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National Gallery of Art

14,479 works

Woodcut of Venus in a dove-drawn chariot above musicians and couples in a wooded landscape, with ornate borders.

Venus

Gabriele Giolito de' Ferrara, 1534

Lithograph portrait of a man with curly hair in a dark coat and white cravat, with a Latin inscription below.

Coupin de La Couperie

Anne-Louis Girodet, 1816

Engraving of Christ kneeling in prayer while three disciples sleep nearby and armed men approach past a bare tree.

The Agony in the Garden

Master AG, c. 1480/1490

Engraving of a richly dressed woman with a lily and peacock, framed by caryatids, medallions, and text panels.

Pride

Conrad Goltzius

Engraving of Christ with a halo beside a kneeling woman, surrounded by a crowd, with a Latin inscription above.

The Raising of Lazarus

Augustin Hirschvogel, 1545

Woodcut of a nobleman in plumed hat recoiling from a skeleton beside a fallen crown, with a distant landscape.

Der Groff (The Count)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a crowned king seated at a banquet table as skeletons approach, with an hourglass and a fleur-de-lis curtain.

Der Künig (The King)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of an armored knight on horseback fighting a skeleton with a sword, a plumed helmet on the ground.

Der Ritter (The Knight)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a noblewoman and gentleman dancing with a skeleton beside an hourglass and drapery.

Die Edelfrau (The Noblewoman)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a skeleton handing a flask to a seated physician while an elderly man with a cane waits in a doorway.

Der Artzet (The Physician)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Mona Lisa Bela

Unknown artist, c. 1460

Oval print of the Nativity with Mary and the infant Christ in a manger, shepherds, angels, an ox and a donkey.

The Adoration of the Shepherds

Antoine Jacquard

Oval engraving of soldiers, a bearded king and women before a wooden horse, framed by ornate scrollwork.

The Capture of Troy

Antoine Jacquard

Oval print of a battle scene with armored horsemen and soldiers, ornate scrollwork border, and a reclining nude figure below.

Seige of Troy

Antoine Jacquard

Hand-colored print of a bearded man in a dark coat and white collar, labeled Antonio Vassilacchi.

Antonio Vassilacchi

after Antonio Vassilacchi Carlo Lasinio, 1789

Colored engraved portrait of a man with long curly auburn hair, dark cloak and white collar, hand resting on a book.

Carlo Maratta

after Carlo Maratta Carlo Lasinio, 1789

Colored print portrait of a bald bearded man in a green coat and white collar, labeled Cesare Nebbia.

Cesare Nebbia

after Cesare Nebbia Carlo Lasinio, 1789

Hand-coloured print of a man with long curly hair, white cravat and grey cloak with crossed arms, against an ochre background

Ciro Ferri

Carlo Lasinio, 1789

Print portrait of a man with a white collar, mustache and goatee against a green background.

Claudio Ridolfi

after Claudio Ridolfi Carlo Lasinio, 1789

Bust portrait of a man in a dark doublet and white ruff collar, with caption Filippo d'Angeli below.

Filippo d'Angeli

Carlo Lasinio, after Teodoro Filippo di Liagno, called Napoletano, 1789

Hand-colored print portrait of a bearded man with blue eyes in a dark cloak and white collar, labeled Gio: Batta Salvi.

Giovanni Battista Salvi (Il Sassoferrato)

after Sassoferrato Carlo Lasinio, 1789

Hand-colored print portrait of a man in a powdered wig, blue coat and white cravat, with a printed label reading Marco Benefi

Marco Benefial

after Marco Benefial Carlo Lasinio, 1789

Hand-colored print of a man with shoulder-length hair in a blue coat and white collar, holding a painter's palette.

Mario Nuzzi

after Mario Nuzzi Carlo Lasinio, 1789

Colored print portrait of a man in a patterned cap and blue-grey coat with a red sash, titled Michelangelo Ricciolini.

Michelangelo Ricciolini

after Michelangelo Ricciolini Carlo Lasinio, 1789

Colour print of a bearded man with red hair in a dark flat cap and dark coat, looking toward the viewer.

Morto da Feltre

after Lorenzo Luzzo Carlo Lasinio, 1789

Half-length portrait print of a man in a powdered grey wig and brown cloak, labeled Niccolo Ricciolini.

Niccolo Ricciolini

after Nicolò Ricciolini Carlo Lasinio, 1789

Hand-coloured print of a bearded man in a dark coat with a red sash, titled Pierino del Vaga.

Pierino del Vaga

after Perino del Vaga Carlo Lasinio, 1789

Hand-colored print of Saint Paul standing barefoot with a sword, wearing a red mantle and green robe, with a radiant halo.

Saint Paul

Master WZ, early 16th century

Illuminated initial I with a crowned bearded man in a red robe leaning on a blue letter against gold leaf and foliage.

Initial I with David

Master of the Cypresses, 1430s

Woodcut of a crowned king on horseback with raised sword, fallen soldiers below, and angels in clouds above.

Khunig Ludwig ...

Master of the Miracles of Mariazell, c. 1503