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Staatliche Kunsthalle Karlsruhe

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Expressive crayon drawing in teal and blue showing angular ship-like forms on rough waves under scattered white clouds.

Das Scheerhorn im Schnee und der Griesstock

August Babberger, 1936

Etching of a crowded glass-walled rink with people in 19th-century dress, chairs, and a fallen skater at lower right.

Ort (Ein Handschuh, Opus VI, Blatt 1)

Max Klinger, 1881

Etching of a winged cupid figure resting beside a reclining figure, with a chair, a glove, and a branch with roses.

Amor (Ein Handschuh, Opus VI, Blatt 10)

Max Klinger, 1881

Etching of a horse with reins under a radiating sunrise, with ornamental scrollwork along the bottom border.

Triumph (Ein Handschuh, Opus VI, Blatt 5)

Max Klinger, 1881

Etching of stormy waves breaking on a shore covered with rose-like blossoms, with ornate lamp posts on a rock at left.

Huldigung (Ein Handschuh, Opus VI, Blatt 6)

Max Klinger, 1881

Etching of a sleeping man in bed as a giant hand emerges from the wall and a frightened figure recoils beside a candle.

Ängste (Ein Handschuh, Opus VI, Blatt 7)

Max Klinger, 1881

Etching of an interior with draped curtains, a tripod table holding gloves, and floral garlands framing the sides.

Ruhe (Ein Handschuh, Opus VI, Blatt 8)

Max Klinger, 1881

Painted interior of a rustic room with a tiled stove, wooden bed with blue quilt, green table and carved chair.

Schwarzwälder Bauernstube mit Bett und Sitzbank am Kachelofen

Johann Baptist Kirner

Watercolour drawing of a kneeling Italian woman in traditional dress leaning on a bench beside a sketched sleeping child.

Kniende Italienerin, sich über ein Kind beugend

Johann Baptist Kirner, 1832

Watercolor sketch of five rural children in red headscarves and a straw hat beside a hay mound.

Fünf Schwarzwälder Bauernkinder

Johann Baptist Kirner, 1816

Three pencil and watercolor studies of a woman in traditional costume with a tall hat, shown from behind, side, and seated.

Drei Figurenstudien einer Bäuerin in Triberger Tracht

Johann Baptist Kirner, 1816

Pencil and watercolor sketch of a seated woman with an infant, a standing girl, and a reclining boy in a cap.

Drei Schwarzwälder Bauernkinder

Johann Baptist Kirner, 1816

Sepia drawing of a wooded landscape with figures tending grapevines on a path, mountains and a distant castle beyond.

Noah pflanzt Weinberge (1. Mose 9, 20)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of robed travelers on donkeys passing sheep and camels beneath tall palms and tropical trees.

Abrahams Einzug ins gelobte Land (1. Mose 12, 5ff)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a wooded landscape with a kneeling man in the foreground and three robed figures beside ruins.

Abraham empfängt die Verheißung Isaaks im Hain Mamre (1. Mose 15, 1ff)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of figures fleeing through a dark rocky landscape toward a glowing cave opening, with trees and a distant

Loths Flucht (1. Mose 19, 24-26)

Johann Wilhelm Schirmer, 1855

Brown ink drawing of a bearded man and a boy carrying wood through a rocky forest with mountains in the distance.

Der Gang zum Opfer (1. Mose 22, 6)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of Abraham and Isaac at an altar in a wooded landscape, with an angel descending above smoke.

Die Opferung Isaaks (1. Mose 22, 11-12)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a forest with a bearded man and child at a stone well, a seated figure in the distance, and mountains beyond

Die Austreibung der Hagar mit Ismael (1. Mose 21, 14)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of a barren coast with dunes, rock cliffs, a seated woman by a boulder and the sea beyond.

Hagar in der Wüste (1. Mose 21, 16)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of an angel pointing to a kneeling woman on a rocky desert ledge, with a child lying below.

Die Rettung der Hagar (1. Mose 21, 17)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of a wooded landscape with a mourning figure kneeling beside a stone tomb near a rocky cave.

Klage um Sarahs Tod (1. Mose 23, 2)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a landscape with olive trees, a hilltop fortress, a stone well, two figures meeting and camels resting.

Elieser und Rebekka am Brunnen (1. Mose 24, 17-18)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a forest path with tall trees, a stone bridge, and small travellers on horseback in the distance.

Die Begegnung von Isaak und Rebekka (1. Mose 24, 62-63)

Johann Wilhelm Schirmer, 1855

Brown ink landscape of robed mourners carrying a bier past gnarled trees and a boulder, with a shepherd and flock beyond.

Abrahams Begräbnis in der Höhle im Hain Mamre (1. Mose 25, 9)

Johann Wilhelm Schirmer, 1855

Etching of a winged creature carrying a white glove away from a window, with reaching arms and blossoms below.

Entführung (Ein Handschuh, Opus VI, Blatt 9)

Max Klinger, 1881

Pencil sketch of a crowd beside a railway track with a monument, hills and a church spire in the distance.

Eine Prozession wird von einer Eisenbahn getrennt

Johann Baptist Kirner, 1816

Pencil sketch of craggy rock cliffs and hills with a small boy standing in the foreground at right.

Landschaftsstudie: Blick auf Felsen und einen Jungen im Vordergrund

Johann Baptist Kirner, 1816