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Art Institute of Chicago

24,023 works

Black chalk drawing of a muscular male nude with arms raised overhead and one knee bent, on tan paper.

Ascending Male Nude

after Michelangelo Buonarroti, n.d.

Pen and ink study of a male nude's legs and feet with cross-hatched shading, plus a sketched arm at upper right.

Legs and Feet of Male Nude

Possibly after Michelangelo Buonarroti, 1812/50

Pen and brown wash drawing of a muscular armored warrior above a small winged child with a cord, c. 1550.

Mars and Cupid

Luca Cambiaso, c. 1550

Brown ink and wash study of the Annunciation with the Virgin kneeling and an angel descending among clouds and putti.

Study for the Annunciation

Lazzaro Baldi, n.d.

Chalk drawing of a seated winged figure with curled hair, bare torso and draped cloth on tan paper.

Seated Angel

Attributed to Mario Balassi, n.d.

Charcoal and white chalk drawing of a woman's head tilted upward, veiled, on a toned paper ground.

Head of the Virgin Looking Upwards

Jacopo Cavedone, c. 1615

Pencil drawing of a robed saint blessing a child held by a seated woman, with a kneeling figure and architectural arches behi

Saint Blessing of Healing Child

After Simone Barabbino, n.d.

Pencil sketch of a bearded man's head tilted upward, eyes looking up, with curly hair on a cream paper sheet.

Head of Bearded Man Looking Upwards

Jonathan Richardson, n.d.

Woodblock print of two women with shoulder-pole buckets beside a pine tree on a shore, with a red sun over the sea.

The brine maidens

Kikukawa Eizan, c. 1820s

Drawing of a funerary monument with winged trumpeter, bearded trident-bearer, shielded woman and reclining figure on a pedest

Funerary Monument

after Francesco Bartolozzi, n.d.

Red chalk drawing of a curly-haired angel head with downcast eyes and draped cloth on tan paper.

Angel

Attributed to or possibly after Francesco Bartolozzi, n.d.

Brown ink drawing of a classical triumph scene with Cupid, nude figures, chained captives and a chariot wheel.

Triumph of Love (after antique bas-relief)

Attributed to Pompeo Girolamo Batoni, n.d.

Black chalk drawing of a standing man with raised arms and flowing robes on a toned grey sheet.

Man Standing in Prayer (recto); Drapery Study (verso)

Domenico Fiasella, 1550/70

Pen and wash drawing of a draped standing figure seen from behind, arm raised, on blue-grey paper with white highlights.

Standing Draped Male Figure with Raised Right Arm

After Carlo Urbino, n.d.

Black and white chalk drawing on blue paper of a winged angel holding flowers aloft and a cloth in the other hand.

Angel Holding Flowers and Scourge

Attributed to Stefano Pozzi, c. 1756

Brown ink and wash drawing of a bearded older man's head, looking upward, with wild hair and a flowing beard.

Bearded Head

Attributed to the circle of Domenichino, n.d.

Pencil sketch of the Madonna holding the Christ Child within an oval frame, with clouds drawn around them.

Madonna and Child

Style of Carlo Maratti, n.d.

Pen and brown ink drawing of a seated woman by a fountain with a horse drinking and trees around her.

Angelica Resting at a Fountain

Giuseppe Bezzuoli, n.d.

Virgin Mary Standing in Profile

After Francesco di Cristofano, called Franciabigio, n.d.

Drawing of the Virgin holding the Christ Child, who reaches toward Saint Lucy, in black and red chalk on paper.

Virgin and Child with Saint Lucy

Attributed to Gian Girolamo Bonesi, n.d.

Pencil drawing of a classical relief with a standing warrior with a raised sword and a seated nude man against a brick wall.

Classical Relief with Two Fighting Male Nudes

the Younger Joseph Bonomi, n.d.

Pen and wash drawing of Christ riding a donkey into a crowd with palm fronds, figures kneeling and an arched building behind.

Christ Entering Jerusalem

Andrea Boscoli, 1595/99

Red chalk drawing on blue paper of Christ and the Virgin seated on clouds with angels and radiating halos.

Christ and the Virgin in Glory

Attributed to Giacinto Brandi, n.d.

Woodblock print of travelers on a bridge over a blue river, with autumn maples on a cliff and a red torii gate at right.

Autumn Maples at Takinogawa River, from the album "The Eternal Waterfall (Tokiwa no taki)"

Totoya Hokkei, 1833

Brown ink and wash drawing of a kneeling bearded figure beside a skull and a crucifix in a rocky setting.

Saint Jerome

Style of Pier Francesco Mola, n.d.

Pen and brown ink drawing of Apollo flaying Marsyas, two muscular nude men struggling against a tree trunk.

Apollo Flaying Marsyas

Attributed to Luca Cambiaso, c. 1545

Woodblock print of travelers in a boat with umbrellas crossing choppy blue water toward a village and trees.

Rokugo, from the series "A Record of a Journey to Enoshima, A Set of Sixteen (Enoshima kiko, jurokugban tsuzuki)"

Totoya Hokkei, 1833

Pen and brown ink sketch of Judith with a sword above a kneeling Holofernes, with a curtain behind them.

Judith with the Head of Holofernes

School of Luca Cambiaso, 1550/60

Woodblock print of a monkey in a pink floral robe holding a fan and striped parasol, with calligraphy at left.

Monkey performing Sanbaso dance

Totoya Hokkei, 1824

Pen and brown wash drawing of a seated nude male saint with a staff, resting on clouds.

Seated Saint John the Baptist

School of Luca Cambiaso, 1560/70