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Polona (Biblioteka Narodowa)

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Grey watercolor drawing of a stone epitaph with a cross on top and a Latin inscription in an oval panel.

[Epitafium Adriana Śmielowskiego]

Jan Kanty Wojnarowski, 1851

Watercolor design of a Baroque funerary plaque with an oval portrait of a bearded man above a Latin inscription.

[Epitafium Jakuba Najmana]

Jan Kanty Wojnarowski, 1838

Sepia drawing of a seated scholar writing at a desk in a Gothic niche, with a Latin epitaph inscription below.

[Epitafium Filipa Kallimacha]

Jan Kanty Wojnarowski, 1842

Back of a pale paper sheet with a small 'Bibl. Jag.' library stamp near the centre, mounted on a dark background.

[Projekt czary zdobionej figuralnym reliefem]

Sebastian Sierakowski, 1800

Pen and watercolor plan of a star-shaped fortress with bastions and moats, titled Wiwaros, with a small side elevation.

Wiwaros

CFS, 1675

Pencil sketch of agave plants with tall flowering stalks, a ruined wall, and distant hills under a pale sky.

[Pejzaż śródziemnomorski z kwitnącymi agawami]

Józef Ignacy ] [Kraszewski, 1850

Watercolor drawing of the side elevation of a ruined manor house with thatched roofs, arched windows, and a scale bar below.

[Rysunek bocznej elewacji zrujnowanego dworu]

Sebastian Sierakowski, 1800

Pencil sketch of a cluster of trees with shaded foliage and a bare branch on aged paper.

[Drzewa - szkic]

Józef Ignacy ] [Kraszewski, 1840

Pencil sketch of a thatched hut on a hill beside a large leafy tree and bare trees, on pale paper.

[Krajobraz wiejski z chatą na wzgórzu i drzewami]

Józef Ignacy ] [Kraszewski, 1850

Pencil drawing of a bearded man with curly hair and mustache, with handwritten inscription and date 1832 below.

[Autoportret]

Jan Nepomucen Deszkiewicz-Kundzicz, 1832

Ink drawing of an allegorical scene with soldiers, a kneeling woman, a knight with a laurel wreath, and a gothic monument.

[Alegoria żałoby narodowej po śmierci księcia Józefa Poniatowskiego - wersja czarno-biała]

Teofil Żychowicz, 1826

Architectural drawing of a domed monument with columns, a floor plan, and three relief panels above, in pen and watercolor.

[Projekt studni-pomnika upamiętniającego chrzest Polski]

Sebastian Sierakowski, 1816

Colored architectural drawing of an obelisk monument design with relief medallions, reliefs, place-name plaques and a chain f

[Projekt obelisku ku czci Tadeusza Kościuszki w Krakowie, wariant I]

Sebastian Sierakowski, 1818

Engraved map strip of the Dnieper river with mountains, forests, labels, a legend box and a decorative cartouche below.

Boristhenis perrines

Michał Stachowicz, 1800

Watercolor design of a tomb monument with a bearded bust in a niche, pink columns, gilded inscription plaque, and shell motif

[Nagrobek Jana Kochanowskiego w kościele oo. franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1850

Watercolor street scene of Kraków with townhouses, a brick tower, a wooden barrier and a distant church under a cloudy sky.

[Widok z wylotu ul. Dominikańskiej w Krakowie, po pożarze w 1850 roku]

Bogumił Gąsiorowski, 1850

Watercolor drawing of a domed chapel beside a ruined gothic church facade with pointed windows in a stone courtyard.

[Widok fragmentu zachodniej elewacji kościoła dominikanów z kaplicą Zbaraskich, po pożarze w 1850 roku]

Bogumił Gąsiorowski, 1850

Watercolor of Wawel Cathedral and castle towers seen from the north, with a brick city wall and grassy hill in front.

