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The Metropolitan Museum of Art

14,936 works

Etching of an Amsterdam canal scene with moored sailing boats, a wooden quay, turreted buildings and trees.

S. Anthonis Marckt met de Waegh

Reinier Nooms, 17th century

Etching of soldiers attacking a screaming captive with sabers, numbered 32 and captioned Por qué, by Goya.

Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)

Francisco Goya, 1810 (published 1863)

Etching of a dog snarling over a prone, fallen figure in pale clothing, with dense horizontal hatching in the background.

Plate 40 from "The Disasters of War" (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca)

Francisco Goya, ca. 1810 (published 1863)

Etching of cattle and goats by a river beneath large trees, with a cowherd resting at right and a farmhouse at left.

The Cowherd

Claude Lorrain, 1636

Etching of cattle and goats led by a herdsman past a ruined classical column, with a hilltop castle and stormy sky beyond.

The Herd Returning in Stormy Weather

Claude Lorrain, ca. 1650-51

Engraving of a crowned woman in classical drapes beside a horse and cornucopia, holding a small domed model, labeled EUROPA.

Allegory of Europe, from "The Four Continents"

Johann Justin Preissler, 1730-71

Etching of a village road with a thatched inn bearing a swan sign, farm buildings, two riders on horseback and trees.

The Swan's Inn with Farms from the series The Small Landscapes

The Master of the Small Landscapes, 1559-61

Etching of soldiers in fur hats dragging a nude body across the ground, with a tree and hills behind them.

Plate 33 from "The Disasters of War" (Los Desastres de La Guerra): 'What more can be done?' (Qué hai que hacer mas?)

Francisco Goya, 1810 (published 1863)

Etching of a seated man in a tall hat and dark cloak holding a knife, with a crowd behind him in a flat landscape.

Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)

Francisco Goya, 1810 (published 1863)

Etching of seated hooded figures with crosses on their hats lined up on a wooden bench, some holding papers.

Plate 35 from "The Disasters of War" (Los Desastres de La Guerra): 'One Can't Tell Why' (No se puede saber por qué)

Francisco Goya, ca. 1810 (published 1863)

Etching of a hanged man on a tree beside a slumped seated figure on a stone block, under a grey sky.

Plate 36 from "The Disasters of War" (Los Desastres de La Guerra): 'Not [in this case] either' (Tampoco)

Francisco Goya, 1810 (published 1863)

Etching of corpses hanging and sprawled in a landscape, with a grotesque head at right; Goya's Disasters of War plate 39.

Plate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! C…

Francisco Goya, 1810 (published 1863)

Etching of a man and woman beating a prone body while a crowd watches, with a small building behind them.

Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)

Francisco Goya, ca. 1810 (published 1863)

Etching of armed men in a violent scene, one standing over a fallen body with a sword, another raising a stick.

Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)

Francisco Goya, ca. 1810 (published 1863)

Etching of figures in distress on stone steps before a dark building, titled Appeals are in vain, from Goya's Disasters of Wa

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)

Francisco Goya, 1811-12 (published 1863)

Etching of a standing man beside fallen bodies, including a woman and child in a puddle, with the caption Cruel lástima.

Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)

Francisco Goya, 1811-12 (published 1863)

Etching of a group of figures by a ruined wall, including a standing woman in a feathered hat and children on the ground.

Plate 61 from "The Disasters of War" (Los Desastres de la Guerra): 'Perhaps they are of another breed' (Si son de otr…

Francisco Goya, 1811-12 (published 1863)

Etching of a woman in a headscarf holding a cup above two prone figures on dark ground, under a stippled sky.

Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)

Francisco Goya, 1811-12 (published 1863)

Etching of a pile of dead bodies on bare ground with a leaning wooden plank at right, under a dark hatched sky.

Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)

Francisco Goya, 1811-12 (published 1863)

Etching of a cart with a spoked wheel, a figure lifting a limp body down to kneeling figures beside an archway.

Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cemente…

Francisco Goya, 1811-12 (published 1863)

Etching of a gaunt seated man and hooded women beneath an arch, with dense hatched shading on the wall.

Plate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)

Francisco Goya, 1811-12 (published 1863)

Etching of two men carrying a limp body past a stone wall, with mourners kneeling on the ground behind them.

Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)

Francisco Goya, 1811-12 (published 1863)

Etching of figures gathered around a collapsed man, with women bending over him and a basket carrier at right, on a dark back

Plate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró…

Francisco Goya, 1811-12 (published 1863)

Etching of a small hooded figure standing before shadowy bundled forms on a dark ground, from Goya's Disasters of War.

Plate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)

Francisco Goya, 1811-12 (published 1863)

Etching of a standing woman in white beside emaciated beggars seated and lying on dark ground under a pale sky.

Plate 55 from "The Disasters of War" (Los Desastres de la Guerra): 'The worst is to beg' (Lo peor es pedir)

Francisco Goya, 1811-12 (published 1863)

Etching of hooded grotesque figures swirling in a chaotic crowd under a pale sky, from Goya's Disasters of War.

Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)

Francisco Goya, 1810 (published 1863)

Etching of figures fleeing across a barren hillside beside a shrub, with a crowd behind and the caption 'Tambien esto' below.

Plate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto)

Francisco Goya, 1810 (published 1863)

Etching of a woman offering food to a reclining man beside a stone wall, with two onlookers at right.

Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)

Francisco Goya, 1811-12 (published 1863)

Etching of women mourning beside a stone wall, with a body lying on the ground at right.

Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)

Francisco Goya, 1811-12 (published 1863)

Etching of women carrying bundles past a dead animal and a crowd under a hatched, stormy sky.

Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)

Francisco Goya, 1810 (published 1863)