New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Polona (Biblioteka Narodowa)

5,217 works

Featured

Filters

Works per page

Color

Shape

Clear all

Pencil sketch of a man in a loose robe leaning over an open book on a table beneath a hanging lamp.

[Szkic mężczyzny w szlafroku, pochylonego nad książką leżącą na stole]

Józef Narcyz Kajetan Seydlitz, 1826

Drawing of a Gothic-framed royal audience with a kneeling figure before a seated ruler and courtiers, with Latin inscriptions

Academia Cracoviensis multis calamitatibus afflicta seque a Rege Sigismundo III de relictam ratadesperatis rebus suis…

Michał Stachowicz, 1820

Blank grey sheet of paper with mottled tan staining and fibrous texture, no visible drawing.

Franciscus Krasiński Princeps Episcopus Cracoviensis

Michał Stachowicz, 1820

Architectural floor plan of a centrally planned chapel with pink walls, yellow niches and an octagonal dome, with a scale bar

[Projekt, rzut kaplicy na planie centralnym]

Sebastian Sierakowski, 1810

Hand-coloured architectural drawing with two floor plans and a front elevation of a columned manor house with a pediment.

[Projekt i rzut dworu z portykiem kolumnowym oraz rustykowanymi ryzalitami]

Sebastian Sierakowski, 1801

Handwritten account sheet with a Sechs Kreuzer stamp, itemized sums, a total, and a signature at the bottom.

[Projekt oraz rzut przydworskich czworaków z herbem Ogończyk wkomponowanym w dekorację elewacji]

Sebastian Sierakowski, 1801

Watercolor portrait of an elderly clergyman in white surplice and brown cape, beside a crucifix, with a book in hand.

Joannes Długosz C.C.C

Leon Dembowski, 1850

Brown ink caricature of a violinist, a bearded man with a curled wig, and a seated pianist at a piano.

Souvenirs de Rome 1845

Józef Szymon Kurowski, 1845

Watercolor of a uniformed drummer in a blue coat and black shako with red plume, holding a baton, in a landscape.

[Tambor, major orkiestry Milicji Wolnego Miasta Krakowa z lat 1832-34 w letnim mundurze paradnym]

Jan Kanty Wojnarowski, 1840

Watercolor interior of a chapel showing an ornate tomb with a recumbent effigy, heraldic shields, and a Gothic vaulted ceilin

[Fragment kaplicy Jana Olbrachta z nagrobkiem króla w katedrze na Wawelu]

Bogumił Gąsiorowski, 1850

Line drawing of a crowned king in armor on a tomb monument, flanked by lions and a coat of arms, dated 1492.

[Wieko nagrobka Kazimierza Jagiellończyka w kaplicy Św. Krzyża w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1850

Colored architectural floor plan with lettered rooms, staircases and a central courtyard, labeled Plan Nro. A.

[Plan ratusza, rzut parteru]

Sebastian Sierakowski, 1820

Watercolor elevation of a neo-Gothic palace with pointed arches and corner tower, above two floor plans with a numbered legen

[Projekt i rzut pałacyku w stylu neogotyckim]

Sebastian Sierakowski, 1800

Pen and wash drawing comparing five column orders labeled Toscana, Dorica, Jonica, Romana and Corinthica, with dimension note

[Projekt kolumn w pięciu porządkach architektoniczych]

Sebastian Sierakowski, 1800

Watercolor of pale blue alpine peaks above a still lake, with green shrubs at the lower edge, mounted on grey card.

[Krajobraz alpejski]

Józef Ignacy Kraszewski, 1864

Pencil sketch of a river bank with boulders, a leaning leafy tree, and water reflections under a cloudy sky.

[Pejzaż rzeczny z głazami i urwistym brzegiem]

Józef Ignacy Kraszewski, 1840

Pencil sketch of a leaning tree with dense foliage on a slope, with a small shrub at lower left, on pale paper.

[Studium drzew rosnących na zboczu]

Józef Ignacy Kraszewski, 1840

Pencil sketch of a rural farmstead with a gabled roof, surrounded by tall trees, shrubs, and a wooden fence on a dirt path.

[Krajobraz wiejski z gospodarstwem otoczonym drzewami i krzewami]

Józef Ignacy Kraszewski, 1850

Pencil architectural drawing of a house elevation with roof and a floor plan with Polish room labels on aged paper.

