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Wien Museum

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Ink drawing of a winding road past hatched hills, dark cypress trees and round shrubs under an open sky.

Vignettenentwurf - Landschaft

Koloman Moser, 1897

Ink vignette design of a curled nude woman within a web-like lattice structure, with a dragonfly at upper left.

Vignettenentwurf - Mädchen in spinnennetzähnlicher Struktur

Koloman Moser, 1897

Ink vignette design of two women embracing, with long flowing black hair and a stylized floral border.

Vignettenentwurf - Zwei Frauen

Koloman Moser, 1897

Pencil sketch of a busy city square with domed palace buildings, horse carriages and pedestrians under a pale sky.

VII. Messeplatz

Franz Alt, 1882

Pencil sketch of a neoclassical building with a pediment and a street scene with a couple, a dog and a carriage.

VII. Museumstraße

Jakob Alt, 1822

Pencil sketch of a long classical building facade with a standing pedestrian, a fountain, and a church spire in the distance.

VII. Stiftgasse

Jakob Alt, 1822

Watercolor of a neoclassical villa behind an iron fence, framed by tall trees and a dirt road, with cypresses beyond.

Villa am Grünberg in Obermeidling (CN 50)

Thomas Ender, 1830

Ink and red wash architectural floor plans of a villa showing rooms, walls and a round staircase in an octagonal tower.

Villa Ferstel 19., Himmelstraße 45, Grundriss vier Geschoße

Heinrich von Ferstel, 1864

Pen drawing of architectural window elevations and wall sections with arched heads, dimension lines, and handwritten notes.

Villa Ferstel, 19,, Himmelstraße 45, Fenster

Heinrich von Ferstel, 1864

Villa Ferstel, 19., Himmelstraße 45, "Plan über die Regulierung der oberen und unteren Himmelstraße", Schnitt, Lageplan

Heinrich von Ferstel, 1864

Villa Ferstel, 19., Himmelstraße 45, "Planskizze über die Verlegung der Straße nächst der Parc(elle) Nr.115 in Grinzing"

Heinrich von Ferstel, 1864

Colored architectural elevation of a villa facade with arched loggia, balcony, turret and slate roof, with scale bar.

Villa Ferstel, 19., Himmelstraße 45, Fassade CD

Heinrich von Ferstel, 1864

Pencil architectural elevation of a Gothic-style villa facade with pointed arches and finials, with red-ink geometric study a

Villa Ferstel, 19., Himmelstraße 45, Fassade gegen die Himmelstraße

Heinrich von Ferstel, 1864

Pencil and ink ground floor plan of Villa Ferstel with rooms, a circular spiral staircase and a diagonal corridor.

Villa Ferstel, 19., Himmelstraße 45, Grundriss des Erdgeschoßes

Heinrich von Ferstel, 1864

Pen drawing of an architectural floor plan with hatched walls, a curved bay and handwritten plinth notes on aged paper.

Villa Ferstel, 19., Himmelstraße 45, Grundriss mit Sockelangabe

Heinrich von Ferstel, 1864

Architectural longitudinal section drawing of a villa with red-hatched walls, arched cellars, and a tall tower, 1864.

Villa Ferstel, 19., Himmelstraße 45, Längsschnitt

Heinrich von Ferstel, 1864

Architectural elevation drawing of a stepped garden terrace and stone wall with gates, with handwritten annotations.

Villa Ferstel, 19., Himmelstraße 45, Niveauplan des Hauses und Gartens (rückseitig Skizzen zu Grund- und Aufriss)

Heinrich von Ferstel, 1864

Colored architectural cross-section of a gabled house with timber roof framing, central chimney and vaulted lower rooms on pa

Villa Ferstel, 19., Himmelstraße 45, Schnitt AB

Heinrich von Ferstel, 1864

Pencil site plan of a triangular garden with a curved drive, trees, and a shaded villa on Himmelstraße.

Villa Ferstel, 19., Himmelstraße 45, Situation

Heinrich von Ferstel, 1864

Villa Ferstel, 19., Himmelstraße 45, Terrassen-Plan, Ansicht, Schnitt, Grundriss

Heinrich von Ferstel, 1864

Architectural drawing of a loggia with pointed arches, a vault plan below, and a cross section at right, in pencil and ink.

Villa Ferstel, 19., Himmelstraße 45, unterer Teil der Loggia, Aufriss und Querschnitt

Heinrich von Ferstel, 1864

Architectural drawing of a loggia with pointed arches, columns, a decorative balustrade, and a vault plan, on aged paper.

Villa Ferstel,19., Himmelstraße 45, Loggia, Aufriss und Querschnitt

Heinrich von Ferstel, 1864

Hand-drawn 1911 urban regulation plan of Vienna's 19th district with street grids, building plots and a handwritten title.

