New: Artnap New Tab for Chrome and Firefox. A museum painting in every new tab. Add to Chrome Add to Firefox

The Metropolitan Museum of Art

16,094 works

Etching of two men in period dress thrusting lances at a charging bull on an open field under a cloudy sky.

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Francisco Goya, 1816

Etching of a bull charging a cape-wielding man in an arena, with another figure standing and one seated with raised arms.

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

Francisco Goya, 1816

Etching of a bullfighter with a cape facing a bull in an arena, with figures in cloaks and spectators behind a wooden barrier

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas

Francisco Goya, 1816

Etching of a bull goring a man in a bullring while another figure waves a cloak to distract it.

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

Francisco Goya, 1816

Etching of an armored figure gripping a bull's horns while a wounded horse stands nearby in an arena.

Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse

Francisco Goya, 1816

Etching of a mounted rider with a spear facing a charging bull in an arena, plate 24 of Goya's La Tauromaquia.

Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid

Francisco Goya, 1816

Etching of a lance-wielding horseman facing a charging bull in a bullring, with spectators along the top edge.

Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza

Francisco Goya, 1816

Etching of a bull charging a draped table as a man leaps onto it in a bullring, with spectators watching at right.

Plate 19 of "La Tauromaquia": Another madness of his in the same ring

Francisco Goya, 1816

Etching of a bull charging at a seated matador on a chair in an arena while spectators watch from the stands.

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza

Francisco Goya, 1816

Etching of a bull among tossed and fallen donkeys, with men holding long poles at left and right in an arena.

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns ha…

Francisco Goya, 1816

Etching of two men in period dress thrusting lances at a charging bull on an open field under a cloudy sky.

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Francisco Goya, 1816

Etching of a bull charging a cape-wielding man in an arena, with another figure standing and one seated with raised arms.

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

Francisco Goya, 1816

Etching of a bullfighter with a cape facing a bull in an arena, with figures in cloaks and spectators behind a wooden barrier

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas

Francisco Goya, 1816

Etching of a bull goring a man in a bullring while another figure waves a cloak to distract it.

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

Francisco Goya, 1816

Etching of an armored figure gripping a bull's horns while a wounded horse stands nearby in an arena.

Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse

Francisco Goya, 1816

Etching of a mounted rider with a spear facing a charging bull in an arena, plate 24 of Goya's La Tauromaquia.

Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid

Francisco Goya, 1816

Etching of a lance-wielding horseman facing a charging bull in a bullring, with spectators along the top edge.

Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza

Francisco Goya, 1816

Etching of a bull charging a draped table as a man leaps onto it in a bullring, with spectators watching at right.

Plate 19 of "La Tauromaquia": Another madness of his in the same ring

Francisco Goya, 1816

Etching of a bull charging at a seated matador on a chair in an arena while spectators watch from the stands.

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza

Francisco Goya, 1816

Etching of a bull among tossed and fallen donkeys, with men holding long poles at left and right in an arena.

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns ha…

Francisco Goya, 1816

Etching of a man in white grappling with a charging bull in an arena while two cloaked onlookers watch at right.

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid

Francisco Goya, 1816

Etching of a bullfighter in a cape turning beside a lowered-headed bull in an arena, with spectators sketched above.

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the pl…

Francisco Goya, 1816

Etching of a bull charging in a bullring, tossing horses and picadors while men scramble and spectators watch from the stands

Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull

Francisco Goya, 1816

Etching of a bullfight: a bull in an arena with a bullfighter holding banderillas, smoke burst, and mounted picadors behind.

Plate 31 of "La Tauromaquia": Banderillas with firecrackers

Francisco Goya, 1816

Etching of a matador with cape and sword facing a horned bull in an arena, spectators watching from the stands above.

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull

Francisco Goya, 1816

Etching of a matador making a close pass as a bull charges in a bullring, with mounted riders behind.

Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'

Francisco Goya, 1816

Etching of a bull charging a horse in a bullring while a picador lances it, with a crowd in the stands behind the wall.

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at…

Francisco Goya, 1816

Engraving of two men lifting the dead Christ with a shroud, three crosses on a hill in the background.

Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgoth…

Giacomo Piccini, ca. 1656

Etching of a man in period dress holding a printed lottery list, looking upward on a cobbled street.

The Reading of Lottery Winners

comte de Caylus Anne Claude Philippe de Tubières, 1746

Etching of an elderly man with white hair engraving a plate at a desk, with a framed portrait and a crowded street scene behi

Carl Ernst Christoph Hess

Ludwig Emil Grimm