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National Gallery of Art

14,475 works

Red chalk drawing of Venus seated in a shell niche above a fountain with cupids and swans.

Rocaille Fountain with Venus, Amorini, and Swans

Edmé Bouchardon, c. 1735

Brown wash drawing of Saint Mark seated with a lion, flanked by two bishops with crosiers and two hovering putti.

Saint Mark with Two Bishops and Putti

Attributed to Jacopo Palma il Giovane, c. 1580

An Elderly Peasant Woman

Léon Augustin Lhermitte, c. 1878

Chiaroscuro print of a seated nude man with a staff, books at his feet and a bird behind him, in brown tones.

Diogenes

after Parmigianino Ugo da Carpi, c. 1527

Bust of a Man with a Turban Facing Left

Salomon Koninck, 1638

Lithograph of hilltop buildings at Tivoli above a cliff, with a waterfall on the right and trees along a rocky path.

Fabriques à Tivoli (Buildings at Tivoli)

Jules Coignet, 1828

Sepia theatre poster for Fausta showing a woman with tousled hair wrapped in a billowing veil, with cast list at left.

Fausta

Charles-Lucien Léandre, 1899

Pen and brown ink drawing of a tall foxglove plant with broad leaves and a flowering spike on toned paper.

A Foxglove in Bloom

Hendrick Goltzius, 1592

Etching of a young woman with a parasol leaning on a stone ledge beside a tree, with foliage behind her.

Young Woman Holding a Parasol

Brown ink and wash drawing of God the Father in clouds with outstretched arms, surrounded by angels and putti.

God the Father Standing in Clouds Surrounded by Angels and Putti

Giovanni Domenico Tiepolo, 1770s

Pen and ink drawing of two vertical strips of grotesque ornament with scrolling foliage, a human head, and a seated animal.

Grotesque Decorations for Wall Panels

Giovanni da Udine, c. 1530

Etching of Pan with goat legs and a youth playing a pipe beside two putti and an overturned water vessel in a wooded landscap

Pan and Olympus

Giovanni Benedetto Castiglione, c. 1645/1647

Engraving of a woman with a rosary and a man with a staff in long robes, with a small dog and ribbon scrolls above.

The Churchgoers

William Young Ottley after Israhel van Meckenem

Etching of a seated beggar in a fur-trimmed cloak with curly hair, looking toward the viewer with an open-mouthed expression.

Beggar Seated on a Bank

Costantino Cumano after Rembrandt van Rijn

Pen and brown wash drawing of a fantasy wall monument with draped figures holding a garland, carved heads, urns, and winged o

Fantasy of a Magnificent Wall Monument

Giovanni Battista Piranesi, 1764/1766

Engraved title page with allegorical Theologia figure, ornate frame, and text announcing the Biblia Sacra with Glossa Ordinar

Title Page for Biblia Sacra Cvm Glossa Ordinaria

Hans Collaert the Younger after Sir Peter Paul Rubens, 1617

Engraved title page with oval cartouche, allegorical figures, cherubs, coat of arms and the text Obsidio Bredana.

Title Page for Herman Hugo's "Obsidio Bredana"

Cornelis Galle I after Sir Peter Paul Rubens, 1626

Engraved title page with an oval cartouche of text, flanked by saints and angels, with heavenly figures and a dove above.

Title Page for R.P. Jacobi Tirini's "Commentarius in Vetvs et Novvm Testamentvm"

Cornelis Galle I after Sir Peter Paul Rubens, 1632

Engraved title page with a kneeling man offering an open book, a radiant woman above, putti, columns, and a landscape.

Title Page for Olivier Boonaerts' "In Ecclesiasticvm Commentarivs..."

Cornelis Galle I after Sir Peter Paul Rubens, 1634

Engraved title page with a seated pope, clerics, angels and two saints flanking a text tablet for Summa Conciliorum Omnium.

Title Page for F. Longo a Coriolano's "Svmma Conciliorvm Omnivm"

Cornelis Galle I after Sir Peter Paul Rubens, 1623

Engraved title page with a Latin cartouche, enthroned figures above, and hermits and saints in a desert landscape below.

Title Page for Heribert Rosweyde's "Vitae Patrum"

Cornelis Galle I after Sir Peter Paul Rubens, 1628

Engraved title page showing seated bishop, saints with keys and sword, angels, and radiant triangle above a printed title tab

Title Page for Balthasar Cordier's "Opera S. Dionysii Areopagitae, I"

Cornelis Galle I after Sir Peter Paul Rubens, 1633

Engraved title page with a seated laurel-crowned figure, flanking imperial figures, sun and moon, and a pedestal inscription.

Title Page for Hubert Goltzius's Icones Imperatorvm Romanorvm (Opera Omnia, V)

Cornelis Galle I after Erasmus Quellinus II after Sir Peter Paul Rubens, 1645

Engraved funerary monument with two draped female figures, an empty oval cartouche, a skull, and putti in an arched niche.

Epitaph of Rubens

Petrus Clouet after Sir Peter Paul Rubens, 1613/1646

Engraved epitaph with a bust portrait in an arch, two allegorical women, and a Latin inscription cartouche below.

Epitaph of Claude Jean Gevaert

Adriaen Lommelin after Sir Peter Paul Rubens, 1613/1646

Engraved title page with allegorical figures, a central woman holding a book, and a text panel reading Romanae et Graecae Ant

Title Page for Hubert Goltzius, Romanae et Graecae Antiqvitatis Monvmenta (Opera Omnia, I)

Cornelis Galle I after Sir Peter Paul Rubens, 1645

Engraved allegorical title page with two clasping male figures, a central inscription cartouche, and putti below.

Title Page for Frederik de Marselaer, Legatvs

Cornelis Galle II after Sir Peter Paul Rubens, 1666

Engraved title page with allegorical figures, a laurel-framed portrait, classical busts and a central printed inscription pan

Title Page for Justus Lipsius, Opera Omnia, I

Cornelis Galle I after Sir Peter Paul Rubens, 1637

Engraved allegorical title page with an eagle and coat of arms, a lion shield between columns, cherubs, and robed figures.

Title Page for G. de St. Vincent, Opus Geometricum Quadraturae Circuli

Cornelis Galle II after Abraham Diepenbeeck, 1647

Engraved title page with a robed saint holding a book on a pedestal, surrounded by clergy and kneeling figures, with the Trin

Title Page for Dommo Benedicto Haeftano's S. Benedictvs Illvstratvs

Cornelis Galle I after Sir Peter Paul Rubens