New: Artnap New Tab for Chrome and Firefox. A museum painting in every new tab. Add to Chrome Add to Firefox

The Metropolitan Museum of Art

33,907 works

Side-view drawing of a green-wheeled phaeton carriage, labeled No. 918, with brown body and brass lamp on a ground line.

Phaeton #918

Brewster & Co., ca. 1870

Side view watercolor drawing of a dark phaeton carriage with red-spoked wheels and a folding hood, labeled No. 964.

Phaeton #964

Brewster & Co., ca. 1870

Colored side-view drawing of a brown parasol-top phaeton carriage with red spoked wheels and a blue striped top, labeled No.

Parasol Top Phaeton #973

Brewster & Co., ca. 1870

Watercolor design drawing of a blue horse-drawn carriage with yellow canopy and spoked wheels, labeled No. 974.

Drawin

Brewster & Co., ca. 1870

Watercolor design drawing of a blue phaeton carriage in side view with spoked wheels and a lamp, numbered 982.

Phaeton #982

Brewster & Co., ca. 1870

Colored side view drawing of a green Victoria carriage with orange spoked wheels, ornate ironwork and a front lamp.

Victoria # 1050

Brewster & Co., ca. 1870

Watercolor side view of a blue basket phaeton carriage with spoked wheels and a wicker body, labeled No. 1065.

Basket Phaeton #1065

Brewster & Co., ca. 1870

Side-view drawing of a green two-wheeled phaeton carriage with blue seat cushion and spoked wheels, labeled No. 1082.

Phaeton #1082

Brewster & Co., ca. 1870

Watercolor and ink side-view design drawing of a blue phaeton carriage with spoked wheels, numbered 1083.

Phaeton #1083

Brewster & Co., ca. 1870

Side-elevation watercolor drawing of a blue phaeton carriage with spoked wheels, labeled 1083a.

Phaeton #1083a

Brewster & Co., ca. 1870

Side-view drawing of a blue phaeton carriage with spoked wheels and a dashboard lantern on a light paper background.

Phaeton #1101

Brewster & Co., ca. 1870

Side view drawing of a maroon and black phaeton carriage with red spoked wheels on a pale background.

Phaeton #1101a

Brewster & Co., ca. 1870

Watercolor side elevation of a dark blue phaeton carriage with spoked wheels and blue cushions on a pale ground.

Phaeton (unnumbered)

Brewster & Co., ca. 1870

Pen and watercolor drawing of a side view of an open spindle seat phaeton carriage with large spoked wheels.

Spindle Seat Phaeton (unnumbered)

Brewster & Co., ca. 1870

Stick Seat Phaeton (unnumbered)

Brewster & Co., ca. 1870

Side-view drawing of a yellow and blue phaeton carriage with spoked wheels, in ink and watercolor on paper.

George IV Phaeton (unnumbered)

Brewster & Co., ca. 1870

Side elevation drawing of a spider phaeton carriage with spoked wheels, surrounded by faint pencil design studies.

Spider Phaeton (unnumbered)

Brewster & Co., ca. 1870

Side view drawing of a red-wheeled phaeton carriage with maroon body and folding hood, colored by hand on paper.

George IV Phaeton (unnumbered)

Brewster & Co., ca. 1865

Side-view drawing of a blue-seated phaeton carriage with yellow-outlined spoked wheels and a front lamp on pale paper.

Drop Front Phaeton (unnumbered)

Brewster & Co., ca. 1870

Hand-colored print of a light phaeton carriage in side view with yellow lattice panel and black folding hood.

Peters Phaeton (unnumbered)

Brewster & Co., ca. 1870

Hand-colored side-view illustration of a wicker pony carriage with spoked wheels, labeled Poney Osier No. 457.

Phaeton/"Poney Osier" # 457

Brewster & Co., 1875

Side view drawing of a black phaeton carriage with red trim and spoked wheels, numbered 142 at the top.

Phaeton #142

Brewster & Co., 1850-1865

Side-view pencil drawing of a phaeton carriage with large spoked wheels, numbered 143, on a cream paper sheet.

Phaeton #143

Brewster & Co., 1850-60

Pencil side-elevation drawing of a light phaeton carriage with large spoked wheels and reins, numbered 145 at top.

