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National Gallery of Art

14,475 works

Engraved title page with Latin text in an architectural frame, topped by an eagle, flanked by owl and classical emblems.

Title Page for Ludovicus Nonnius, Commentarius in Huberti Goltzi Graeciam, Insulas, et Asiam Minorem

Michel Lasne after Sir Peter Paul Rubens, 1620

Engraved title plate with a cherub head, cross, eagle and martyrdom instruments framing Latin text on Rubens's Apostle icons.

Title Plate for SS. Apostolorvm Icones

Cornelis Galle I after Sir Peter Paul Rubens, 1613/1646

Engraved title page with a muscular figure wrestling a lion over an arch, with lettering for Maffeo Barbarini's poems.

Title Page for Maffeo Barbarini, Poemata

Cornelis Galle I after Sir Peter Paul Rubens, 1634

Engraved title page with lettering in a central tablet, a winged lyre player, a trumpet-blowing cherub, and a laurel medallio

Title Page for Agostino Mascardi, Silvarium Libri IV

Theodor Galle after Sir Peter Paul Rubens, 1622

Engraved title page with a lyre, papal tiara and keys, two classical figures and a putto beside a shell basin.

Title Page for M.C. Sarbievski, Lyricorum Libri IV

Cornelis Galle I after Sir Peter Paul Rubens, 1632

Engraved title page with two laureled figures, a papal tiara and crossed keys, a lyre, and an inscribed pedestal.

Title Page for Stephanus Simonini, Silvae Urbaninae

Cornelis Galle I after Sir Peter Paul Rubens, 1637

Engraved title page with allegorical figures, a winged genius, and a Latin title on a pedestal flanked by lion sculptures.

Title Page for Silvester Pietrasanta, De Symbolis Heroicis

Cornelis Galle I after Sir Peter Paul Rubens, 1634

Engraving of a heraldic monument with a pyramid of coats of arms, twisted columns, an eagle, and a draped female allegorical

Hoc Tanta Moles Nititvr...

Cornelis Galle I after Sir Peter Paul Rubens, 1613/1646

Engraved allegorical title page with two female figures, a central inscribed cartouche, a cherub, and a crown with keys.

Title Page for Carolus Scribani, Politico-Christianus

Cornelis Galle I after Sir Peter Paul Rubens, 1624

Engraved title page with an allegorical woman holding scales, a cornucopia of fruit, and a Latin inscription on Roman coins.

Title Page for Imperatorvm Romanorvm Nvmismata Avrea

after Sir Peter Paul Rubens Anonymous, 1627

Engraved title page with a crowned king, allegorical women, a dog, coat of arms and the title of the Siege of Dole.

Title Page for Jean Boyvin, Le Siege de la Ville de Dole

Cornelis Galle I after Erasmus Quellinus II after Sir Peter Paul Rubens, 1638

Engraved title page with a cartouche, a bearded man in a medallion, winged putti, and a naval battle scene below.

Title Page for Apostolicarvm PII Qvinti Pont. Max...

after Sir Peter Paul Rubens Anonymous, 1640

Red printed device with two allegorical figures, an arch, fruit cornucopia and a motto banner, mounted on a cream page.

Printer's Device for the Plantin Press

Christoffel Jegher after Sir Peter Paul Rubens, 1613/1646

Watercolor of a seated woman in a yellow dress facing a standing woman in a red dress and bonnet, framed by green drapery.

Mother and Daughter

Brown ink drawing of a priest's procession passing robed figures through an arched medieval street with stone walls.

A Priest Processing through a Medieval Street in Viterbo

François Marius Granet

Brown wash drawing of a vaulted cloister arcade with a cloaked figure walking past a doorway toward a sunlit courtyard.

A Cloister

François Marius Granet

Charcoal and white chalk study of a hooded, draped standing figure on grey paper.

Study of Ezekiel for "Frieze of Prophets"

John Singer Sargent, 1890-1892

Charcoal study on cream paper of a figure with bowed head and draped arm, loose shading and sketched outlines.

Study for "The Crucifixion and Death of Our Lord"

John Singer Sargent, 1909-1916

Charcoal sketch of a muscular, partly nude man seated with one arm raised to his head and the other across his chest.

Study for "Hell"

John Singer Sargent, 1903-1916

Engraved oval portrait of a man in a ruff collar, framed by foliage and surrounded by armor, a helmet and a military map.

Henri de Bourbon, Roi de Navarre

Simon Charles Miger after François-André Vincent, 1786

Etching of a man in period dress and plumed hat posing before trees and a distant town under a cloudy sky.

Indifferent (L'Indifférent)

After Antoine Watteau, c. 1730

Brown wash drawing of a ruined classical monument, leafless tree, small figures and a stag, with a temple behind.

Capriccio with Antique Ruins

Johann George Böhm, 1730s

Pencil sketch of two mounted Union soldiers on horseback in a field, by Winslow Homer, 1865.

Two Scouts

Winslow Homer, 1865

Drawing of a brown glazed stoneware jar with a wide rim, shaded with soft highlights on cream paper, dated 1939.

Stone Fruit Jar

Margaret Stottlemeyer, 1939

Drawing of a brown stoneware fruit jar with a star motif near the rim, shown against a cream background.

Stone Fruit Jar with Star

Margaret Stottlemeyer, 1936

Colored pencil drawing of a green glass candlestick with a red twisted swirl in the stem, on a cream background.

Candlestick

Margaret A. R. Stottlemeyer, 1936

Colored pencil drawing of a brass lantern with a pleated conical top, side handle, and a candle visible inside.

Brass Lantern

Margaret A. R. Stottlemeyer, 1936

Colored pencil drawing of a cylindrical metal lantern with a conical top, ring handle, perforated vents and yellow glass pane

Dormer Window Lantern

Margaret A. R. Stottlemeyer, 1936

Colored pencil drawing of a red etched glass oil lamp font on a pale turned stem and square base.

Lamps

Margaret A. R. Stottlemeyer, 1936

Drawing of a walnut sewing box with turned finial, a cutaway view of its interior tray, and its tilted wooden lid.

Sewing Container

Margaret A. R. Stottlemeyer, 1937