant and riders in a park behind him.

Mr. H.... Commissionnaire général des ménageries/et équitations & c. à Vienne

Johann Christian Schoeller, 1840

Ink and wash floor plan of a symmetrical museum with four corner pavilions and a central courtyard, German labels and scale b

"Museen für Kunst- und Naturwissenschaftliche Sammlungen", "Grundriss des ersten Stockes" der Gesamtanlage mit Raumau…

Heinrich von Ferstel, 1867

"Eifersucht", aus: "Liebeszyklus"

Karl Wiener, 1930

Charcoal drawing of an elderly woman in a dark shawl, hands folded, gazing sideways, signed by Josef Engelhart, 1920.

Mutter Sorge

Josef Engelhart, 1920

Architectural floor plan in brown ink showing two symmetrical wings with circular halls linked by long galleries on aged pape

"Museen für Kunst- und Naturwissenschaftliche Sammlungen", Grundriss des zweiten Stockes

Heinrich von Ferstel, 1867

Pencil drawing of two nude figures holding hands before a night sky with a crescent moon, and a small figure behind them.

"Eifersucht"; aus: "Die 150 Blätter"

Karl Wiener, 1940

Pencil and crayon sketch of an interior with an armchair, window in yellow and green, red accents, and a small animal on a le

Nächtliches Gewitter

Anton Heinrich Peschka, 1911

Pencil architectural drawing with floor plan, facade elevation with central dome, and building sections of a museum.

"Museen für Kunst- und Naturwissenschaftliche Sammlungen", Naturwissenschaftliches Museum gegen die Ringstraße, Grund…

Heinrich von Ferstel, 1867

Pencil drawing of a stiff, angular standing man in a dark geometric room under a moon, with a handwritten caption below.

Ein Mann aus einer anderen Welt

Karl Wiener, 1946

"National-Garde-Czako." (Vorzeichnung für die Serie "Chronologie der Kopfbedeckungen")

Anton Zampis, 1848

Ground floor plan of a museum with two domed rotundas joined by a long colonnaded hall, drawn in brown ink on paper.

"Museen für Kunst- und Naturwissenschaftliche Sammlungen", Naturwissenschaftliches Museum, Grundriss des Erdgeschoßes…

Heinrich von Ferstel, 1867

Pencil sketch of a small bird diving diagonally through faint guide lines on cream paper, with handwritten German text below.

"Ein Vogel, der durch den Himmel - durch den Raum stürzt..." (Bleistiftskizze)

Karl Wiener, 1943

Pencil drawing of soldiers in shakos and uniforms with rifles, grouped under a wooden roof beside a seated smoking man.

"National-Garden Piquet / am Linienwall in Wien, im October 1848." (Vorzeichnung)

B. Bachmann-Hohmann, 1849

Rear view of a woman in a green striped bodice, white blouse and yellow stockings, drawn in pencil and watercolor.

Neueste Mode!

Anton Heinrich Peschka, 1924

Pencil drawing of a surreal landscape with a city silhouette, celestial bodies, and handwritten German text along the bottom.

Ein wüstes Leben führen wir...

Karl Wiener, 1943

Two-panel cartoon of a tram: a man steps off correctly, while a woman in a yellow coat tumbles onto the street with luggage.

Nicht verkehrt absteigen!

Fritz Schönpflug, 1913

Pencil sketch of a bare leaning tree beside thatched farm buildings on flat open land, dated Frühling 1917.

"Nowy Dwor - Frühling 1917" (Blatt aus: Skizzenbuch Erster Weltkrieg)

Anton Heinrich Peschka, 1917

Pencil sketch of a lone seated man at a table under a tree, with a jug and glass, against distant hills.

Einsamer Zecher

Karl Wiener, 1942

Two-panel 1913 tram safety drawing; a man leaning out a window is struck by a pole, under the red warning Nichts hinausstreck

Nichts hinausstrecken!

Fritz Schönpflug, 1913

Pencil sketch of bare trees and branches in a woodland scene, with hatched shadows behind, on a sketchbook page.

"Nowy Dwor" (Blatt aus: Skizzenbuch Erster Weltkrieg)

Anton Heinrich Peschka, 1917

Ink and wash drawing of a seated man in a dark jacket and orange trousers against a yellow hatched background.

Ekstase

Karl Wiener, 1923

Ink drawing of a nude woman with long dark hair holding a hand mirror, with German text above and 'Nuda Veritas' below.

Nuda Veritas

Gustav Klimt, 1898

Satirical pen and wash drawing of caricatured crowds, a carriage and seated figures, with German captions, 1848.

"oculi da kommen sie ..." (Vorzeichnung zu "Der Schnepfenstrich", Satire zur Revolution 1848)

Peter Johann Nepomuk Geiger, 1848

Pencil and watercolor drawing of a woman in a pink dress with raised arms against yellow radiating rays.

Ekstase

Karl Wiener, 1921

Watercolor of a gilded carriage procession crossing a stone bridge toward a domed church, with crowds lining the riverbank.

Öffentlicher Einzug Ihrer Königl. Hoheit der Durchlauchtigsten Prinzeßin Braut von Parma. Anno 1760

Johann Gfall, 1761

Pen drawing of a singing woman in an arched frame labelled OPER, surrounded by cherubs playing musical instruments.

"Oper" (Vorlage für: Gerlach & Schenk, Allegorien und Embleme Bd. 1 Nr. 64a)

Gustav Klimt, 1883

Abstract crayon drawing of swirling flame-like yellow, orange and blue forms with red diagonal streaks on a cream mount.

Ekstatse

Karl Wiener, 1928

Pencil sketch of a group of standing Austrian soldiers in uniforms and shakos, with a table and banner behind them.

Österreich Militär gez.in Wien 1814 v.J.A.Klein

Johann Adam Klein, 1814

Colored pencil sketch of a rolling landscape with a conical hill, a thatched farmhouse and a wire fence, dated 1916.

"Ostra Gora / Der Artilleriebeobachter der Russen bei Komňátka" (Blatt aus: Skizzenbuch Erster Weltkrieg)

Anton Heinrich Peschka, 1916

Pencil drawing of a woman in headscarf and long skirt raising a clenched fist, with a small basket beside her.

Elend, oh Elend!

Karl Wiener, 1942