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Polona (Biblioteka Narodowa)

2,163 works

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Pen drawing of a thatched cottage and trees by a lake, with a ruined castle on a hill in the distance.

[Pejzaż z chatą i ruinami zamku]

Józef Ignacy ] [Kraszewski, 1840

Watercolor drawing of a stone tomb with a reclining armored effigy, heraldic shield, skull, and lion supports in an arched ni

[Nagrobek Walentego Dembińskiego, kasztelana krakowskiego w katedrze na Wawelu]

Jan Kanty Wojnarowski, 1845

Colored architectural floor plan with lettered rooms, staircases and a central courtyard, labeled Plan Nro. A.

[Plan ratusza, rzut parteru]

Sebastian Sierakowski, 1820

Pencil portrait study of a young woman with upswept hair and ruffled collar, with two smaller head studies below.

[Studium portretowe młodej kobiety]

Piotr Stachiewicz, 1878

Watercolor drawing of a Latin epitaph tablet for Jan Alantsee on a brick wall with a pale ochre border.

[Epitafium Jana Alantsee]

Jan Kanty Wojnarowski, 1840

Watercolor elevation of a neo-Gothic palace with pointed arches and corner tower, above two floor plans with a numbered legen

[Projekt i rzut pałacyku w stylu neogotyckim]

Sebastian Sierakowski, 1800

Sheet of pencil and watercolour studies of folk costume figures, women in headscarves, and two men in long coats, 1879.

[Studia typów ludowych z okolic Tarnopola oraz postaci dwóch szlachciców z obrazu w tarnopolskiej cerkwi]

Piotr Stachiewicz, 1879

Watercolor design of a memorial epitaph with two oval portrait medallions, a winged cherub, a shield and an inscribed cartouc

[Epitafium Mikołaja Korycińskiego i jego żony Barbary]

Jan Kanty Wojnarowski, 1846

Pen and wash drawing comparing five column orders labeled Toscana, Dorica, Jonica, Romana and Corinthica, with dimension note

[Projekt kolumn w pięciu porządkach architektoniczych]

Sebastian Sierakowski, 1800

[Portret Bohdana Chmielnickiego i portret Walentego Dembińskiego]

Piotr Stachiewicz, 1878

Watercolor of a bearded man in a fur-trimmed robe beside an altar with a crucifix and mitre, with a Latin inscription below.

[Epitafium Jakuba ze Skaryszewa]

Jan Kanty Wojnarowski, 1840

Pencil architectural drawing of a house elevation with roof and a floor plan with Polish room labels on aged paper.

[Projekt elewacji domu oraz jego rzut]

Sebastian Sierakowski, 1801

Watercolor of a street in Kraków with a domed church, a red brick Gothic church, and small figures in period dress.

[Widok kościoła dominikanów w Krakowie, po pożarze, od południowej strony]

Bogumił Gąsiorowski, 1850

Watercolor of a gray marble tomb plaque with a coat of arms in a laurel wreath and a Latin inscription.

[Płyta nagrobna Anny Konstancji Przerembskiej]

Jan Kanty Wojnarowski, 1839

Architectural drawing of a monument with two elevations, relief panels, and a colored floor plan with a central fountain.

[Projekt studni-pomnika unii Polski z Litwą z dwoma rozwiązaniami elewacji]

Sebastian Sierakowski, 1816

Pencil drawing of a standing man in a pointed hat and cloak holding a staff, with a covered cart and smoke beside him.

[Pasterz Stepowy]

Prosper Gorsʹkij, 1840

Watercolor design of a baroque-framed epitaph with Latin inscription, shell crest and scroll ornaments on pale paper.

[Epitafium Grzegorza Gorczyńskiego]

Jan Kanty Wojnarowski, 1851

Hand-coloured neo-Gothic well monument design with spires, statues and relief scenes, plus a floor plan and scale bar.

[Projekt studni-pomnika w stylu neogotyckim z płaskorzeźbami przedstawiającymi sceny z legendarnej historii Polski]

Sebastian Sierakowski, 1816

Pen and ink drawing of three men around a piano, one raising an arm, with handwritten names beneath.

[Trzech mężczyzn przy fortepianie]

Józef Szymon Kurowski, 1844

Watercolor drawing of a tomb monument with a recumbent armored knight, flanking busts, a heraldic crest and a cross on top.

[Nagrobek Franciszka Wesseliniego w kościele oo. franciszkanów w Krakowie]

Jan Kanty Wojnarowski, 1841

Grey wash portrait of a bearded man in a fur hat and fur-collared cloak, inside an oval frame on a green mount.

Princeps Samuel Korecki mor. 1651

Michał Stachowicz, 1820

Reverse of a pale sheet with faint ruled lines, stains, and pencilled numbers, catalogued as a 1816 theatre floor plan.

[Projekt teatru przy pl. Szczepańskim w Krakowie - rzut parteru]

Sebastian Sierakowski, 1816

[Epitafium Elżbiety z Tarnowskich Pieniążkowej]

Jan Kanty Wojnarowski, 1850

Watercolor botanical study of a green begonia leaf with pale radiating veins and a pointed tip, captioned below.

Begonia [...]

George De Alwis, 1895

Hand-colored technical drawing of numbered boring tools, hooks, and a tripod hoisting apparatus with windlass, labeled in Ger

Bohr zeug

Sebastian Sierakowski, 1800

Watercolor drawing of a pink tablet with a Latin epitaph in capital letters, on a pale ochre background and cream mount.

[Epitafium Stanisława Grotkowskiego]

Jan Kanty Wojnarowski, 1840

Watercolor botanical illustration of a red Ixora coccinea branch with clusters of flowers and green leaves on a cream page.

Ixora coccinea

George De Alwis, 1893

Pencil sketch of a chapel wall design with a central sunburst, oval medallions, and a handwritten Polish caption below.

Ściana koło tey Kapliczki, gdzie się Xiądz do Mszy ubierać będzie

Sebastian Sierakowski, 1804

Watercolor design of a grey stone epitaph with a small oval portrait of a woman, a cross, flaming urns and inscription panel.

[Epitafium Jadwigi Łochyńskiej]

Jan Kanty Wojnarowski, 1864

Watercolor botanical drawing of two white flowers with magenta centers, green buds and dark green leaves on a page.

[Rysunek botaniczny]

George De Alwis, 1893