Phaeton #145

Brewster & Co., ca. 1860

Pen and ink side elevation of a phaeton carriage, numbered No. 148, with spoked wheels and light hand colouring.

Phaeton #148

Brewster & Co., 1850-70

Side-view colored drawing of a phaeton carriage with red-rimmed spoked wheels, labeled No. 380.

Phaeton #380

Brewster & Co., 1850-70

Pen and ink drawing in side view of a horse-drawn phaeton carriage with spoked wheels and a folding top, numbered 458.

Phaeton #458

Brewster & Co., 1850-70

Ink and watercolor side-elevation drawing of a numbered Phaeton carriage with spoked wheels and blue upholstered seats.

Phaeton #476

Brewster & Co., ca. 1870

Side-elevation drawing of a phaeton carriage with spoked wheels and blue upholstery, labeled No 584.

Phaeton # 584

Brewster & Co., 1850-70

Ink and watercolor side view of a horse-drawn phaeton carriage with spoked wheels and blue upholstery, numbered 601.

Phaeton #601

Brewster & Co., 1850-70

Ink and watercolor drawing of a phaeton carriage in side view, with large spoked wheels and a number 605 inscribed above.

Phaeton #605

Brewster & Co., 1850-70

Pen and watercolor side-elevation drawing of a horse-drawn carriage with spoked wheels and a rear seat, numbered 615.

Phaeton/Drag #615

Brewster & Co., ca. 1870

Pen and wash drawing in side view of an open phaeton carriage with spoked wheels, labeled No. 634.

Phaeton .# 634

Brewster & Co., 1850-70

Side elevation drawing of a phaeton carriage with spoked wheels and folding hood, lightly tinted with watercolor on paper.

Phaeton #637

Brewster & Co., 1850-70

Pen and watercolor design drawing of a phaeton carriage in side elevation, labeled number 638, on cream paper.

Phaeton #638

Brewster & Co., 1850-70

Pen and ink drawing in side elevation of a phaeton carriage with spoked wheels and red trim, numbered 653.

Phaeton #653

Brewster & Co., 1850-70

Side-elevation ink drawing of a Phaeton carriage numbered 672, with red upholstery accents and spoked wheels.

Phaeton #672

Brewster & Co., ca. 1870

Pen drawing in side elevation of a spoked-wheel carriage design labeled no. 785.

Design for Vis-à-vis, no. 785

Brewster & Co., 1850-70

Pencil design drawing in side elevation of a horse-drawn carriage with large spoked wheels and a folding top.

Design for Vis-à-vis/ Charabanc, no. 837

Brewster & Co., 1850-70

Side elevation drawing of a black and green phaeton carriage with large spoked wheels, labeled No. 846 at top.

Phaeton #846

Brewster & Co., ca. 1870

Side view drawing of a blue and black phaeton carriage with red spoked wheels, labeled #848.

Phaeton #848

Brewster & Co., 1850-70

Side-view colored drawing of a blue and black phaeton carriage with red spoked wheels, numbered 854.

Phaeton #854

Brewster & Co., ca. 1870

Side view drawing of a black phaeton carriage with teal spoked wheels and gold trim on a cream background.

Phaeton #857

Brewster & Co., 1850-70

Side-view watercolor drawing of a black and green phaeton carriage with red spoked wheels, labeled No. 941.

Phaeton # 941

Brewster & Co., ca. 1870

Pen drawing in perspective of a stepped pedestal with a cube block marked 1528 and scrollwork panels.

Perspectival Drawing of a Column Base with Cube

Peter Flötner, 1528

Pen and watercolor drawing of a faceted polyhedron above a carved cylindrical column base on a plinth, dated 1528.

Perspectival Drawing of a Column Base with Geometrical Form

Peter Flötner, 1528

Pen and grey wash drawing of three cubes on grassy ground, one tilted, with the date 1528 inscribed on top.

Perspectival Drawing with Three Cubes

Peter Flötner, 1528

A Dog Looking to the Right

Tobias Stimmer, 1564

Pen and watercolor drawing of armored Mars seated with Pomona holding a fruit-filled cornucopia, a dog and shield nearby.

Mars and Pomona

Jost Amman, 1539-91

Pen and ink drawing of a seated woman holding two children, framed by stylized foliage within an oval.

