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National Gallery of Art

2,569 works

Charcoal study of an arm, clenched hand and figure fragment on green paper by John Singer Sargent.

Studies for "Triumph of Religion"

John Singer Sargent, 1891-1916

Charcoal study of draped robes and hands on pale paper, sketched in loose strokes for a Crucifixion composition.

Study of the Crucifixion for "Fifteen Mysteries of the Rosary"

John Singer Sargent, 1903-1916

Charcoal study of robed figures beneath an arch, one holding a cross, by John Singer Sargent.

Study for "Triumph of Religion"

John Singer Sargent, c. 1903-1916

Charcoal study of a standing robed figure with a halo, holding an object in each hand, on cream paper.

Study for "Dogma of the Redemption: Frieze of Angels" [recto]

John Singer Sargent, 1895-1903

Lithograph of a haloed reclining saint and a plumed helmeted god Mars resting, drawn in a satirical caricature style.

Saint Mitophan et le dieu mars ...

Honoré Daumier, 1856

Satirical lithograph of three men in Éteignoir hats tugging a rope while sitting on a holy water font, by Honoré Daumier.

Trois saints dans le même bénitier

Honoré Daumier, 1850

Pen and wash drawing of the Virgin and Child enthroned, with a kneeling bishop and saint adoring them and cherubs above.

The Virgin and Child Enthroned, Adored by Saints

Giuseppe Bernardino Bison, 1790s(?)

Graphite and white chalk drawing on blue paper of a robed figure among mocking soldiers, one raising a crown of thorns.

The Mocking of Christ

Victor-François-Eloi Biennourry, 1852

Engraving of a kneeling friar receiving light from a winged seraph above, with a companion reclining in the foreground among

Saint Francis Receiving the Stigmata

after Federico Barocci Francesco Villamena, 1597

Black chalk and white heightened studies of the Virgin and Child and other figures on blue-grey paper.

Studies for the Virgin and Child (recto)

Camillo Boccaccino, c. 1532

Pen and ink drawing with studies of robed saints, a Virgin and Child, and reclining draped figures on pale paper.

Saint Christopher, Saint John the Baptist, the Virgin and Child, and Christ Blessing (recto)

after Martin Schongauer Master of the Drapery Studies, 1485/1495

Pen and brown wash drawing of a crowd worshipping a golden calf on a pedestal beneath a mountain with a figure above.

The Adoration of the Golden Calf

Hans Rottenhammer, 1595/1596

Pen and wash drawing on blue paper of an angel above a veiled Virgin with downcast eyes and flowing drapery.

The Virgin Crowned by an Angel

Circle of Federico Barocci, after 1575

Engraving of Saint Roch with a dog and a kneeling donor in fur, beneath a sunburst and leafy trees.

Saint Roch with a Donor

after Parmigianino Francesco Brizio, c. 1603

Engraved frontispiece with a haloed saint praying in an ornate cartouche, flanked by religious and heraldic emblems.

Frontispiece with Portrait of Saint Francis

Jacopo Ligozzi, Domenico Falcini, Lino Moroni, 1612

Engraved plate of a wooded landscape with a stone arched building, figures at a table, and grazing sheep in the distance.

Spring of Saint Francis (Fonte di San Francesco) [plate B]

Jacopo Ligozzi, Anonymous engraver possibly Domenico Falcini, Lino Moroni, 1612

Engraving of a chapel interior with an altarpiece of Saint Sebastian and two kneeling figures in the foreground.

Chapel of Saint Sebastian (Cappella di San Sebastiano) [plate N]

Jacopo Ligozzi, Anonymous engraver possibly Domenico Falcini, Lino Moroni, 1612

Etching of a steep rocky cliff with a robed saint and winged figures in a cave above, framed by trees.

The Temptation of Saint Francis (Tentazione di San Francesco) [plate O]

Jacopo Ligozzi, Raffaello Schiaminossi, Lino Moroni, 1612

Engraved landscape of a steep rocky cliff with trees above, a small stone building and two robed figures on a ledge below.

The Site of the Bed and Oratory of Saint Francis (Luogo del 'letto' e dell'oratorio di San Francesco) [plate R]

Jacopo Ligozzi, Anonymous engraver possibly Domenico Falcini, Lino Moroni, 1612

Etching of Saint Francis kneeling on a cliff before a winged angel in a halo, with huts and trees behind him.

Stigmata of Saint Francis (Stimmate di San Francesco) [plate Y]

Jacopo Ligozzi, Raffaello Schiaminossi, Lino Moroni, 1612

Brown wash drawing of Christ seated among robed scholars in a vaulted temple interior with arcades and balconies.

Christ among the Doctors

Bartolomeo Ramenghi, 1520s

Engraving of Saint Peter crucified upside down, with soldiers hoisting the cross and angels with a wreath in the clouds above

Martire de St. Pierre (The Martyrdom of Saint Peter)

after Pierre-Hubert Subleyras Jean Barbault, c. 1750s

Etching of a ruined vaulted hall with columns and figures, opening on the right to a distant domed church.

A Ruined Vault with a Vista of Saint Peter’s

Victor Louis, late 18th century

Print of Saint Francis of Assisi leaning on a cross beside a skull, with hatched shading and a hooded robe.

Saint Francis of Assisi

after Alessandro Casolani Andrea Andreani, 1591

Charcoal and wash study of a nude male figure with raised arms and bowed head, with ink wash sketches at right.

Study of the Figure and Head of Christ in "Christ on the Cross and Mary Magdalene"

Mosè Bianchi, c. 1879

Grey paper drawing in chalk of a bearded God the Father above draped angels on clouds.

The Immaculate Conception with God the Father and Angels

Francesco Mancini, 1739

Engraved ground plan of Saint Peter's Basilica in Rome with hatched walls, circular chapels and a Latin inscription.

Ichnographia Templi Divi Petri [Plan of Saint Peter's Basilica in Rome]

after Michelangelo Étienne Dupérac, 1569

Engraving of a horizontal Solomonic column with spiral shaft, vine patterns and a scrolled capital on a page.

Solomonic Column from Saint Peter's Basilica

published by Antonio Lafreri Anonymous, 1544-1577

Black and white chalk drawing of a robed bishop saint with upturned face and outstretched arm on gray paper.

Bishop Saint in Supplication

Pietro Bernardi, 1610s

Brown and white wash drawing of a kneeling figure attended by winged angels, on an octagonal sheet.

Christ in Gethsemane

called Bertoia Jacopo Zanguidi, 1560s