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Art Institute of Chicago

13,165 works

Woodblock print of two women in patterned kimono carrying green baskets, one wearing a wide dark hat, on a lavender backgroun

Asukagawa, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Color print of two costumed figures in black robes with bows and arrows, one standing and one kneeling, in a Noh-style pose.

Kosode Soga, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a noh-costumed figure in a floral robe holding a flower bundle, against a gray background.

Hibari-yama, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a noh performer in a purple robe and red hakama with a fan, plum blossoms in the upper corner.

Toboku, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a noh performer in a purple robe, gold headdress with a bird, and white hakama holding a fan.

Ema, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a noh performer in green and gold robes holding a blue fan, with a tall black headdress.

Tamura, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a Noh performer in a striped robe and patterned kimono, with a rocky cliff behind.

Adachiga Hara, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of an elderly woman with a staff facing a courtier in black robes holding a fan, before a misty hill.

Omu Komachi, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of two Noh performers, one in an orange floral robe and one with long disheveled hair carrying a basket.

Kayoi Komachi, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a noblewoman in a floral crimson robe and red skirt beside a red canopy, Noh costume style.

Yokihi, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Japanese woodblock print of a Noh actor in a green patterned robe and blue headdress holding a drawn sword.

Eboshi-ori, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a Noh performer in a purple robe and red skirt with a gold headdress, holding a white fan before autumn hi

Tatsuta, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a Noh performer in a patterned brown robe, black spiral-patterned trousers and a long black wig, before pa

Awaji, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Two costumed noh-style figures in patterned robes, one offering a branch of pink blossoms and green leaves to the other.

Mitsu-yama, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Japanese woodblock print of a kneeling noh performer with long black hair holding a fan beneath a swirling dark cloud.

Nue, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a kneeling Noh performer with white hair, dragon headdress, and patterned green robe beside a lacquered st

Genzai Shichimen, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Two figures in white robes and wide hats beside bamboo bent under snow, in a Japanese woodblock print.

Take no Yuki, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a Noh performer in a black headdress and green bamboo-patterned robe, raising a fan.

Ebira, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a Noh performer in a gold-patterned cream robe and red hakama holding a paper gohei beside a wooden frame.

Miwa, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Japanese print of a standing woman in a blue floral kimono with camellia motifs beside a grey wooden post.

Tomonaga, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a noh performer in a purple robe with red hakama and a fan, beside a green tree.

Teika, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woman in white robe and blue hakama kneels under a green tree canopy on bamboo poles, in a Japanese woodblock print.

Motome-zuka, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of two Noh performers in ornate robes, one standing with a fan, one kneeling with long black hair, beside bam

Ikkaku Sennin, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a Noh performer in white robes holding a red-tipped torch against a dark background.

Ukai, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Woodblock print of a Noh performer in a blue robe and red patterned trousers, wearing a dragon crest and red mane.

Kasuga Ryujin, from the series "One Hundred No Dramas (Nogaku hyakuban)"

Tsukioka Kogyo, 1898/1903

Graphite drawing of a nude male figure seen from behind, gripping a bar and post, with one foot on a pedestal.

Male Nude with Left Foot on a Pedestal

Gustav Klimt, 1879

Engraving of a grand hall with columns, chandeliers and a crowd of elegantly dressed guests around a central dais.

Royal Feast

Jean-Michel Moreau, 1782

Colorful wall stencil design with a star medallion above an arch showing a harp player and seated figures.

Ottawa Opera House, Ottawa, Illinois, Wall Stencil Design

Peter Bonnett Wight, c. 1875

Watercolor elevation of a three-story Gothic-style bank facade with arched windows, brick walls, and a sign reading Dry-Dock

Dry Dock Savings Bank, New York City, New York, Competition Design Drawing

Peter Bonnett Wight, 1858

Hand-colored print of a woman by a fountain and a kneeling man holding a broken jug, with a dog and wooded landscape.

Heur et Malheur ou La Cruche Cassée (Luck and Misfortune or the Broken Jug)

Philibert-Louis Debucourt, 1787