Villa Ferstel. 19., Himmelstraße 45, Regulierungsplan des 19.Bezirkes mit der Situation der Villa

Heinrich von Ferstel, 1911

Hand-colored costume plate of five theatrical figures in period dress on a checkered floor, labeled Viola nach Shakespeare.

Viola nach Shakespeare von Deinhardstein (Costümbild Nr. 76 zur Theaterzeitung)

Andreas Geiger, 1840

Hand-colored 1840 costume plate showing five theatre figures in period dress for Viola after Shakespeare.

Viola nach Shakespeare von Deinhardstein (Costümbild Nr. 76 zur Theaterzeitung)

Johann Christian Schoeller, 1840

Cream visiting card with ornamental flourishes reading 'J. Jost' and 'Lithograph' in black script.

Visitenkarte von J. Jost, Lithograph

Bird's-eye engraving of besieged Vienna with the Danube, Ottoman tents, cannon smoke and a numbered key below.

Vogelschau der Belagerung Wiens 1683

Bird's-eye engraving of a walled city with dense rooftops, church spires, bastions, a river with boats and distant hills.

Vogelschau der Stadt Wien vom Norden (3. Aufl.), von und nach Jacob Hoefnagel

Jacob Hoefnagel, 1683

Black-and-white panoramic bird's-eye print of a walled city with spires, bastions, hills and foreground figures and animals.

Vogelschau der Stadt Wien vom Westen (1. Zustand)

Folbert Van Alten Allen, 1683

Bird's-eye pen drawing of a walled complex with a star-shaped fortress in its courtyard, surrounded by city rooftops and hill

Vogelschau des Chaosschen Waisenhauses (später Stiftskaserne)

Josef Antoni Seybald, 1872

Engraved bird's-eye panorama of Vienna in 1873 showing dense streets, church spires, parkland and a winding river.

Vogelschau von Wien zur Zeit der Weltausstellung

Ladislaus Eugen Petrovits, 1873

Brown wash drawing of a crowded outdoor festival under trees, with horsemen and a city skyline with church spires in the dist

Volksfest in der Brigittenau

Johann Josef Schindler, 1820

Pencil sketch of a park with an ornate fountain, domed buildings, trees and strolling figures in period dress.

Volksgarten

Franz Alt, 1889

Watercolor perspective of a palace with arcades, a square with carriages and pedestrians, and a formal garden at left.

Volksgartengruppe, Perspektive

Carl von Hasenauer, 1876

Engraved oval scene of fashionably dressed people strolling in a formal park with hedges, trees and flower urns, 1781.

Volkst. Graphik: Löschenkohl

Johann Hieronymus Löschenkohl, 1781

Pencil sketch of a crowd with flags gathered in a street before buildings, with onlookers at upper windows.

Volksversammlung im Freien (Barrikade am Stephansplatz, 26. bis 28. Mai 1848)

Josef Haßlwander, 1848

Pen drawing of a man in top hat pointing and speaking to three seated men on a tree stump outdoors.

Volksversammlung im Freien (zur Zeit der Barrkadentage 26. bis 28. Mai 1848, ein Student spricht zu drei Arbeitern)

Josef Haßlwander, 1848

Pencil sketch of an outdoor crowd of men in top hats and women in crinolines with parasols beneath a tree.

Volksversammlung im Freien (zur Zeit der Barrkadentage 26. bis 28. Mai 1848)

Josef Haßlwander, 1848

Evening street crowd with gas lamps, bare tree and sentries in bearskin helmets before an arched gateway, pencil and watercol

Volksversammlung vor dem Schweizertor am 30. Jänner 1889 abends nach der Verbreitung der Nachricht vom Tod des Kronpr…

Theodor Breidwiser, 1889

Pencil sketch of tall trees, shrubs and cypresses in a garden landscape, with an inscription reading Vom Monte Mario in Rom.

Vom Monte Mario in Rom

Johann Nepomuk Ender, 1823

Watercolor of a 19th-century butcher shop with hanging hams, a Fleischhauer sign, and figures in period dress on the street.

Vor dem Fleischhauerladen

Gustav Zafaurek, 1886

Watercolor street scene of children and a woman before a butcher shop window with hanging meat and a dog on cobblestones.

Vor einem Fleischer- und Selcherladen

Gustav Zafaurek, 1880

Printed German preface page in blackletter type with a centered heading and a signature by Richard Purnickl, on toned paper.

Vorderseite bez.: "Abbildung/des/merkwürdigeren baierischen Geschütztes,/welches/bey der Einnahme Wiens von der Kaise…

Richard Purnickl, 1806

Pencil and watercolor drawing of cavalry advancing over a suspension bridge past burning buildings and scattering crowds.

