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Museo del Prado

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Oil portrait of a standing officer in dark blue uniform with gold embroidery, red sash and sword, beside a column and books.

Antonio Ros de Olano

José Gutiérrez de la Vega, 1849

Nude Adam and Eve beside a fruit tree, Eve offering fruit as a serpent coils above and a cherub peeks from the trunk.

The Fall of Man

Titian, 1550

Madonna and Child in an oval cartouche framed by garlands of roses, tulips and narcissus on a dark background.

Flower garland around a Madonna and Child

Daniël Seghers, 1650

Painting of the Adoration of the Magi: Virgin and Child, kneeling king in red, attendant kings with gold vessels, under a sta

The Adoration of the Magi

Maestro de la Sisla, 1500

Full-length painting of a bearded man in blue tunic and white cloak holding a scroll in a classical room with busts.

Alaric II

Carlos Esquivel y Rivas, 1856

Oil painting of a woman nursing an infant while holding up an apple, with two other nude infants beside her against a dark ba

Charity

Isidoro Bianchi

Painting of hounds chasing two foxes through a forest clearing, one fox caught in the foreground under a pale sky.

Vixens Chased by Dogs

Frans Snyders, 1630

Painting of a sorrowful woman in a dark veil and white headscarf, eyes lifted and tearful, against a dark background.

Mater Dolorosa

Bartolomé Esteban Murillo, 1660

Painting of a seated young man in a red cloak with a staff and lamb in a dark cave, with a waterfall landscape beyond.

Saint John the Baptist in the Desert

Dark forest scene with winged angels and robed figures gathered by a ruin beneath tall trees, light breaking through the cano

Christ attended by Angels

Alessandro Magnasco, 1705

Still life painting of hanging grapes, plums and pears above apples on a plate, grapes and a red clay jug on a ledge.

Still Life with Grapes, Apples and Plums

Juan Bautista de Espinosa, 1630

Portrait of a seated woman in a white gown with a blue sash, leaning on a stone urn in a garden setting.

Anne Sawbridge

Francis Cotes, 1767

Baroque painting of the Assumption of the Virgin with angels, cherubs, God the Father, Christ and a radiant dove in clouds.

The Assumption of the Virgin

Francisco Bayeu, 1760

Nun in black veil at a red-draped table gazes up at a crucifix among clouds, with an open book and inkwell before her.

The crucified Christ appears to Saint Teresa of Avila

Alonso Cano, 1629

Tiepolo painting of an angel holding a golden monstrance above a kneeling friar gazing upward, with cherubs and a column.

The Vision of Saint Paschal Baylon

Giovanni Battista Tiepolo, 1767

Painting of the Virgin Mary in red and blue robes holding the infant Christ, who wears a halo, against a dark background.

The Virgin and Child

Bartolomé Esteban Murillo, 1655

Left wing of the Werl Triptych: John the Baptist with a lamb beside a kneeling donor in a vaulted Gothic room.

Werl-Triptychons, linker Flügel: Johannes der Täufer und Stifter Heinrich von Werl

Robert Campin, 1438

Gold-ground panel of a haloed saint with palm and book, two angels, a kneeling donor, and an X-shaped cross.

St. Vincent, deacon and martyr, with a donor

Tomás Giner, 1462

Painting of Christ on the cross against a dark sky, with a skull at the base and a white loincloth.

Christ crucified

Bartolomé Esteban Murillo, 1677

Virgin and Child with young Saint John offering grapes, with angels holding red drapery against a stone wall.

The Virgin and the Child, Saint John and Angels

Lucas Cranach the Elder, 1536

Grid of forty small panels painted with animals, birds, and reptiles in landscape settings, framed as one board.

The Four Parts of the World

Jan van Kessel the Elder, 1660

Painting of Bacchus and Ariadne on a shore with a satyr and a companion carrying ivy-wrapped staffs.

Bacchus and Ariadne

Erasmus Quellinus II, 1630

Painting of a woman in red drapery riding a white bull over waves under a cloudy sky.

The rape of Europa (Ovid, Metamorphoses, II, 868-875

Erasmus Quellinus II, 1635

Ink drawing of a Gothic chapel interior with ribbed vaults, pointed arches, and a carved altar relief on aged paper.

The Main Chapel of San Juan de los Reyes, Toledo

Juan Guas, 1485