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Wien Museum

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Pencil sketch of a bust on a tall pillar memorial framed by tall pine trees and a stone railing in a park.

19., Beethovengang - Beethovendenkmal (Skizzenbuchblatt)

Gustav Zafaurek, 1890

Pencil sketch of trees, shrubs and a wooden fence beside a path, drawn on a tan sketchbook page.

19., Beethovengang - Weg zum Beethovendenkmal (Skizzenbuchblatt)

Gustav Zafaurek, 1890

Watercolor of multi-storey villa buildings behind a garden fence and stone wall, with a horse carriage on the street and tree

19., Billrothstraße - Rudolfheim in Döbling (=Rudolfiner-Haus)

Ludwig Hofbauer, 1895

Pastel drawing of a hazy city view with church spires, green hillsides in front, and billowing clouds over distant mountains.

19., Blick von der Himmelstraße auf Wien

Fritz Klatt, 1942

Colour etching of a pale palace seen across a dark pond, framed by autumn trees and a green lawn under a grey sky.

19., Cobenzl - Blick gegen das Schlosshotel Cobenzl

Magda von Lerch, 1912

Hand-colored print of a cobbled village street leading to a church tower with a green spire, flanked by houses and an autumn

19., Cobenzlgasse - Blick gegen Grinzinger Kirche

Karl Tucek, 1920

Pencil sketch of a stone arch bridge with figures, surrounded by trees and houses on a hill, labeled Unterdöbling.

19., Döbling - Allgemein - Partie aus Unterdöbling

Nikolaus Kofler, 1820

Pencil sketch of a rural farmhouse with dormer windows, a wooden fence and gate, and trees and shrubs in a garden.

19., Döbling - Allgemein - Unterdöbling beim Krottenbach

vermutlich: Nikolaus Kofler, 1820

Watercolor of a sunlit Viennese-style street with a horse-drawn cart, a tram, pedestrians, and a two-storey building with sho

19., Döblinger Hauptstraße 76-78, Casino Zögernitz

Karl Wenzel Zajicek, 1880

Etching of an old courtyard with arched passages, a street lamp, a wrought iron gate, and shuttered windows on the facade.

19., Döblinger Hauptstraße 94 - Wohnhaus von Eduard von Bauernfeld - Hofansicht

Karoline Tintner, 1910

Pencil sketch of a garden restaurant with bare trees, tables and chairs, and a church spire behind rooftops.

19., Gastgarten in Heiligenstadt

Hans Stalzer, 1920

Watercolor of a snowy Viennese-style street at dusk with a church tower, lit lantern, and two men walking in the foreground.

19., Greinergasse

Franz Kopallik, 1914

Colored drawing of a snowy street with a villa behind a gate, boys playing in the snow and a man walking.

19., Greinergasse 19, im Winter

Franz Kopallik, 1915

Pencil and white chalk drawing of a snowy street with a church tower, bare trees and pedestrians on grey paper.

19., Grinzing - Blick gegen die Grinzinger Kirche im Winter

Rudolf Pichler, 1946

Etching of a curving village street with a church tower topped by an onion dome, old houses, a street lamp and bare trees.

19., Grinzing - Himmelstraße mit Grinzinger Kirche

Hugo Henschl, 1930

Pencil sketch of a small house with a gabled roof framed by trees, a fence, and distant rooftops.

19., Grinzing - Straße nach Heiligenstadt (Skizzenbuchblatt)

Gustav Zafaurek, 1890

Pencil drawing of a Vienna townhouse with dormer windows, street lamp, pedestrians and workers pushing a barrel cart.

19., Gymnasiumstraße 87 - Wohn- und Sterbehaus von Josef Lanner

Franz Gerasch, 1890

Pencil sketch of a church tower and rooftops among trees, with rolling hills and a distant hilltop under a pale sky.

19., Heiligenstadt - Heiligenstädter Kirche (St. Michael) - Blick gegen Kahlen- und Leopoldsberg

Ludwig Wülffing, 1828

Pencil drawing of St. Michael's church in Heiligenstadt with a tall tower, tiled roofs, trees and a grassy slope under a clou

19., Heiligenstadt - Hohe Warte 72 - Heiligenstädter Kirche (St. Michael)

Wilhelm von Rally, 1830

Pencil drawing with white highlights of a stone church with a tall tower among trees and houses, with hills behind.

19., Heiligenstadt - Hohe Warte 72 - Heiligenstädter Kirche (St. Michael) - Blick gegen Kahlen- und Leopoldsberg

Gustav Veith, 1850

Lithograph of a church with an onion-domed tower behind trees and shrubs, with a dirt path and stone wall in the foreground.

19., Heiligenstadt - Hohe Warte 72 - Heiligenstädter Kirche (St. Michael) - Rückseite (Blatt No. 4)

Tobias Dyonis Raulino, 1830

Pen-and-ink style print of a church tower behind bare trees, with women and children on a path in the foreground.

19., Heiligenstädter Park, mit Teil der Heiligenstädter Kirche (St. Michael)

Hugo Darnaut, 1882

Etching of a shingled house behind a large tree, with a dirt path, wooden gate and cart in the foreground.

19., Heiligenstädter Straße 15 - "Gaishäusl"(?) auf dem Panzerfeld

Otto Trauner, 1914

Etching of a village street with a tree, arcaded houses, a wrought-iron lantern, and an onion-domed church tower.

19., Himmelstraße - Blick gegen Grinzinger Kirche

Max von Scherer, 1919

Blue monochrome drawing of a city street with stone gate pillars topped by urns, an iron fence, and bare trees behind.

19., Hofzeile 20 - Maria-Theresien-Schlössel - Eingang

Ferdinand Probst, 1905

Garden view of the Maria-Theresien-Schlössel with a large tree, a classical statue on a pedestal, and a lawn, in tones of bla

19., Hofzeile 20 - Maria-Theresien-Schlössel - Gartenseite

Andreas Krampolek, 1910

Watercolor of a cream house with a rounded gable reading Daheim, arched window, cobbled street and leafy trees.

19., Hohe Warte 37 - Daheimhäuschen / Wohnhaus von Therese Krones

Maximilian Neubauer, 1900

Pencil and wash drawing of a villa with a hipped roof, wooden staircase at the entrance, and a tree beside a stone gate pilla

19., Hohe Warte 50 - Villa des Orientalisten Josef von Hammer-Purgstall

Peter Schaeffer, 1847

Blue ink drawing of a street with a gated garden wall, tree foliage, and a church spire rising behind, with a woman walking.

19., Hohe Warte 68 - Eingangstor - Blick gegen Turm der Heiligenstädter Pfarrkirche St. Michael

Ferdinand Probst, 1909

Pencil sketch of St. Michael's church in Heiligenstadt, Vienna, with gothic windows, trees and a street scene.

19., Hohe Warte 72 - Heiligenstädter Pfarrkirche St. Michael (Skizzenbuchblatt)

Gustav Zafaurek, 1890