Vordringende kaiserliche Truppen an der Franzensbrücke am 28. Oktober 1848

Joseph Albrecht, 1849

Engraved street scene of a crowded horse-drawn tram on cobbled tracks with passengers, a dog, and buildings behind.

Vororte-Pferdetramway bei der Mariahilfer Linie bzw. Westbahnhof

Hermann Paar, 1865

Sepia drawing of a long bathhouse vestibule with paneled walls, lamps, and men in top hats and a bare-chested attendant.

Vorraum/Garderobe im Esterházy-Bad, Gumpendorfer Straße 59/Luftbadgasse 12

vermutlich: August Stefan Kronstein, 1880

Engraving of Trajan's Forum in Rome showing Trajan's Column, colonnades, equestrian statues and small figures in the square.

Vorstellung des Traianischen Marckts [...] / La place de Traian [...]

Johann Adam Delsenbach, 1721

Pen drawing of a Gothic Revival church with tall spires above an arcaded wall and street trees, titled Kaiser Franz Josef Jub

Vorzeichnung der Kaiser Franz Josef Jubiläumskirche zum Hl. Franz von Assisi (Wien 2., Mexikoplatz 12) für eine Licht…

Victor Luntz, 1900

Ink and wash drawing of an interior with seated women, a kneeling man and standing figures around a writing table beneath a w

Vorzeichnung zu "Theresiens lezter Tag"

Johann Hieronymus Löschenkohl, 1780

Pencil sketch of two men in a sitting room, one reading near a plant, the other reclining with a cigar by a fireplace.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anatol und Max ("Episode")

Moritz Coschell, 1899

Pencil sketch of a horse-drawn carriage with a coachman, two horses, a woman in a long dress and a man in an overcoat on a ci

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anatol verabschiedet sich von Cora (Weihnachtseinkäufe)

Moritz Coschell, 1899

Pencil sketch of a woman in a feathered hat and feather boa, with a handwritten note on the mounting sheet.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anfangsvignette zu "Die Frage an das Schicksal"

Moritz Coschell, 1899

Pencil drawing of a man and woman looking out a window in a furnished room with curtains, a sculpture and a chest of drawers.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Bianca und Max schauen aus dem Fenster ("Episode")

Moritz Coschell, 1899

Pencil drawing of a reclining woman on a sofa, a lounging man, and a standing man by an easel in a room with framed paintings

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Cora in Hypnose (Die Frage an das Schicksal)

Moritz Coschell, 1899

Pencil sketch of a man seen from behind and a woman in a feathered hat seated at a table with wine, 1899.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Abschiedssouper"

Moritz Coschell, 1899

Pencil sketch of two horses pulling a carriage with a man and woman passengers along a tree-lined road.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Agonie"

Moritz Coschell, 1899

Pencil and green-wash drawing of a furnished room with a marble fireplace, candelabra, bust, two armchairs and a side table.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Anatols Hochzeitsmorgen"

Moritz Coschell, 1900

Two red-tinted architectural floor plans of a Gothic church with a central tower plan, mounted on a beige board.

Votivkirche, Ausführungsprojekt, Grundrisse in der Höhe des Hauptschiffs und der Seitenschiffe

Heinrich von Ferstel, 1859

Colored longitudinal section drawing of a Gothic church with spires, arched windows and a rose window, mounted on card.

Votivkirche, Ausführungsprojekt, Längsschnitt

Heinrich von Ferstel, 1859

Architectural section drawing of a gothic church showing nave and chapel profiles with red-highlighted structural elements.

Votivkirche, Ausführungsprojekt, Schnitt durch das Langhaus und das Langhausjoch vor dem Querhaus

Heinrich von Ferstel, 1859

Pen drawing of a Gothic church side elevation with tall spires, pointed windows and a rose window, mounted on a tan board.

Votivkirche, Ausführungsprojekt, Seitenfassade zur Währingerstraße, Aufriss

Heinrich von Ferstel, 1859

Architectural drawing of a Gothic confessional booth with front elevation, side section, and floor plan in brown ink on paper

Votivkirche, Beichtstuhl für die Votiv-Kirche, Ansichten, Schnitt, Grundriss

Hermann von Riewel, 1878

Colored architectural elevation of an ornate choir screen and a gas candelabrum, labeled Votivkirche, 1878.

Votivkirche, Chorschranken und Gas-Kandelaber

Dominik Stadler, 1878

Ink architectural drawing of a Gothic church side elevation with pointed windows, pinnacles and a tower on paper.

Votivkirche, Seitenansicht

Heinrich von Ferstel, 1856