A Seated Personification of Charity with two Children

Jost Amman, 1539-91

Brown ink drawing of peasant figures dancing and running in a row, holding hands, with a handwritten inscription above.

Farmers Dancing

Dietrich Theodor Meyer the Elder, 1599

Ink and wash drawing of a bare-chested archer on a rock, drawing his bow as a snake coils around his ankle.

Philoctetes Being Bitten by the Snake

Gotthard Ringgli, late 16th-early 17th century

Brown wash drawing of a chained nude woman on a rock by the sea, gazing up at a flying rider on a winged horse.

Perseus and Andromeda

Gotthard Ringgli, late 16th-early 17th century

Gray wash drawing of a man under a tree attacked by a lion as his horse runs away across a hazy landscape.

A Man under a Tree Bitten by a Lion while his Horse Escapes

Mathais Füssli the Elder, 1692

Brown ink and wash drawing of a seated nude woman resting on an anchor beside a column, with German text above.

Hope

Hans Ulrich Jegli, 1604-54

Pen and ink drawing of four nude putti holding a bird, fish, a candle, and a rod, shaded with fine hatching.

Four Putti representing the Four Elements

Rudolf Meyer, 1605-38

Red chalk drawing of a kneeling nude woman with long hair before a seated figure in a rocky landscape.

Mary Magdalen Penitent

Joachim von Sandrart, 17th century

Two Heads of an Old and a Young Woman Looking to the Left (Ages of Woman?)

Frederick III, King of Denmark and Norway, 1609-70

Pen and brown wash drawing of a painter seated at an easel, brush raised, painting a landscape with a figure under a tree.

A Painter at his Easel

Hans Caspar Nüscheler, 1615-52

Pen and ink drawing of a horseman in a plumed hat on a rearing horse with flowing mane and tail.

A Horseman

Hans Caspar Nüscheler, 1615-52

Grey wash drawing of an angel and a skeleton beside a cauldron in a kitchen, surrounded by demons and a nude woman.

The Devil's Kitchen Visited by an Angel

Conrad Meyer, mid-17th-late 17th century

Circular ink drawing of a winged putto beside a Gloria Mundi block, skull and vanitas objects, with God among clouds above.

Allegory of the Transience of Life

Conrad Meyer, 1651

Ink and wash drawing of two horsemen on rearing horses firing pistols at each other, smoke rising from both guns.

Two Horsemen Shooting at Each Other

Heinrich Werdmüller, 1600-1677

Drawing of a nude man seated on a cloud beside an armillary sphere, gesturing toward a distant town, with Latin inscriptions.

Man Sitting on a Cloud Above a Battlefield, Pointing to a Globe

Georg Christoph Eimmart the Younger, 1693

Pencil drawing of a rocky landscape with a natural stone arch, a waterfall beneath it, and foliage framing the scene.

Landscape with a Natural Arch and a Waterfall

Felix Meyer, 17th-early 18th century

Watercolor landscape of rocky cliffs and a stream, with a winged angel and a young figure near the water at left.

Landscape with Tobias and the Angel

Felix Meyer, late 17th-early 18th century

Pen and wash drawing of a weeping putto beside a lute, with a river and city skyline behind him.

Sketch for Title Page of the Neujahrsblatt vom Musiksaal, Zurich

Johannes Meyer the Younger, ca. 1699

Pen and ink drawing of a winged putto holding a laurel wreath, surrounded by a globe, lute, palette and peacock within a circ

Allegory of Virtue

Johannes Meyer the Younger, 1692

Pen drawing of a man in a tricorn hat riding a cow with a sword, a crowned acorn shield above, and a tree.

Acorn King: A Man Astride a Cow

Johannes Brandenberg, 1712 or later

Pen drawing of a man in a tricorn hat raising a sword while riding a fox, with a crowned rose coat of arms in the corner.

Rose King: A Man Astride a Fox

Johannes Brandenberg, 1712 or later

Pen drawing of a man in period dress and a plumed hat riding a snail, with a crowned shield above.

Shield King: A Man Astride a Snail

Johannes Brandenberg, 1712 or later

Pen drawing of a horseman in a tricorn hat on a rearing horse, with a river, bridge and town behind him.