[Widok kościoła katedralnego na Wawelu od północy (stan z roku 1809)]

Bogumił Gąsiorowski, 1855

Hand-colored portrait drawing of a mustached man in a fur-trimmed crimson cloak, holding an ornate cane and wearing an order

[Portret hrabiego Józefa Scipio del Campo, marszałka W.X. litewskiego]

Jan Kanty Wojnarowski, 1847

Pencil sketch of a seated woman and a standing man holding a top hat, with loose study lines around them.

[Szkic mężczyzny i kobiety stojących obok siebie]

Piotr Stachiewicz, 1878

Watercolor architectural drawing of a distillery, showing a cross-section with furnace and roof framing above a floor plan.

[Przekrój podłużny oraz poprzeczny budynku gorzelni]

Sebastian Sierakowski, 1800

Watercolor elevation of a ruined manor section with arched doorways, arched windows, a tiled roof and a numbered scale bar be

[Rysunek fragmentu krótszej elewacji zrujnowanego dworu]

Sebastian Sierakowski, 1800

Ink and wash drawing of a columned salon with numbered figures gathered at tables, a piano and a fireplace.

[Salon Tarczewskich w oficynie Pałacu Błękitnego Zamoyskich w Warszawie]

Karol Boromeusz Hoffman, 1824

Hand-coloured floor plan of a long building with labelled rooms, a central corridor, a staircase, and a church at the right e

Planta, Prospekt sytuacyi szpitalu fabryki sukienny w kluczborku IIII kondygnacyi

Piotr Widerlechner, 1786

Pen drawing of a bearded elderly man with a staff in a thoughtful pose, with a cottage, trees and birds behind him.

[Portret Bohdana Zalewskiego, Incipit:] Wieszczowi ukraińskiemu poświęca podolanin

Jan Mioduszewski, 1886

Sepia watercolor of a carved tomb effigy of a crowned king with orb and scepter, flanked by heraldic lion and eagle.

[Posąg nagrobny króla Kazimierza Jagiellończyka dłuta Wita Stwosza, w Kaplicy Świętego Krzyża w katedrze na Wawelu]

Leon Dembowski, 1848

Drawn portrait of a man with curly hair, cravat and dark coat with shoulder braid, looking to the side.

Skarbek hrabia prof. Uniwersytetu Warsz

Adolf Piwarski, 1837

Watercolor portrait of a tonsured friar in a dark cloak looking upward, with gold inscription and red emblem.

Vera Effigies S: Hiacynthi Cons: Ord: Praed: P.R.P

Andrzej Grabowski, 1856

Pencil drawing of a thatched rural cottage and shed beside trees, with a river and hills in the distance.

[Krajobraz wiejski z zagrodą chłopską i rzeką]

Antoinette Skrzyńska, 1821

Pencil drawing of a rural house beside a river with small figures on the bank, a tree and a distant hill, dated 1870.

[Krajobraz wiejski z domem nad rzeką]

Józef Jawornicki, 1870

Watercolor elevation of the Palais de Skierniewice, a two-story building with a red roof and central arched entrance, flanked

Palais de Skierniewice

F. B, 1825

Watercolor botanical illustration of pink double-flowered oleander with long green leaves and buds on a cream page.

Nerium Oleander

George De Alwis, 1893

Watercolor botanical drawing of a Lantana camara plant with orange and yellow flower clusters and dark berries.

Lantana camarra mixta

George De Alwis, 1893

Watercolor of a climbing Thunbergia vine with white flowers, yellow throats and green leaves on an album page.

Thunbergia

George De Alwis, 1893

Watercolor page of orchids and leaves with the title Mon Jardin à Ceylan lettered in black script across the centre.

Mon Jardin à Ceylan

George De Alwis, 1893

Watercolor botanical drawing of a striped green Alpinia pumilla leaf on a slender stem, numbered 83, on cream paper.

Alpinia pumilla

George De Alwis, 1893

Watercolor botanical drawing of a striped Maranta zebrina leaf beside a cluster of dark purple flowers on a green stem.

Marantha Zebrina

George De Alwis, 1893

Watercolor of a Franciscea uniflora branch with purple and white flowers and green leaves on an album page.

