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J. Paul Getty Museum

2,294 works

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Sepia wash sketch of a child figure and draped cloth on pale paper, with loose study-like lines.

Our Lord and St. John the Baptist

Nicolaas Henneman, 1845-1846

Etching of a young mother and child at a forest edge, framed by tall trees with an open view of distant hills.

Jeune Mère á l'Entrée d'un Bois

Jean-Baptiste Camille Corot, plate 1856; print 1921

Sepia print of a military surrender scene with mounted officers, kneeling figure, and a forest of pikes.

The Surrender of the Keys of Breda by Prince Justin of Nassau, to the Marquess Spinola

Nicolaas Henneman, 1847

Etching of the Death of the Virgin: mourners gather around a canopied bed while angels descend in clouds above.

La Mort de la Vierge

Bisson Frères, 1858

A. Bronson Alcott

Alfred W. Hosmer, 1897

Black and white print of a village with a thatched cottage, wooden gate, bare trees, and an ivy-covered tower.

Cookham on the Thames

Paul Pretsch, about 1856

Engraved view of the Parthenon in Athens with its columns and scattered ruins in the foreground, under a cloudy sky.

Le Parthenon à Athèns

Friederich von Martens, 1842

Two tonal landscape prints on one sheet: an open field with trees under clouds, and a reed-lined pond with trees.

Poncins [and] Chambeon

Félix Thiollier, 1880-1900

Engraved print of two ornate vases with mythological scenes, sea creatures, shells and garlands, after a design by René Boyvi

[Design for a Vase by René Boyvin]

Édouard Baldus, 1866

Sepia portrait of a seated man with curly hair and mustache, holding a quill pen, in a dark jacket and bow tie.

Portrait of Poe

Daniel Bendann, 1877

Advertisement for California Cracker Company showing its brick factory building and horse-drawn wagons on a San Francisco str

[The California Cracker Company, San Francisco]

I. W. Taber, 1880

White cyanotype silhouette of a fern frond with round leaflets on a deep blue background, labelled Pteris rotundifolia.

Pteris rotundifolia

Anna Atkins, 1853

Cyanotype print of a fern frond with pale leaflets on deep blue, captioned Diplazium cultifolium, by Anna Atkins.

Diplazium cultifolium

Anna Atkins, 1853

Sepia print of a large fig tree beside a rock with a stream below, hills behind, framed by French text panels.

Fontaine de L'Oratini

Ernest Barrias, 1855

Oval engraved portrait of a young man in a high-collared uniform with braided trim, mounted on yellow card.

[Engraved portrait of a man]

George Kendall Warren, 1868

Sepia oval portrait of a man with swept-back hair and dark cravat, with handwritten signature 'L. D. Campbell, Ohio' below.

L. D. Campbell

James Earle McClees, about 1859

Print of a brick castle with round corner towers in Turin, with pedestrians, riders and a dog in the square.

Château delle Torri à Turin

Dusacq et Cie, 1864-1869

Sepia print of Rome showing St. Peter's dome and Castel Sant'Angelo over a river, with a shepherd and goat in the foreground.

Saint-Pierre et le Fort Saint-Ange à Rome

Friederich Weber, 1842

Lithograph of Milan Cathedral's Gothic facade with tall spires, a crowd in a square, and a carriage passing by.

Cathédrale de Milan

Auguste-Victor Deroy, 1842-1845

Reproduction of a painting showing winged angels in a blue sky above armored men and a woman held by a sword-wielding man.

[Painting of scene with angels]

Charles Cros, 1869

Sepia drawing of an ornate Moorish arch framing a lit doorway with a small figure and three arched windows above.

Moorish Arch

Louis-Jacques-Mandé Daguerre, about 1827

Sepia print of armored men and a mounted rider on a white horse in a vaulted classical hall with columns.

Banditti, by G. Cattermole

Caldesi & Montecchi, 1858

White cyanotype silhouette of a fern frond on deep blue paper, labeled Onoclea sensibilis, New Jersey.

Onoclea sensibilis, New Jersey

Anna Atkins, 1853

Etched print of nude and clothed figures grouped before a rocky hillside, with a reclining woman at right.

Cinq études de figures

Bisson Frères, 1861

Sepia landscape print of rolling fields, large trees in the foreground, and farm buildings nestled in the distant valley.

West Zuyland

A.W. Elson & Co, 1882

Sepia architectural plan of the Nouveau Louvre palace wings and courtyard beside the Seine, with surrounding city blocks.

[Plan for the Nouveau Louvre by L. Visconti]

Édouard Baldus, 1852-1857

Tonal print of a winding stream past reeds and fields, with a thatched cottage and bare trees under a pale sky.

[The Edge of the Broad]

Peter Henry Emerson, 1893

Etched landscape of an open plain with trees, shrubs, a distant village, and cumulus clouds under a broad sky.

Le Plaine de La Plante à Biau

Théodore Rousseau, plate 1862; print 1921

Sepia lithograph of a tall Corinthian column on a plain, with a galloping horseman and small figures in the foreground.

Colonne de Pompée

Frédérick von Martens, 1842

Sepia etching of three trees on a hill under a stormy sky, with a flat plain and small figures at left.

Le Paysage aux Trois Arbres

Bisson Frères, 1858