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J. Paul Getty Museum

2,294 works

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Sepia panoramic photograph of sandy dunes, scrub and trees with a whitewashed building with a tiled roof at right.

[Italian landscape]

Robert Macpherson, 1860s

Sepia calotype portrait of a seated woman in a shawl holding a book beside a writing desk, mounted on a cream page.

[Miss Stirling Grahame, Duntrune]

Hill & Adamson, 1843-1848

Sepia photograph of a fortress gate with round bastions and a pointed-arch bridge over a still moat.

Bhurtpore; The Principal Gate of the Fort

Samuel Bourne, 1865-1866

Sepia photograph of steamboats and sailing boats moored on a sandy Nile riverbank beside a domed building and palms.

[Boats on the Bank of the Nile]

Théodule Devéria, 1865

Sepia portrait of an elderly bearded man in a dark suit and bow tie, mounted on an album page with a handwritten caption.

Nath. F. Moore

Charles de Rham, about 1860-1872

Photograph of a marble statue of a bacchante with a leafy wreath, draped robes and one hand raised to her head, on a pedestal

Bacchante. Vatican

James Anderson, 1859

Sepia photograph of many masted fishing boats moored in a misty harbor, with rowboats in the foreground and buildings behind.

[Whitby harbor]

Frank Meadow Sutcliffe, 1880-1900

Photograph of a plaster cast of a classical Minerva statue in a crested helmet and draped robe, on a pedestal.

The Minerva Borghese

Edward Falkener, 1860

Sepia photograph of a reclining nude woman on a bed among patterned curtains and folded fabrics.

Female Nude

Félix Jacques Moulin, 1856

Sepia portrait of a bearded man in a dark overcoat holding a top hat, gazing to the left against a plain backdrop.

[Henri] de Pène

Nadar [Gaspard Félix Tournachon], negative 1855-1859; print 1861-1869

Sepia studio portrait of a man in dark coat and cravat, with handwritten name J. L. M. Curry, Ala. below.

Jabez L. M. Curry

James Earle McClees, about 1859

Sepia photograph of uniformed soldiers in formation on a parade ground, with white tents and wooden barracks behind them.

[Group Portrait of the Royal Marine Battalion]

Felice Beato, October 1864

Sepia reproduction of a painting of a young woman in a white turban and shawl glancing over her shoulder.

Guido Reni, Béatrice Cenci. (galerie Barberini) d'après le dessin de Rocchi

James Anderson, 1859

Sepia photograph of an elk with velvet antlers resting on grass beside a fallen log in a forest clearing.

The Elk

William Henry Jackson, 1871

Sepia photograph of soldiers working beside a sandbagged gun battery earthwork on a barren plain under open sky.

21 Gun Battery

James Robertson, about 1855

Sepia plate of two women with skin lesions on arms and shoulder, captioned syphiloderma tuberculo-squamosum and tuberculo-ulc

Syphiloderma tuberculo-squamosum and syphiloderma tuberculo-ulcerativum

Dr. George Henry Fox, 1881

Sepia print of horsemen hunting wild boars in a landscape with carriages, a stone archway and rocky terrain.

Wild Boars in an Enclosure

Nicolaas Henneman, 1847

Sepia photograph of the École Polytechnique facade with arched entrance, iron railings, cobbled street and nearby shops.

École polytechnique, rue Descartes

Eugène Atget, 1899

Sepia photograph of tall date palms in a grove with a distant minaret and low buildings beneath a pale sky.

Antinoë

Félix Bonfils, about 1878

Sepia photograph of a broad waterfall cascading over a rock ledge beneath dramatic clouds, with mist rising from the base.

[Waterfalls]

George Barker, around 1888

Sepia photograph of a winding lake framed by eucalyptus trees and rolling hills under a pale sky.

Lake Ooty

A. T. W. Penn, about 1875

Album page with two faded prints: an Oxford street with Gothic spires and stone walls, and rooftops with chimneys at Lacock A

Merton Chapel Tower, Oxford

William Henry Fox Talbot, 1841-1842

Sepia photograph of the Findhorn river among rocks and pines, with a fisherman casting and two seated figures on the bank.

The Findhorn. Glenferness

Ronald Ruthven Leslie-Melville, 1860s

Sepia portrait of an elderly man with wild white hair, dark cloak and intense gaze, by Julia Margaret Cameron.

Sir J.F.W. Herschel

Julia Margaret Cameron, 1867

Sepia photographic portrait of a seated woman in a lace veil, pearl necklace and embroidered gown, on a cream mount.

Austria

Friedrich Bruckmann, about 1885

Sepia photograph of a calm river at dusk with a moored wooden boat, tall trees and their reflections on the water.

Le Soir

Ildefonse Rousset, 1866

Sepia photograph of a wooded hillside with conifers and a white building, with rolling hills and hazy sky behind.

Ootacamund; "Bishopsdown" Stormy Weather on the Koondahs

Samuel Bourne, October 7, 1869

Sepia photograph of a vast military camp on a plateau, with rows of white tents, horses, and parked artillery carts.

Plateau of Sebastopol III

Roger Fenton, 1855; published January 1, 1856

Blue-toned oval view of a wooden trestle bridge over a grassy slough, with a buggy and several men on the deck.

[Yolo Buggy over Dry Slough]

Carleton Watkins, 1881

Sepia photograph of an ornate gilded iconostasis with painted icons, altar doors, and candles in a chapel interior.

Palais de Tsarskoe-Selo, Iconostase de la Chapelle

Pierre-Ambrose Richebourg, 1859