Franciscea uniflora

George De Alwis, 1893

Watercolor botanical plate of Marantha leopardina with two patterned leaves and a flower bud on a green stem.

Marantha leopardina

George De Alwis, 1893

Watercolor drawing of a Phaius bicolor orchid spike with brown-orange and yellow flowers and a long pleated leaf behind it.

Phaius bicolor

George De Alwis, 1893

Botanical drawing of a single elongated leaf with pale and dark green stripes on a cream page, with stalk.

[Liść, rysunek botaniczny]

George De Alwis, 1893

Pencil portrait sketch of a man with curly hair, bow tie and waistcoat, inscribed Szymon Konopacki at bottom.

Szymon Konopacki aut

Ludwika Beyzym, 1830

Watercolor of a palace with a red tower and central red entrance, a rider on a curved drive, framed by green trees.

Pałac w Baranowie w cyr. tarnowskim

Edward Walenty Kainko, 1844

Back of an aged paper drawing sheet with a small library stamp near the center and tape mounts at the edges.

Venceslaus Sierakowski Archi- Episcopus Leopoliensis

Michał Stachowicz, 1820

Faint pencil sketches of military caps on a cream sketchbook page, with a library stamp at the bottom.

[Rysunki kapeluszy oficerskich oraz czapki żołnierza]

Karol Wawrosz, 1880

[Studium głowy szlachcica]

Józef Narcyz Kajetan Seydlitz, 1826

Coloured drawing of the town of Biecz with church, tower, hills, a road with walking figures, and a river.

Widok miasta Biecza

Edward Walenty Kainko, 1843

Grey wash drawing of a recumbent armored effigy with a sword and eagle coat of arms, inscribed Bolesław Wstydliwy, 1814.

Bolesław Wstydliwy

Michał Stachowicz, 1814

Blank grey paper sheet with fine texture and scattered small dark spots, no visible drawing.

Princeps Georgius Radziwił Episcopus Cracoviensis Cardinalis Sae Romanae Ecclesiae

Michał Stachowicz, 1820

Back of an 1801 architectural drawing sheet showing faint ghosted sketch lines and a small library stamp.

[Projekt oraz rzut dworu z portykiem oraz boniowanymi ryzalitami]

Sebastian Sierakowski, 1801

Watercolor architectural drawing with floor plans, staircases, and a cross section of an orangery pavilion with hipped roof.

[Projekt oranżerii - rzut parteru oraz pięter pawilonów wraz z przekrojem]

Sebastian Sierakowski, 1800

Pink-washed architectural floor plans of two levels of a building with a staircase and a decorative scale bar, drawn in ink a

[Rzuty parteru oraz piętra kamienicy]

Sebastian Sierakowski, 1772

Back of a cream paper sheet with a library stamp reading Bibl. Jag. and handwritten number 2685 in the lower left.

[Projekt budynku gospodarczego - elewacja boczna]

Sebastian Sierakowski, 1801

Architectural drawing with a building elevation above a colored floor plan of a distillery with annotations.

[Projekt oraz rzut gorzelni]

Sebastian Sierakowski, 1800

Architectural drawing with a facade of rectangular windows and a central pediment, plus faint pencil floor plan lines below.

[Projekt oraz rzut dworu z mansardowym dachem]

Sebastian Sierakowski, 1772

Pencil drawing of two alternative garden building facades, one an artificial ruin with columns and relief, the other a classi

[Rysunek sztucznej ruiny jako budynku ogrodowego - projekt wariantowy dwóch elewacji]

Sebastian Sierakowski, 1800

Pen and wash architectural floor plan labeled in Italian showing a rector's residence, a courtyard and an arched structure.

Abitazione dell Illmo Sig. Rettore

Sebastian Sierakowski, 1750

Architectural drawing with a facade elevation and cross section of a Kraków market hall with arcades, gables and annotations.

[Projekt przebudowy Sukiennic na Rynku w Krakowie]

Sebastian Sierakowski, 1800

Pen and wash architectural drawing of a columned facade with flaming urns above and a floor plan with circular column bases b

[Budowla w stylu kompozytowym - fragment elewacji oraz jej rzut]

Sebastian Sierakowski, 1800

Folded paper with handwritten brown ink list of book titles and a library stamp reading Bibl. Jag.

