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Polona (Biblioteka Narodowa)

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Watercolor design of a baroque-framed epitaph with Latin inscription, shell crest and scroll ornaments on pale paper.

[Epitafium Grzegorza Gorczyńskiego]

Jan Kanty Wojnarowski, 1851

Watercolor drawing of a tomb monument with a recumbent armored knight, flanking busts, a heraldic crest and a cross on top.

[Nagrobek Franciszka Wesseliniego w kościele oo. franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1841

Hand-coloured neo-Gothic well monument design with spires, statues and relief scenes, plus a floor plan and scale bar.

[Projekt studni-pomnika w stylu neogotyckim z płaskorzeźbami przedstawiającymi sceny z legendarnej historii Polski]

Sebastian Sierakowski, 1816

[Epitafium Elżbiety z Tarnowskich Pieniążkowej]

Jan Kanty Wojnarowski, 1850

Watercolor drawing of a pink tablet with a Latin epitaph in capital letters, on a pale ochre background and cream mount.

[Epitafium Stanisława Grotkowskiego]

Jan Kanty Wojnarowski, 1840

Watercolor design of a grey stone epitaph with a small oval portrait of a woman, a cross, flaming urns and inscription panel.

[Epitafium Jadwigi Łochyńskiej]

Jan Kanty Wojnarowski, 1864

Pencil drawing of a standing man in a pointed hat and cloak holding a staff, with a covered cart and smoke beside him.

[Pasterz Stepowy]

Prosper Gorsʹkij, 1840

Pen and ink drawing of three men around a piano, one raising an arm, with handwritten names beneath.

[Trzech mężczyzn przy fortepianie]

Józef Szymon Kurowski, 1844

Grey wash portrait of a bearded man in a fur hat and fur-collared cloak, inside an oval frame on a green mount.

Princeps Samuel Korecki mor. 1651

Michał Stachowicz, 1820

Reverse of a pale sheet with faint ruled lines, stains, and pencilled numbers, catalogued as a 1816 theatre floor plan.

[Projekt teatru przy pl. Szczepańskim w Krakowie - rzut parteru]

Sebastian Sierakowski, 1816

Pencil sketch of a chapel wall design with a central sunburst, oval medallions, and a handwritten Polish caption below.

Ściana koło tey Kapliczki, gdzie się Xiądz do Mszy ubierać będzie

Sebastian Sierakowski, 1804

Pencil architectural drawing of a classicist church facade with pediment, arched doorway, bell openings and a tapering dome.

[Projekt jednonawowego kościoła w stylu klasycystycznym - fasada]

Sebastian Sierakowski, 1790

Watercolor botanical study of a green begonia leaf with pale radiating veins and a pointed tip, captioned below.

Begonia [...]

George De Alwis, 1895

Watercolor botanical illustration of a red Ixora coccinea branch with clusters of flowers and green leaves on a cream page.

Ixora coccinea

George De Alwis, 1893

Watercolor botanical drawing of two white flowers with magenta centers, green buds and dark green leaves on a page.

[Rysunek botaniczny]

George De Alwis, 1893

Watercolor botanical study of a Salacia reticulata branch with orange and green fruits and green leaves on a cream page.

Salacia reticulata

George De Alwis, 1893

Watercolor botanical drawing of a yellow Solandra grandiflora flower with frilled petals and large green leaves on a branch.

Solandra Grandiflora

George De Alwis, 1893

Watercolor botanical study of a tamarind branch with hanging brown pods, green leaves, and small flowers.

Tamarindus indica

George De Alwis, 1893

Watercolor drawing of a Dendrobium formosum orchid stem with two pale blue-white flowers and yellow lips above dark green lea

Dendrobium formosum

George De Alwis, 1893

Watercolor botanical plate of Calathea baraquinii with two striped leaves, a white flower cluster and a reddish stem on cream

Calathea Baraquinii

George De Alwis, 1893

Watercolor botanical drawing of Heliconia brasiliensis with stacked orange-red bracts on green stems, numbered 67 at top righ

Heliconia Brasiliensis

George De Alwis, 1893

Watercolor botanical study of a pink and purple passion flower with lobed leaves, tendrils and a closed bud on a cream page.