[Projekt elewacji domu oraz jego rzut]

Sebastian Sierakowski, 1801

[Grupa postaci siedzących i stojących pod drzewem, na tle pejzażu]

Józef Ignacy Kraszewski, 1840

Architectural drawing of a monument with two elevations, relief panels, and a colored floor plan with a central fountain.

[Projekt studni-pomnika unii Polski z Litwą z dwoma rozwiązaniami elewacji]

Sebastian Sierakowski, 1816

Watercolor of a Gothic chapel interior with stained glass, a crucifix altar, a sculpted tomb, and a standing man in green.

[Wnętrze kaplicy Tylickiego w katedrze na Wawelu]

Bogumił Gąsiorowski, 1850

Watercolor drawing of a carved tomb slab showing a praying female figure in a wimple, with a heraldic shield and Gothic inscr

[Płyta nagrobna Eufemii Borkowej przed pożarem w kościele oo. Franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1850

Watercolor design of a marble funerary epitaph with two inscribed tablets, columns, and heraldic shields on a pediment.

[Epitafium Stanisława i Władysława Fogelwederów]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of a gilt-framed memorial plaque with Latin inscription under a scrolled pediment against brick.

[Epitafium Stanisława Radoszyckiego]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of a stone effigy of a crowned king holding an orb and scepter, set in a Gothic niche.

[Postać króla Władysława Łokietka z grobowca w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1857

Watercolor drawing of a stone tomb with a reclining armored effigy, heraldic shield, skull, and lion supports in an arched ni

[Nagrobek Walentego Dembińskiego, kasztelana krakowskiego w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1845

Pencil portrait study of a young woman with upswept hair and ruffled collar, with two smaller head studies below.

[Studium portretowe młodej kobiety]

Piotr Stachiewicz, 1878

Watercolor drawing of a Latin epitaph tablet for Jan Alantsee on a brick wall with a pale ochre border.

[Epitafium Jana Alantsee]

Jan Kanty Wojnarowski, 1840

Watercolor design of a memorial epitaph with two oval portrait medallions, a winged cherub, a shield and an inscribed cartouc

[Epitafium Mikołaja Korycińskiego i jego żony Barbary]

Jan Kanty Wojnarowski, 1846

Watercolor of a bearded man in a fur-trimmed robe beside an altar with a crucifix and mitre, with a Latin inscription below.

[Epitafium Jakuba ze Skaryszewa]

Jan Kanty Wojnarowski, 1840

Watercolor of a gray marble tomb plaque with a coat of arms in a laurel wreath and a Latin inscription.

[Płyta nagrobna Anny Konstancji Przerembskiej]

Jan Kanty Wojnarowski, 1839

Watercolor design of a baroque-framed epitaph with Latin inscription, shell crest and scroll ornaments on pale paper.

[Epitafium Grzegorza Gorczyńskiego]

Jan Kanty Wojnarowski, 1851

Watercolor drawing of a tomb monument with a recumbent armored knight, flanking busts, a heraldic crest and a cross on top.

[Nagrobek Franciszka Wesseliniego w kościele oo. franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1841

Hand-coloured neo-Gothic well monument design with spires, statues and relief scenes, plus a floor plan and scale bar.

[Projekt studni-pomnika w stylu neogotyckim z płaskorzeźbami przedstawiającymi sceny z legendarnej historii Polski]

Sebastian Sierakowski, 1816

[Epitafium Elżbiety z Tarnowskich Pieniążkowej]

Jan Kanty Wojnarowski, 1850

Watercolor drawing of a pink tablet with a Latin epitaph in capital letters, on a pale ochre background and cream mount.

[Epitafium Stanisława Grotkowskiego]

Jan Kanty Wojnarowski, 1840

Watercolor design of a grey stone epitaph with a small oval portrait of a woman, a cross, flaming urns and inscription panel.

[Epitafium Jadwigi Łochyńskiej]

Jan Kanty Wojnarowski, 1864

Pencil drawing of a standing man in a pointed hat and cloak holding a staff, with a covered cart and smoke beside him.

[Pasterz Stepowy]

Prosper Gorsʹkij, 1840

Pen and ink drawing of three men around a piano, one raising an arm, with handwritten names beneath.

[Trzech mężczyzn przy fortepianie]

Józef Szymon Kurowski, 1844

Grey wash portrait of a bearded man in a fur hat and fur-collared cloak, inside an oval frame on a green mount.

