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The Metropolitan Museum of Art

33,827 works

Engraving of Mars and Venus: an armored warrior embraces a reclining nude woman on a draped bed while Cupid watches nearby.

Mars and Venus

Giovanni Battista Scultori

Engraving of a seated woman reading as a winged angel kneels offering a sprig of flowers in an interior room.

The Annunciation with Kneeling Angel

Enea Vico, ca. 1540-41

Engraving of the Virgin Mary holding the Christ child with St. Anne, a bearded man, a child, and a crowned saint.

The Holy Family with St. Anne and St. Catherine

Enea Vico, 1542, published 1627-50

Sheet of anatomical leg studies in black and red chalk showing muscles and feet, by Eugène Delacroix.

Anatomical Studies of Legs

Eugène Delacroix, 1820-1863

Color print of a seated woman in a white bonnet sewing beside a basket of fruit and a pincushion, with patterned curtains beh

The Embroiderer

Jacques Fabien Gautier Dagoty, 18th century

Colour print of a young draftsman in a dark cloak sketching on a board in a studio beside a figure study on the wall.

The Young Draftsman

Jacques Fabien Gautier Dagoty, ca. 1743

Figure and Head Studies

René Michel Slodtz, ca. 1732-36

Etching of a battle in a rocky mountain pass with falling boulders, fallen soldiers and horses, and a standard bearer.

Maximilian Emanuel and the Bavarian Army in a Narrow Pass in theTyrol

Joachim Franz Beich, n.d.

Full-length lithograph of a standing man in a frock coat and tall boots holding a top hat, with a German dedication below.

Ludwig Wilhelm Wittich, Art Dealer and Publisher in Berlin

Friedrich Jügel, n.d.

Engraving of an armored rider on a rearing horse lancing a dragon, with a woman watching and a city in the background.

St George Killing the Dragon

Enea Vico, 1542

Pen and wash drawing of priests carrying a domed chest past soldiers, with crumbling city walls and towers behind them.

The Fall of Jericho

Gerard van Groeningen, 1563-73

Study of Two Cows

Aelbert Cuyp, 17th century

Ink drawing on blue paper of a rocky landscape with gnarled roots, an owl on a dead tree, and a seated figure.

Rugged Moonlit Landscape with a Woman Seated by Gnarled Tree Roots, and an Owl

Ludwig Emil Grimm, 1833 (?)

Grey wash drawing of a herdswoman seated with a lamb among cattle, sheep and a donkey under a large tree.

A Herdswoman Seated Amongst Her Animals, with a Lamb in Her Arms

Dirck Van Bergen, 1690

Grey wash drawing of burdock, campion and bramble plants beside a tree trunk on a river bank.

Burdocks, Campions and Brambles by a Treetrunk on a River Bank

Joseph August Knip, early 19th century

Grey wash drawing of a wooded landscape with tall trees, two figures by a small wooden bridge, and a hidden house.

Landscape with a House Hidden Between Trees and Two Men Near a Small Bridge

Franciscus Andreas Milatz, late 18th-early 19th century

Watercolor drawing of trees and sandy dunes with a winding path and tree stumps in the foreground.

A Wooded Landscape Near Beekhuizen

Andreas Schelfhout, 19th century

Red chalk drawing of a draped young woman seated on a cloud with outstretched arm, surrounded by smaller figure studies.

Young Woman on a Cloud with Three Figures (recto); Studies of an Old Man and a Hand (verso)

Francesco Furini, 17th century

Engraving of soldiers crossing a river on a pontoon bridge toward a walled town, with winged allegorical figures above.

The Battle of Mühlberg with the army of Charles V crossing the Elbe River

Enea Vico, 1551

Engraving of a Bacchic procession with elephants, camels, and lions moving through a colonnaded hall, attended by nude revele

The Indian Triumph of Bacchus

Enea Vico, ca. 1542

Watercolor drawing of an allegorical ceiling design with winged figures, a nude woman, and musicians among clouds under a sun

Allegorical Design for a Ceiling Fresco

Francesco Albani, 1650-1700

Etching of St. Nicholas of Bari in an interior with draped bed, kneeling figure and reclining figure, with handwritten notes.

St. Nicholas of Bari

Master with the Name of Jesus, 16th century

Engraved page of six sibyl figures in architectural niches, each with a Latin inscription beneath.

The Persian Sibyl

Master with the Name of Jesus, 16th century

Engraved page of six sibyl figures in architectural niches, each with a Latin inscription below.

The Libyan Sibyl

Master with the Name of Jesus, 16th century

Engraving page with six panels of standing sibyl figures in architectural niches, each with a Latin inscription below.

The Delphic Sibyl

Master with the Name of Jesus, 16th century

Engraving page with six panels of female sibyl figures in architectural niches, each with a Latin caption below.

The Cumaean Sibyl

Master with the Name of Jesus, 16th century

Engraved page of six sibyl figures in architectural niches, with Latin captions beneath each print.

The Eritrean Sibyl

Master with the Name of Jesus, 16th century

Engraved panel of the Samian Sibyl holding a sword in a ruined arcade, with a child beside her; part of a six-panel sheet.

The Samian Sibyl

Master with the Name of Jesus, 16th century

Page of six engraved panels showing draped female figures in architectural settings, with Latin captions below each image.

The Cumean Sibyl

Master with the Name of Jesus, 16th century

Engraved print page with six panels of robed female figures among ruins, including a sibyl striking a stone wall.

The Hellespontine Sibyl

Master with the Name of Jesus, 16th century