Passiflora

George De Alwis, 1893

Botanical watercolour of a Lansium domesticum branch with clusters of yellow fruit, leaves, a fruit cross-section and a seed.

Lansium domesticum

George De Alwis, 1893

Watercolor of a yellow Allamanda nobilis flower with green leaves and stem, captioned in cursive on an album page.

Allamanda nobilis

George De Alwis, 1893

Grey wash drawing of a bearded man in a crown and robe, in an oval frame, with a Latin caption below.

Casimirus Jagiełło Rex Poloniae M. Dux Lituaniae

Michał Stachowicz, 1820

Back of a pale paper sheet with a small library stamp, handwritten number 1163, and tape remnants on the right edge.

Ioannes Casimirus Rex Poloniae

Michał Stachowicz, 1820

Oval brown ink portrait of a bishop with curly hair, white collar and cross pendant, inscribed with a Latin name.

Maciejowski Samuel Episcopus Cracoviensis Cancellarius Regni Poloniae Mortuus a: 1550

Michał Stachowicz, 1820

Grey wash drawing of a bishop in an oval frame, wearing a skullcap, buttoned cassock and cross on a chain, looking downward.

Ioannes Konarski Princeps Episcopus Cracoviensis

Michał Stachowicz, 1820

Ink and wash floor plan of a house with a courtyard and rooms, labeled in Italian, on a light paper sheet.

Casa di sopra prima della Chiesa

Sebastian Sierakowski, 1750

Ink drawing in an oval frame of a bearded man in a fur-trimmed garment with ornate buttons, inscribed with his name below.

Martinus Kalinowski Dux Campestris Regni Poloniae

Michał Stachowicz, 1820

Pen and wash architectural drawing of a wall tomb with mourning female figures, a portrait medallion, and an urn above.

[Projekt oraz rzut przyściennego nagrobka z dwoma rzeźbami płaczek oraz portretem zmarłego w medalionie]

Sebastian Sierakowski, 1800

Pencil sketch of a bearded older man in three-quarter view, drawn loosely on pale tracing paper.

[Autoportret - szkic]

Józef Ignacy ] [Kraszewski, 1879

Pencil sketch of a rural scene with a wooden fence, barrel, trough, tall trees and a small church tower in the distance.

[Pejzaż wiejski]

Józef Ignacy ] [Kraszewski, 1840

Back of an aged paper sheet with a small library label reading Bibl. Jag. and handwritten inventory numbers in the corners.

[Projekt szafy organowej do kościoła Norbertanek pw. Św. Augustyna w Krakowie - widok frontalny]

Sebastian Sierakowski, 1777

Faint architectural drawing of a monument with a column on a pedestal topped by a cross, on pale paper with handwritten notes

[Projekt pomnika w formie korynckiej kolumny ustawionej na cokole zwieńczonej krzyżem z glorią]

Sebastian Sierakowski, 1770

Back of a pale paper sheet with a small printed library stamp in the center and handwritten inventory number at lower left.

[Fragment lasu z połamanymi drzewami]

Józef Ignacy ] [Kraszewski, 1840

Back of an aged drawing sheet with foxing, a printed library stamp near the bottom, and a handwritten number.

Mieszczanin : kapota ciemno sina ... i wyłogi czerwone ciemne, czapka barankowa czarna, pas czerwony z żółtym

Józef Ignacy ] [Kraszewski, 1834

Back of an aged paper drawing with faint pencil traces, a library stamp reading Bibl. Jag., and handwritten shelf numbers.

Wspomnienia Polesia, Wołynia i Litwy

Józef Ignacy ] [Kraszewski, 1834

Watercolor design of a baroque memorial epitaph with gilded angels, an oval portrait of a cleric, and a Latin inscription pla

[Epitafium Jacka Augustyna Łopackiego]

Jan Kanty Wojnarowski, 1863

Watercolor drawing of a Latin epitaph inscription in a gold decorative frame on a pink background.