[Projekt murowanego pieca]

Sebastian Sierakowski, 1801

Pencil concept sketches of a hilly landscape with small structures, including a windmill and church, on cream paper.

[Szkice koncepcyjne do pejzażu z ziemianką, wiatrakiem, cerkwią i krzyżem przydrożnym]

Józef Ignacy ] [Kraszewski, 1887

Grey-wash portrait drawing of a bearded man in a helmet and armor inside an oval frame, with a Latin caption below.

Petrus Kmita Palatinus Cracoviensis

Michał Stachowicz, 1820

Oval bust portrait drawing of a bearded king in a crown and fur mantle, captioned Sigismundus I. Rex Poloniae.

Sigismundus I. Rex Poloniae

Michał Stachowicz, 1820

Two stacked architectural floor plans of a house on beige paper, walls in pink and grey wash, staircases in yellow.

[Rzuty dwóch kondygnacji domu]

Sebastian Sierakowski, 1800

Pen and watercolour plan of a thatched craftsman's house with front elevation above floor plan and scale bar.

[Projekt i rzut domu dla rzemieślnika, krytego strzechą]

Sebastian Sierakowski, 1800

Ink and watercolor elevation of a classical two-storey town hall facade with a central pediment and arched windows.

[Fasada ratusza]

Sebastian Sierakowski, 1819

Pencil drawing of a chapel wall elevation with central door, paneled sides, oval medallions and handwritten annotations.

[Projekt wnętrza kaplicy pw. Św. Stanisława Kostki - podział i kompozycja ściany]

Sebastian Sierakowski, 1804

Colored architectural elevation of a baroque twin-towered church with onion domes, central pediment, and side nave.

[Projekt dwuwieżowego kościoła w stylu barokowym]

Sebastian Sierakowski, 1750

Watercolor design of an ornate baroque memorial plaque with a coat of arms and a Latin inscription panel.

[Epitafium Pawła Szczerbica]

Jan Kanty Wojnarowski, 1849

Watercolor of an ornate funerary monument with a veiled woman and an armored knight standing in arched niches.

[Nagrobek Stanisława i Katarzyny Orlików]

Jan Kanty Wojnarowski, 1847

Watercolor of a silver altar in an ornate Renaissance niche with gilded candlesticks, saint statues and a small altar server.

[Ołtarz srebrny w kaplicy Zygmuntowskiej na Wawelu]

Bogumił Gąsiorowski, 1850

Watercolor of a red stone epitaph with Latin capital lettering set against a painted brick wall on grey-blue paper.

[Epitafium Franciszka Zarzeckiego w krużgankach oo. Franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1850

Watercolor drawing of a red armored knight statue in a pedimented niche monument with a Latin inscription on its base.

[Nagrobek Piotra Kmity]

Jan Kanty Wojnarowski, 1857

Watercolor drawing of a stone tomb with a reclining bearded effigy, a coat of arms, and flaming finials.

[Domniemany nagrobek Hieronima Canavesiego w kościele oo. Franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1841

Watercolor drawing of a carved stone tomb slab with a praying female figure and Gothic inscription panels on each side.

[Płyta nagrobna Eufemii Borkowej w kościele oo. Franciszkanów w Krakowie, po pożarze]

Jan Kanty Wojnarowski, 1850

Pencil sketch of two pine trees behind a cracked stone wall and path, with small studies on the right page.

[Pejzaż z dwoma sosnami]

Piotr Stachiewicz, 1878

Back of an aged cream paper sheet with faint pencil smudges, a small central stamp, and handwritten inventory numbers in the

[Widok wnętrza zakrystii kościoła franciszkanów w Krakowie]

Bogumił Gąsiorowski, 1850

Watercolor design of a gray scrolled epitaph plaque with a Latin inscription and a small emblem at the top.

