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Staatliche Kunsthalle Karlsruhe

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Watercolor drawing of a white church with twin domes and a red spire, seen through a gated entrance with stairs and trees.

Kirche in Merching bei Augsburg (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm, 1913

Pen-and-ink architectural drawing with isometric views, floor plans and elevations of basilicas and abbey churches.

offenliegende Strebepfeiler- und bogen (Kapitel V, Tafel 28)

Josef Wilhelm Durm, 1916

Ink architectural drawing of church details: a buttress, gargoyle water spout, arches and barrel vaults with German labels.

Strebepfeiler, Wasserrinnen und Tonnengewölbe (Kapitel V, Tafel 30)

Josef Wilhelm Durm, 1916

Pen drawing of several Gothic flying buttresses and vault details from French cathedrals, with labels and measurements.

Strebebögen (Kapitel V, Tafel 31)

Josef Wilhelm Durm, 1916

Pen drawing of an Egyptian sphinx before pyramids, with papyrus and water lily ornaments and German title lettering.

geradlinige Ornamente - Titelblattentwurf (Kapitel VIII, Tafel 1)

Josef Wilhelm Durm

Watercolor elevation of a decorated wall with a blind window, fruit garlands, grotesque panels and a painted arched vault.

Stuck- und Freskoverzierungen um ein Blindfenster in den Loggien Raffaels im Vatikan zu Rom

Josef Wilhelm Durm

Watercolor drawing of a Pompeian wall decoration with columns, cupids, a seated figure, and painted panels.

Wanddekoration aus dem Haus des Marcus Lucretius in Pompeji

Josef Wilhelm Durm, 1866

Pencil drawing of a man seated at a table under a thatched roof, with a dog beneath the table and a cat nearby.

Sitzender Mann an einem Zeichentisch

Ferdinand Keller, 1860

Pencil sketch of a seated hunter holding a rifle and lifting a dead bird, with a dog at the right edge.

Sitzender Jäger, einen erlegten Vogel haltend

Ferdinand Keller

Lithographic invitation with a winged cherub and dragon framed by fruit garlands, peacock feathers and a shield, dated 1883.

Einladung des Karlsruher Künstlerkreises zu einem Damenabend

Ferdinand Keller, 1883

Etching of a nude archer on a beach raising his arm as seagulls rise over the surf, with arrows at his feet.

Der Schuss (Zelt, Opus XIV, 1. Teil, Nr. 10)

Max Klinger, 1915

Etching by Max Klinger: a seated woman offers a flower to a kneeling hooded figure, with two onlookers behind a scalloped rai

Dank (Zelt, Opus XIV, 1. Teil, Nr. 11)

Max Klinger, 1915

Etching of a nude man and woman reclining together at night beneath a starry sky and a row of hedges.

Nacht (Zelt, Opus XIV, 1. Teil, Nr. 12)

Max Klinger, 1915

Etching of armed riders on horseback on a hillside, one pointing toward snowy mountains behind them, with conifers in the for

Der Zug (Zelt, Opus XIV, 1. Teil, Nr. 13)

Max Klinger, 1915

Etching of armed men raising weapons before a mountain range, with nude women in the foreground and tents in the distance.

Einbruch (Zelt, Opus XIV, 1. Teil, Nr. 14)

Max Klinger, 1915

Etching of a nude woman among reeds and cattails, with a seated figure holding a bowl and a horned figure with a blade.

Die Schale (Zelt, Opus XIV, 1. Teil, Nr. 15)

Max Klinger, 1915

Etching of a helmeted man with a rein beside a kneeling nude woman in tall grass, a horse head and mountains behind.

Der Fuss (Zelt, Opus XIV, 1. Teil, Nr. 16)

Max Klinger, 1915

Etching of a nude woman lying in grass, a rider on a dark horse above her, a bearded man at left, and a birch tree.

Mord und Entführung (Zelt, Opus XIV, 1. Teil, Nr. 17)

Max Klinger, 1915

Etching of small figures walking through marshland under a dark, stormy sky, with a lone tree in the foreground.

Durch Sümpfe (Zelt, Opus XIV, 1. Teil, Nr. 18)

Max Klinger, 1915

Etching of mounted riders crossing a rocky mountain pass toward snow-capped peaks under a radiant sky.

Durch Gebirge (Zelt, Opus XIV, 1. Teil, Nr. 19)

Max Klinger, 1915

Etching of a rocky slope with falling stones, a nude woman reclining above, and struggling figures at left.

Bergsturz (Zelt, Opus XIV, 1. Teil, Nr. 20)

Max Klinger, 1915

Etching of a woman in a flowing dress reaching up toward a bearded figure leaning over a rocky cliff edge.

Flucht (Zelt, Opus XIV, 1. Teil, Nr. 21)

Max Klinger, 1915

Etching of a seated woman beside a horse, a spear-carrying man, and a castle on a cliff with snowy mountains behind.

Gefangen (Zelt, Opus XIV, 1. Teil, Nr. 22)

Max Klinger, 1915

Etching of a seated woman in white on a donkey before a barred wooden cart, with a crowd of faces behind the bars.

Am Tor (Zelt, Opus XIV, 2. Teil, Nr. 23)

Max Klinger, 1915

Etching of a nude woman standing before a group of seated women on patterned cushions, with palm trees and mountains behind.

Vor der Königin (Zelt, Opus XIV, 2. Teil, Nr. 24)

Max Klinger, 1915

Etching of two nude women in an interior with a column and drapery, with a clothed woman in a hat standing behind them.

Bereitung zum Tanz (Zelt, Opus XIV, 2. Teil, Nr. 25)

Max Klinger, 1915

Etching of a nude woman with curly dark hair standing in swirling sea water, with winged figures and lions in the sky behind

Die große Göttin (Zelt, Opus XIV, 2. Teil, Nr. 26)

Max Klinger, 1915

Etching of a barefoot dancer with raised arm, a seated woman in a plumed hat, and mirror reflections against a swirling backg

Tanz (Zelt, Opus XIV, 2. Teil, Nr. 27)

Max Klinger, 1915

Etching of two women in a draped interior, one kneeling with a streaming veil, one standing beside flowers, vases and a fruit

Bestürmung (Zelt, Opus XIV, 2. Teil, Nr. 28)

Max Klinger, 1915

Etching of seated women and a nude figure in a courtyard under a tree, with figures tending vessels and a dark mountain range

Geschenke (Zelt, Opus XIV, 2. Teil, Nr. 29)

Max Klinger, 1915