[Epitafium Łukasza Podoskiego]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of a marble funerary monument with a trumpet-blowing angel, a medallion portrait, and seated allegorical f

[Nagrobek Konstantego Felicjana Szaniawskiego]

Jan Kanty Wojnarowski, 1854

Watercolor drawing of a gilded epitaph with Latin inscription, allegorical figures, risen Christ, angels and coat of arms.

[Epitafium Katarzyny Zebrzydowskiej]

Jan Kanty Wojnarowski, 1860

[Portret sylwetowy nieznanego mężczyzny]

Peter Ernst Rockstuhl, 1904

Watercolor copy of a medieval scene: a haloed man in blue before a seated ruler in orange robes, with armored soldiers behind

[Chrystus przed Kajfaszem] : [kopia obrazu z kościoła Św. Idziego w Krakowie]

Antoni Oborski, 1857

Watercolor portrait of a young man with brown hair and a black neckerchief, signed ND, with the inscription M.M. + 1834 below

M.M. + 1834 r

Monogramista ND, 1840

Architectural drawing with three stacked floor plans in ink and watercolor, labeled in Polish with room names and numbers.

[Projekt Bursy Pauperum - 3 rzuty kondygnacji]

Sebastian Sierakowski, 1800

Okno w Zamku królewskim na pierwszym piętrze Galeryi ku stronie południowej

Teofil Żebrawski, 1846

Ink and wash architectural drawing of a Tuscan column with elevations, sections and plan, annotated with dimensions.

Kolumna Toscana

Sebastian Sierakowski, 1800

Pen and wash drawing of two baroque column monuments with Virgin statues, elevations and floor plans below.

[Dwa projekty rzeźb Matki Boskiej w typie Immaculata na wysokich dekorowanych postumentach wraz z rzutami]

Sebastian Sierakowski, 1769

Blank aged paper sheet with a small printed library stamp in the center and a handwritten reference in the lower left corner.

[Projekt trójprzęsłowego łuku triumfalnego]

Sebastian Sierakowski, 1800

Watercolor of a brick church with a tall tower, two small figures on a cobbled path, poplars and a cloudy sky.

[Kościół św. Krzyża w Krakowie około poł. XIX w.]

Bogumił Gąsiorowski, 1850

Watercolor drawing of an ornate epitaph tablet with Latin inscription in a scrolled frame, on cream paper.

[Epitafium Jana Grodzickiego w kościele oo. Dominikanów w Krakowie]

Jan Kanty Wojnarowski, 1840

Watercolor portrait of a seated elderly bishop in grey robes with a rosary, beside a crucifix and open book, with a Latin ins

[Portret biskupa Piotra Myszkowskiego]

Jan Kanty Wojnarowski, 1854

Watercolor portrait of a bearded man in a red fur-trimmed robe, fur hat with feather plume, and yellow shoes.

[Portret króla Stefana Batorego według obrazu Marcina Kromera]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of a wall tomb with an oval portrait medallion of a bearded man and a Latin inscription panel.

[Nagrobek przyścienny Stanisława Bojanowskiego w krużgankach oo. Dominikanów w Krakowie]

Jan Kanty Wojnarowski, 1845

Watercolor drawing of a stone epitaph with Latin inscription and an oval portrait of a young man in a red coat.

[Epitafium Michała Parisa]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of an ornate epitaph cartouche with a bearded man's portrait medallion and a Latin inscription panel.

[Epitafium Jana Vertemy]

Jan Kanty Wojnarowski, 1840

Watercolor design of an ornate memorial plaque with a crown, eagle, flags, cannons and a laurel wreath around an inscription.

[Tablica upamiętniająca zwycięstwo króla Jana III pod Wiedniem]

Jan Kanty Wojnarowski, 1858

Watercolor drawing of a grey marble-effect epitaph with a Latin inscription honoring Łukasz Zdrojowski, on pale paper.

