New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Cooper Hewitt, Smithsonian Design Museum

41 works

Featured

Filters

Color

Shape

Century

Clear all

Watercolor design of a colonnade with four bays showing a cloudy sky above red railings, with decorative gold corner brackets

Wall for Decoration, perhaps for corridor, Royal Pavilion, Brighton

Frederick Crace, 1800

Ink and wash design study with an octagonal central panel of classical figures and a cupid, flanked by two round roundels.

Peace, Vaulted Panel, Sala d' Onore and the Appartmento Napoleonico, Palazzo Quirinale, Rome

Felice Giani, 1810

Muted study of a painted ceiling section with framed panels, scrollwork cartouches, and a reclining figure.

Study for Section of Ceiling Ornament

Pierre Victor Galland, 1900

Watercolor design of a wall with paneled doors, columns, balcony railings and a sky backdrop.

Wall Decoration and Door with Columns, Royal Pavilion, Brighton

Frederick Crace, 1800

Pen and gray wash design for a vaulted ceiling panel with a central figural scene and two small putti medallions.

Abundance, Vaulted Panel, Sala d'onore, Appartmento Napoleonico, Palazzo Quirinale, Rome

Felice Giani, 1810

Pen and grey wash drawing of a rococo ornamental frieze with scrollwork, a central mask, and foliate motifs.

Design for a Ceiling Decoration

Giuseppe Maria Rolli, 1720

Pen and grey wash drawing of an ornate altar design with columns, sculpted figures, a relief panel and a winged angel statue.

Design for an Altar

Filippo Marchionni, 1800

Ink and wash design with a seated allegorical woman, a putto and columns in a central panel, flanked by two round medallions

Vaulted Panel Design, Allegory of Justice, Palazzo Quirinale, Rome, Italy

Felice Giani, 1810

Watercolor design of an interior wall with a central double door, red panels, a gold plaque, and decorative fretwork borders.

Design for Wall with Doorway, probably for the Ante Room, Royal Pavilion, Brighton

Frederick Crace, 1800

Pen and ink design for carved panelling with two putti holding garlands beside a central bust and blank framed panels.

Project for Carved Panelling

Giovanni Francesco Romanelli, 1650

Narrow vertical ink and wash drawing of a sinuous vine with leaves and buds, a design for a pillar ornament.

Pillar strip

Giuseppe Barberi, 1800

Watercolor design of five decorative fretwork panels with oval lattice patterns in pink and blue and a geometric border.

Design for Fretwork, perhaps for the glass passage

Frederick Crace, 1800

Watercolor design of a rococo paneled wall with a door and an oval medallion showing a couple in a garden.

Section of wall, small anti-chamber, Palace of Fontainebleau

Frederick Marschall, 1880

Narrow pen and brown wash drawing of a pillar with leafy foliage, a lion mask vase, and two candle brackets.

Pillar strip with a candle bracket

Giuseppe Barberi, 1800

Watercolor design of a wall with a central fireplace flanked by two framed chinoiserie landscapes with pagodas and trees.

Design for a Chimneypiece, Wall with Chinoiserie Landscape, possibly for Library, Royal Pavilion, Brighton

Frederick Crace, 1800

Watercolor design of vertical wall ornament with gilded monograms, crowned cartouches, and painted floral scrollwork in blue,

Detail: Wall Decoration, Palace of Fontainebleau

Frederick Marschall, 1880

Pen and grey wash design sketch of a vaulted ceiling with a central seated female figure and two circular putti medallions.

Prudence, Vaulted Panel, Appartmento Napoleonico, Palazzo Quirinale, Rome

Felice Giani, 1810

Watercolor wall design with chinoiserie landscape panels, pagoda and tent scenes, ornate scrolled frames and garlands.

Design for Wall Decoration, Yellow (North) Drawing Room

Frederick Crace, 1810

Decorative wall study with arabesque panels, classical figures, urns and gilded moldings in pink, red and gold tones.

Section of wall showing panels of arabesque designs, Music Room, Palace of Fontainebleau, France

Frederick Marschall, 1880

Brown ink and wash drawing of three putti with flower garlands and looping ribbons on a vertical pillar strip.

Pillar strip, three putti with ribbon and garlands

Giuseppe Barberi, 1800

Watercolor elevation of a wall with blue and pink paneled doors, gilded trim, and painted decorative panels.

Design for Window Wall Decoration, possibly for Library, Royal Pavilion, Brighton

Frederick Crace, 1810

Ink and wash drawing of two friezes with allegorical figures, chariots, horses, and winged putti.

Personification of Two of the Elements

Felice Giani, 1800

Grey wash drawing of a neoclassical mantelpiece with an eagle crest, garlands, and a blank overmantel mirror panel.

The elevation of a mantelpiece

Jean Charles Delafosse, 1780

Design drawing of a decorated wall with landscape panels, a red upholstered chair, and a blue porcelain vase.

Section of a wall, Chinese Room, Palace of Fontainebleau

Frederick Marschall, 1880

Three-panel pen and ink drawing with brown wash showing mythological scenes of a forge, Venus with cupids, and a festive gath

Winter, the Forge of the Vulcan, Spring, the Bath of Venus, Summer Feasts of Bacchus and Ceres

Felice Giani, 1790

Pen and brown wash design drawing of an ornate rococo library wall with bookshelves, a door, mirror, and classical urns.

Design for a Library Wall

Nicolas Pineau, 1730

Painted design study of a decorated wall with green damask field, gilded moldings, heraldic medallion and ornamental panels.

Section of wall, Guard Room, Palace of Fontainebleau

Frederick Marschall, 1880

Ink and wash drawing of three nude female figures holding a garland, flanked by two winged cupids in a trapezoidal frame.

The Three Graces

Felice Giani, 1810

Pen and wash drawing of a tall rococo wall panel with scrollwork, foliage, garlands and a bird among shells.

Carved Decoration for a Wall Panel

P. Ludovik, 1730

Tall watercolor of an ornate palace wall with painted medallions, sculpted figures, gilded moldings and faux marble panels.

Section of wall, Escalier de la cour ovale, Palace of Fontainebleau, France

Frederick Marschall, 1880