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Polona (Biblioteka Narodowa)

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Grayscale oval portrait drawing of a mustached man in a fur hat and fur-collared cloak, with a Latin caption below.

Boguslaus Chmielnicki Cosacorum Dux Generalis

Michał Stachowicz, 1820

Grayscale drawing in oval frame of a bishop with curly hair, white collar, and cross medal, inscribed Ioannes Małachowski.

Ioannes Małachowski Princeps Episcopus Cracoviensis

Michał Stachowicz, 1820

Back of an aged paper sheet with a library stamp and handwritten pencil inscription at the bottom edge.

Casimirus III Piast Magnus Rex Poloniae

Michał Stachowicz, 1820

Back of a pale paper sheet with a small library stamp and handwritten note near the bottom.

Matheus Sarbiewski Polonus Poeta insignis

Michał Stachowicz, 1820

Grey wash drawing of an older bishop with curly hair, wearing a pectoral cross and chain, in an oval frame.

Petrus Gamrat Episcopus Cracoviensis

Michał Stachowicz, 1820

Ink drawing of a gothic-framed chamber with courtiers around a table, three portrait medallions above, and Latin text below.

Universitatis Cracoviensis intemerata fide erga legitimos Reges suos semper conspicua neque Articulis deditionis Urbi…

Michał Stachowicz, 1820

Painted title page design with armour, weapons, a central tree, two portrait medallions and a view of ruined towers and town.

[Projekt karty tytułowej do „Album Wileńskie” J. K. Wilczyńskiego]

Wincenty Dmochowski, 1848

Watercolor portrait of a young woman in a white dress with puffed sleeves and a gold belt buckle, against a soft blue backgro

[Portret młodej kobiety w białej sukni]

Antoni Laub, 1834

Deotyma w chwili kiedy improwizuje

Dionizja Poniatowska, 1860

Pencil drawing of a village road with thatched cottages, trees, a stone wall, and three figures in the foreground.

[Krajobraz wiejski ze sztafażem]

Florian Danielski, 1820

Blank album page with red crowned shield stamps marked H.t.B. and a printed Bibl. Jag. library mark.

Ułany, strzelcy konne

Jan Nepomucen Lewicki, 1838

Pencil sketch of logs lying in front of two tall tree trunks on uneven ground, drawn on cream paper.

[Kłody leżące przed dwoma drzewami - szkic]

Józef Ignacy ] [Kraszewski, 1840

Pencil drawing of an S-shaped decorative initial with diamond lattice pattern, flowers, and climbing vine tendrils on cream p

[Inicjał S]

Józef Ignacy ] [Kraszewski, 1834

Pen and watercolor floor plan of a house with grey walls, pink-marked sections, staircases, a fireplace and dimension notes.

[Projekt - rzut domu]

Sebastian Sierakowski, 1801

Back of a cream paper sheet with a printed library mark 'Bibl. Jag.' and handwritten number 1443 at the bottom edge.

[Studium dwóch drzew]

Józef Ignacy ] [Kraszewski, 1840

Watercolor design of a memorial plaque with Latin epitaph and oval portrait of an elderly clergyman, framed by flaming urns.

[Epitafium Tomasza Oborskiego]

Jan Kanty Wojnarowski, 1851

[Epitafium Jana i Katarzyny Franciszki Załogów]

Jan Kanty Wojnarowski, 1843

Pale green-yellow drawing of an armored knight standing before gothic arches, with a Gothic inscription border and a heraldic

[Płyta grobowa Emmerama Salomona]

Jan Kanty Wojnarowski, 1840

Watercolor of an old town hall with a red-domed clock tower, soldiers and townspeople in a square.

[Dawny ratusz w Krakowie, zburzony w 1820 roku]

Bogumił Gąsiorowski, 1850

Watercolour of a drummer in grey winter uniform with red plume beside a yellow drum on grassy ground.

[Dobosz orkiestry Milicji Wolnego Miasta Krakowa z lat 1832-34 w mundurze zimowym]

Jan Kanty Wojnarowski, 1840

Watercolor drawing of an ornate niche tomb with a reclining effigy, crucifix, and kneeling mourners in relief.

[Nagrobek nieznanej dziewczynki w krużgankach oo. Dominikanów w Krakowie]

Jan Kanty Wojnarowski, 1840

Watercolor design of a tall obelisk monument with a central medallion, relief panels, labeled plinths and a chain fence.

[Projekt obelisku ku czci Tadeusza Kościuszki, wariant II]

Sebastian Sierakowski, 1818

Watercolor design of a monument with a Latin epitaph, oval portrait of a bearded man, and two golden cherubs at the top.

[Epitafium Szymona Opelewskiego]

Jan Kanty Wojnarowski, 1864

Watercolor design of a baroque memorial epitaph with an oval portrait of a clergyman in red and a Latin inscription tablet.

[Epitafium Józefa Rogallego]

Jan Kanty Wojnarowski, 1864

Pencil sketch of a large weathered rock formation on a hill, with small figures, flying birds and distant rolling hills.

[Podkamień, „Diabelski Kamień” (ostaniec)]

Piotr Stachiewicz, 1879

Watercolor design of a Gothic tomb slab with a bishop figure in relief, angels, heraldic shields and a Madonna scene below.

[Płyta wierzchnia i frontowa nagrobka Fryderyka Jagiellończyka]

Jan Kanty Wojnarowski, 1850

Watercolor of a gray Baroque-style epitaph with Latin text and a small oval portrait of a man in a red collar.

[Epitafium Macieja Poniatowskiego]

Jan Kanty Wojnarowski, 1840

Grey watercolor drawing of a stone epitaph with a cross on top and a Latin inscription in an oval panel.

[Epitafium Adriana Śmielowskiego]

Jan Kanty Wojnarowski, 1851

Watercolor design of a Baroque funerary plaque with an oval portrait of a bearded man above a Latin inscription.

[Epitafium Jakuba Najmana]

Jan Kanty Wojnarowski, 1838

Sepia drawing of a seated scholar writing at a desk in a Gothic niche, with a Latin epitaph inscription below.

[Epitafium Filipa Kallimacha]

Jan Kanty Wojnarowski, 1842