[Epitafium Łukasza Zdrojowskiego]

Jan Kanty Wojnarowski, 1840

Watercolor design of a grey and rose marble epitaph with a carved bust in a niche, inscription panel and coat of arms.

[Epitafium Marcina Wybranowskiego]

Jan Kanty Wojnarowski, 1839

Watercolor drawing of a stone epitaph with Latin inscription, coat of arms, and scrolled pediment, by Jan Kanty Wojnarowski.

[Epitafium Małgorzaty z Fogelwederów Wierusz-Kowalskiej w krużgankach oo. Dominikanów w Krakowie]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of a dark stone tomb monument with a gilded bust, skull ornaments and a pink marble base.

[Nagrobek Piotra Gembickiego]

Jan Kanty Wojnarowski, 1858

Drawing of a pink rectangular memorial tablet with a Latin epitaph in capital letters, on a pale blue mat.

[Epitafium Bernarda Menga]

Jan Kanty Wojnarowski, 1840

Watercolor of a gray memorial plaque with Polish inscription, framed by a pink brick-patterned border on cream paper.

[Epitafium Piotra Michałowskiego]

Jan Kanty Wojnarowski, 1840

Watercolor design of a baroque funerary monument with Latin inscription, kneeling figure at a crucifix, and coat of arms.

[Epitafium Pawła Dembskiego]

Jan Kanty Wojnarowski, 1853

Watercolor design of a memorial epitaph with gilded cherubs, a portrait medallion of a man in armor, and a Latin inscription

[Epitafium Stanisława Chomętowskiego]

Jan Kanty Wojnarowski, 1864

Watercolor drawing of a stone tomb with a reclining effigy on a red sarcophagus under a carved arch with coats of arms.

[Nagrobek Jana Olbrachta]

Jan Kanty Wojnarowski, 1856

Botanical painting of a spiny durian fruit with white flowers, green and brown leaves on a cream page.

Durio Zibethinus

George De Alwis, 1893

Watercolor botanical study of a branch with glossy green leaves and a large orange-red fruit, labeled Wiloughbeia Zeylanica.

Wiloughbeia Zeylanica

George De Alwis, 1893

Watercolor botanical drawing of white and yellow Plumeria acutifolia flowers with green leaves and a cut branch.

Plumeria acutifolia

George De Alwis, 1893

Watercolor of a potted arum-type plant with broad green leaves and a dark brown hooded flower with a curved spadix.

[Roślina w doniczce, rysunek botaniczny]

George De Alwis, 1893

Painted botanical plate of a mangosteen branch with dark purple fruit, green leaves, and pink and red flowers.

Garcinia Mangostan

George De Alwis, 1893

Watercolor botanical drawing of a Dendrobium orchid with pink hanging flowers and banded grey stems on a cream page.

Dendrobium Maccarthiae

George De Alwis, 1893

Blank cream book page with brown stains, a small printed library label near center, and a penciled inventory number at lower

[Rysunki czak Korpusu Kadetów, piechoty liniowej, korpusu weteranów oraz inwalidów]

Karol Wawrosz, 1880

Blank aged cream page in a bound volume with a small library stamp reading Bibl. Jag near the bottom edge.

[Ordery Virtuti Militari oficerski i komandorski - awersy i rewersy]

Karol Wawrosz, 1880

Pen and ink drawing of a design for a tall statue monument on a stepped stone base with pedestrians nearby.

[Projekt pomnika Adama Mickiewicza na Rynku Głównym w Krakowie]

Pius Weloński, 1880

Blank cream album sheet with red crowned seal stamps and a library mark, mounted in a blue-bordered album.

[Piechota] : [zmiana warty przed odwachem „pod Białym Orłem” w Warszawie]

Jan Nepomucen Lewicki, 1838

Back of a laid paper sheet with a faint sketch of a mound, red number at top and library stamp at lower right.