Princeps Samuel Korecki mor. 1651

Michał Stachowicz, 1820

Reverse of a pale sheet with faint ruled lines, stains, and pencilled numbers, catalogued as a 1816 theatre floor plan.

[Projekt teatru przy pl. Szczepańskim w Krakowie - rzut parteru]

Sebastian Sierakowski, 1816

Pencil sketch of a chapel wall design with a central sunburst, oval medallions, and a handwritten Polish caption below.

Ściana koło tey Kapliczki, gdzie się Xiądz do Mszy ubierać będzie

Sebastian Sierakowski, 1804

Pencil architectural drawing of a classicist church facade with pediment, arched doorway, bell openings and a tapering dome.

[Projekt jednonawowego kościoła w stylu klasycystycznym - fasada]

Sebastian Sierakowski, 1790

Watercolor botanical study of a green begonia leaf with pale radiating veins and a pointed tip, captioned below.

Begonia [...]

George De Alwis, 1895

Watercolor botanical illustration of a red Ixora coccinea branch with clusters of flowers and green leaves on a cream page.

Ixora coccinea

George De Alwis, 1893

Watercolor botanical drawing of two white flowers with magenta centers, green buds and dark green leaves on a page.

[Rysunek botaniczny]

George De Alwis, 1893

Watercolor botanical study of a Salacia reticulata branch with orange and green fruits and green leaves on a cream page.

Salacia reticulata

George De Alwis, 1893

Watercolor botanical drawing of a yellow Solandra grandiflora flower with frilled petals and large green leaves on a branch.

Solandra Grandiflora

George De Alwis, 1893

Watercolor botanical study of a tamarind branch with hanging brown pods, green leaves, and small flowers.

Tamarindus indica

George De Alwis, 1893

Watercolor drawing of a Dendrobium formosum orchid stem with two pale blue-white flowers and yellow lips above dark green lea

Dendrobium formosum

George De Alwis, 1893

Watercolor botanical plate of Calathea baraquinii with two striped leaves, a white flower cluster and a reddish stem on cream

Calathea Baraquinii

George De Alwis, 1893

Watercolor botanical drawing of Heliconia brasiliensis with stacked orange-red bracts on green stems, numbered 67 at top righ

Heliconia Brasiliensis

George De Alwis, 1893

Watercolor botanical study of a pink and purple passion flower with lobed leaves, tendrils and a closed bud on a cream page.

Passiflora

George De Alwis, 1893

Botanical watercolour of a Lansium domesticum branch with clusters of yellow fruit, leaves, a fruit cross-section and a seed.

Lansium domesticum

George De Alwis, 1893

Watercolor of a yellow Allamanda nobilis flower with green leaves and stem, captioned in cursive on an album page.

Allamanda nobilis

George De Alwis, 1893

Grey wash drawing of a bearded man in a crown and robe, in an oval frame, with a Latin caption below.

Casimirus Jagiełło Rex Poloniae M. Dux Lituaniae

Michał Stachowicz, 1820

Back of a pale paper sheet with a small library stamp, handwritten number 1163, and tape remnants on the right edge.

Ioannes Casimirus Rex Poloniae

Michał Stachowicz, 1820

Oval brown ink portrait of a bishop with curly hair, white collar and cross pendant, inscribed with a Latin name.

Maciejowski Samuel Episcopus Cracoviensis Cancellarius Regni Poloniae Mortuus a: 1550

Michał Stachowicz, 1820

Grey wash drawing of a bishop in an oval frame, wearing a skullcap, buttoned cassock and cross on a chain, looking downward.

Ioannes Konarski Princeps Episcopus Cracoviensis

Michał Stachowicz, 1820

Ink and wash floor plan of a house with a courtyard and rooms, labeled in Italian, on a light paper sheet.

Casa di sopra prima della Chiesa

Sebastian Sierakowski, 1750

Ink drawing in an oval frame of a bearded man in a fur-trimmed garment with ornate buttons, inscribed with his name below.

Martinus Kalinowski Dux Campestris Regni Poloniae

Michał Stachowicz, 1820

Pen and wash architectural drawing of a wall tomb with mourning female figures, a portrait medallion, and an urn above.

[Projekt oraz rzut przyściennego nagrobka z dwoma rzeźbami płaczek oraz portretem zmarłego w medalionie]

Sebastian Sierakowski, 1800

Pencil sketch of a bearded older man in three-quarter view, drawn loosely on pale tracing paper.

[Autoportret - szkic]

Józef Ignacy Kraszewski, 1879