[Epitafium Franciszka Krzyżanowskiego]

Jan Kanty Wojnarowski, 1840

Pencil sketch of a battle scene with mounted soldiers, raised sabers, horses and fallen figures on an album page.

[Scena bitewna]

Piotr Stachiewicz, 1878

Architectural drawing with a palace elevation above and a colored floor plan below, with Polish room labels and a scale bar.

[Projekt oraz rzut pałacu do Kulikowa]

Sebastian Sierakowski, 1770

Pencil sketch of a group of figures in long coats and fur hats conversing, with women in headscarves, on pale paper.

[Grupa Żydów i Poleszanek podczas rozmowy]

Józef Ignacy ] [Kraszewski, 1834

Hand-coloured plan of a bastioned fortification with ravelins and a grid of city blocks, with a scale bar below.

[Narys fragmentu fortyfikacji oktagonalnej, bastionowej z rawelinami]

CFS, 1675

Watercolor interior of a blue drawing room with draped windows, gilt mirrors, porcelain vases, flowers and a sleeping dog.

Gabinet hrny Arturowej Potockiej w Wiedniu 1824

Franz Malek von Werthenfels, 1824

Hand-coloured architectural floor plan of the second storey of a cloth factory hospital in Kluczbork, 1786.

Planta, Prospekt sytuacyi szpitalu fabryki sukienny w Kluczborku drugi kondygnacy

Piotr Widerlechner, 1786

Watercolor of castle ruins with a tall tower on a green hill, trees, a grazing cow and two figures in the foreground.

Rozwaliny zamku w Lipowcu

Edward Walenty Kainko, 1844

Watercolor drawing of a stone epitaph with Latin inscription, topped by a cross, orb and carved shield on a pale blue ground.

[Epitafium Stanisława Zająca]

Jan Kanty Wojnarowski, 1851

Back of a folded sheet with a handwritten inscription 'Plebania w Goszczy' and a library stamp 'Bibl. Jag.' below.

[Projekt oraz rzut plebanii w Goszczy]

Sebastian Sierakowski, 1770

Pencil floor plan of a single-nave church with three bays, flanking chapels and a stair, drawn on pale paper.

[Projekt jednonawowego trójprzęsłowego kościoła]

Sebastian Sierakowski, 1790

Pencil drawing of an altar pilaster with acanthus ornament, a draped female statue on a pedestal, and an arched window.

[Projekt ołtarza dekorowanego stylizowanymi liśćmi akantu z rzeźbą świętej]

Sebastian Sierakowski, 1769

Reverse side of a paper sheet with yellow stains, a horizontal crease, pencil inscriptions, and library stamps.

[Pejzaż pagórkowaty z ziemianką, wiatrakiem, cerkwią i krzyżem przydrożnym]

Józef Ignacy ] [Kraszewski

Faint pencil sketch of a man's head with shoulder-length hair on a lined, stained sheet of paper.

[Szkic głowy z włosami sięgającymi ramion]

Józef Ignacy ] [Kraszewski, 1840

Back of a yellowed, stained paper sheet with a central fold and small catalogue numbers in the lower left corner.

[Projekt Świątyni Wdzięczności - fasada wraz z otoczeniem]

Sebastian Sierakowski, 1815

Architectural drawing of a chapel with front facade, cross-section showing altar, and floor plan with pink roofs.

[Projekt kaplicy pw. Św. Stanisława Kostki - fasada, przekrój poprzeczny oraz rzut]

Sebastian Sierakowski, 1790

Pencil sketch of a landscape with a group of trees on the right and open ground with shrubs in the foreground.

[Pejzaż z grupą drzew po prawej stronie]

Józef Ignacy ] [Kraszewski, 1879

Stanislaus Konarski Scholi Priari Professor [...]

Michał Stachowicz, 1820

Drawing of a crowd with banners processing through a city square, framed by an ornate Gothic architectural border with portra

Vladislaus Jagello Academiam Cracoviensem de rure suburbano Bawół ad istas aedes proprio sumpta acquisitas [...]

Michał Stachowicz, 1820