Tertre du Thaddeus Kościuszko

Sebastian Sierakowski, 1823

Hand-colored architectural floor plan of a building's upper storey with labeled rooms, staircases and pink-shaded walls.

[Projekt przebudowy Bursy Jagiellońskiej - rzut piętra]

Sebastian Sierakowski, 1823

[Osiem karykaturalnych szkiców: mężczyzny grającego na skrzypcach, na lutni, trzech głów wąsatych mężczyzn, jednego m…

Walerian Kryciński, 1880

Pencil drawing of castle ruins on a rocky hill with a broken tower, arched gateway and boulders in the foreground.

[Ruiny zamku]

Szymon Dutkiewicz, 1850

Handwritten Polish manuscript page listing 1752 bison hunt details and attendees, with a red ruled line across the sheet.

Wyjazd na łowy żubrów 22 wrześ. 1752 Augusta III z żoną, dziećmi i dworem

Jakub Sokołowski, 1810

Watercolor of a stone town hall with a tall tower and onion spire, with figures standing on a dirt street.

[Nowy Wiśnicz, ratusz]

Andrzej Grabowski, 1857

Watercolor portrait of a seated woman in black dress and lace veil, hands folded, against a pale shaded background.

[Portret Konstancji z Iwanowskich Rzewuskiej]

Dionizja Poniatowska, 1858

Pencil sketch of a nude woman seen from behind, one arm raised to her head, with draped cloth at her hip.

[Szkice dwóch sylwetek - Henryka Kunzeka oraz Ludwika Pugeta]

Leonard Stroynowski, 1910

Watercolor design of a baroque funerary monument with an oval portrait of a man in a red coat and blue sash.

[Epitafium Jerzego Augusta Wandalina Mniszcha]

Jan Kanty Wojnarowski, 1864

Watercolor drawing of a stone funerary urn with ring handles on an inscribed pedestal, standing on a tiled floor.

[Nagrobek Wacława Sierakowskiego]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of an ornate grey funerary monument with a gold bishop bust, columns, angels and a Latin inscription.

[Nagrobek Jakuba Zadzika]

Jan Kanty Wojnarowski, 1859

Watercolor design of a tomb monument with a Crucifixion scene, kneeling donors, a heraldic shield and a Trinity pediment.

[Nagrobek Mateusza Lawendy w kościele oo. dominikanów w Krakowie]

Jan Kanty Wojnarowski, 1840

Watercolor of a uniformed Kraków Free City officer gesturing to a recruit in a grey greatcoat holding a blue cap.

[Podoficer Milicji Wolnego Miasta Krakowa z lat 1832-34 w mundurze paradnym i rekrut]

Jan Kanty Wojnarowski, 1840

Watercolor of a stone epitaph slab with Latin inscription, monogram and iron rings, set in a tiled floor.

[Epitafium Kacpra Kleckiego w krużgankach klasztoru oo. Dominikanów w Krakowie]

Jan Kanty Wojnarowski, 1840

Full-length watercolor portrait of a bishop in crimson cape and white surplice beside a mitre, with a Latin inscription below

[Portret biskupa krakowskiego Jana Małachowskiego]

Jan Kanty Wojnarowski, 1849

Pencil design drawing of a rococo altar elevation with angels and a floor plan below, by Sebastian Sierakowski, 1769.

[Projekt ołtarza głównego oraz bocznego stojących w prezbiterium wraz z rzutami]

Sebastian Sierakowski, 1769

Watercolor and pencil drawing of a narrow street under a stone arch leading to the sea with a sailboat.

[Włoska uliczka wiodąca ku morzu]

Józef Ignacy ] [Kraszewski, 1864

Watercolor of a woman with a jug on her head by a rocky shore, with sea, agave plants and hills in the distance.

[Wybrzeże San Remo]

Józef Ignacy ] [Kraszewski, 1887

Empty grey sheet of paper with faint tan foxing spots and mottled discoloration across the surface.

Iwan II Car Moskiewiski, brat starszy Piotra W. miał za małżonkę Sołtykównę

Michał Stachowicz, 1820