Shield Knave: A Horseman

Johannes Brandenberg, 1712 or later

Pen drawing of a man in a feathered hat leaning on a star-shaped fortification, with a hanging bell and a bridge behind.

Shell King: A Man with a Map of a Fortification

Johannes Brandenberg, 1712 or later

Pen drawing of a man in period dress riding a leaping boar, holding a flag, with an acorn shield in the corner.

Acorn Knave: A Man Astride a Swine

Johannes Brandenberg, 1712 or later

Red chalk drawing of a young woman with a ribbon in her hair, with a handwritten Italian inscription below.

Head of a Girl

Rudolf Escher, 1694

Head of a Bearded Man Looking Right

Mathais Füssli the Youngest, 1692

Brown wash drawing of putti on clouds with musical instruments, books, a coat of arms, and a temple on a hill.

Allegory of Art and Knowledge with the Coat-of-Arms of Hans Wilpert Zoller

Mathais Füssli the Youngest, 1694

Trompe-l'œil drawing of a curled calendar with saints' names and zodiac symbols, pinned above an inscribed decorative paper s

Calligraphic Trompe-l'œil Calendar

Matthias Buchinger, 1709

Grey wash drawing of a crowned seated woman pointing upward, with a globe and book beside her.

Saint Margaret Pointing to Heaven, with a Globe Next to Her

Maria Clara Eimmart, 1693

Ink and wash drawing of winged Father Time unveiling a reclining nude woman beside a column, with a cherub and sailboats.

'Tempus omnia manifestat': Allegory of Art and Knowledge

Johann Melchior Füssli, late 17th-early 18th century

Pen and wash drawing of Icarus falling past a sunburst above a sea coast, inside a circular frame on blue paper.

The Fall of Icarus

Johann Caspar Hessius, 1692

Red chalk drawing on blue paper of two horsemen on rearing horses, one striking at the other, with shrubs in a landscape.

Two Fighting Horsemen

Pandolfo Lorenzo Hopfer, 1693

Grey wash drawing of a blindfolded Fortune on a sphere playing violin, with a dancing couple and tree in a landscape.

A Dancing Pair Accompanied by a Blindfolded Fortune

Monogrammist EF, 1693

Red chalk drawing of an eagle flying with a figure on its back above a distant mountain range.

The Rape of Ganymede

Sophia Blesendorf, 1694

Red chalk drawing of a putto fishing beside reeds, with a basket behind him and a rod extending diagonally.

A Fishing Putto

Sophia Blesendorf, late 17th century

Pen drawing of a rearing horse and armored rider leaping before onlookers and a stone city wall.

Marcus Curtius

Samuel Stettler, 17th century

Red chalk drawing of a long-haired seated woman, nude to the waist, gazing toward a skull beside her.

Mary Magdalen Penitent

David Höscheler, 17th century

Sepia etching of two grotesque figures, one cutting the other's hair with scissors, a winged shape and third face behind them

Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen)

Francisco Goya, 1799

Etching of two hunched old women with a bat overhead and a basket of infants in the foreground, from Goya's Los Caprichos.

Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)

Francisco Goya, 1799

Sepia etching of an elderly man grinning beside a chair burning with flames and smoke in a dim room.

Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)

Francisco Goya, 1799

Etching of a donkey seated beside a monkey painting at an easel in a dim studio, with a small face visible on the canvas.

Plate 41 from "Los Caprichos": Neither more nor less (Ni mas ni menos)

Francisco Goya, 1799

Etching of winged women and birds above a branch, with an old woman and two younger women and a dog below.

Plate 19 from "Los Caprichos": All will fall (Todos Caerán)

Francisco Goya, 1799

Etching of two bound men beside a donkey-headed figure with a spoon and a basket, sepia tones, plate 50.

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)

Francisco Goya, 1799

Etching of a hunched old man clutching money bags while three grinning figures, one in a top hat, watch him.

Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)

Francisco Goya, 1799

Goya etching of an elderly woman reading a book while grotesque figures lurk behind and beside her, numbered plate 29.

Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)

Francisco Goya, 1799

Sepia etching of a woman cutting a seated man's hair while another woman with a plate looks on in a dim room.

Plate 35 from "Los Caprichos": She fleeces him (Le descañona)

Francisco Goya, 1799