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Art Institute of Chicago

13,163 works

Adrienne-Sophie, Marquise of ***

Augustin de Saint-Aubin, 1779

Woodcut of Saint Rolandus with a halo, holding a sword in an ornate arched doorway with a town behind him.

Saint Rolandus, from Saints Connected with the House of Habsburg

Leonhard Beck, 1516

Engraving of a couple embracing in a moonlit forest beside a winged cupid statue on a pedestal.

La Nuit (Night, from Quatre parties du jour)

Emmanuel Jean Nepomucene de Ghendt, c.1778

Louise Émilie, Baroness of ***

Augustin de Saint-Aubin, 1779

Engraved interior scene of figures attending a seated woman in a white dress beside a chest of drawers and window.

Le Directeur des Toilettes (The Director of the Toilettes)

Nicolas Joseph Voyez, c.1782

Woodblock print of travelers resting at a riverside teahouse, a woman serving tea beneath willow branches.

Kameyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

Katsushika Hokusai, c. 1806

Engraving of a farmyard with a woman, a man, a winged child, a dog, hens and a rabbit beside a haystack.

Farmyard Scene

Possibly Jean Nicolas Lerouge, c.1796-1846

Engraving of a man and boy entering a draped bedroom where a woman reclines on a canopy bed.

Le Matin (Morning, from Quatre parties du jour)

Emmanuel Jean Nepomucene de Ghendt, c.1778

Engraving of an elegant bedroom with a nude woman, a seated woman in period dress, and a figure peering from behind a curtain

Le Soir (Evening, from Quatre parties du jour)

Emmanuel Jean Nepomucene de Ghendt, c.1778

Woodcut of crowned royal figures in ornate robes beneath a vaulted arch, with heraldic shields below.

The Congress and Double Betrothal at Vienna, from The Triumphal Arch of Maximilian I

Albrecht Dürer, c. 1515

Woodcut battle scene of armored knights and foot soldiers with lances and banners, with a walled city in the distance.

The War with Venice, from The Triumphal Arch of Maximilian I

School of Albrecht Dürer, 1515-17

Engraving of a young man holding flowers in a rustic barn while a woman peeks from behind a curtain at right.

Rose et Colas (Rose and Colas)

Jean Baptiste Blaise Simonet, c.1762-1789

Woodcut of armored soldiers and a mounted knight with pikes and banners before a walled town on a hill.

The Campaign in Hungary, from The Triumphal Arch of Maximilian I

School of Albrecht Dürer, 1515-17

Engraved print of a seated woman in a garden with two men courting her beside a garlanded urn and large tree.

La Coquette Fixee (The Fascinated Coquette)

Jacques Couché, 1785

Woodcut of a chaotic battle with pikemen, mounted knights, burning houses and fleeing villagers among livestock.

The Second War in Gueldres, from The Triumphal Arch of Maximilian I

School of Albrecht Dürer, 1515-17

Woodcut of a battle with pikemen, knights, cannon smoke and soldiers climbing ladders against a walled city.

The Expulsion of the Hungarians from Lower Austria, from The Triumphal Arch of Maximilian I

School of Albrecht Dürer, 1515-17

Engraving of a boy with a letter seated in a woodland with a dog, sheep and basket, within an oval ivy-garland frame.

Le Départ du Courrier (The Departing of the Courrier)

Jacques Firmin Beauvarlet, c.1765-1769

Etching of nude Adam holding an apple beside a tree with a serpent at his feet, with cherub heads in the clouds above.

Adam

I Daniel Hopfer, by 1522

Engraving of a young woman reaching toward a branch with a bird flying nearby, a sheep and dog beside her, in an oval ivy fra

La Retour du Courrier (The return of the courrier)

Jacques Firmin Beauvarlet, C.1765-1769

Engraving of nude Eve standing by a fruit tree with an angel flying through clouds above.

Eve

I Daniel Hopfer, by 1522

Engraving of a couple embracing in an elegant bedroom with a canopied bed, striped chair, and wall sconces.

Le Repentir Tardif (The Tardy Repentance)

Gérard René Le Vilain, c. 1760-1790

Etching of three turbaned mounted soldiers riding together, with horses, bow and quiver in the foreground.

Three Turkish Soldiers (Cavalrymen)

Daniel I Hopfer, c. 1520

Woodblock print of travelers in straw hats passing pine trees and a red wooden building beneath green hills.

Seki, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

Katsushika Hokusai, c. 1806

Engraving of putti hammering a tongue on an anvil among classical ruins, with a dragon and sleeping figures below.

Fate of the Evil Tongue

Nicoletto da Modena, c. 1507

Woodblock print of a seated man on a veranda, a woman and child below, a basket, tree and hillside.

Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

Katsushika Hokusai, c. 1806

Etching of a haloed bearded figure reclining in a rocky tomb with a sleeping child, an angel with a palm above.

The Bodies of Saints Peter and Paul in the Same Sepulcher

Claude Vignon, 1620

Lithograph of two top-hatted men looking up as one points toward an ornate shape, with onlookers and a draped curtain behind.

At the Universal Exposition: The Perfect Guide

Julien Antoine Peulot, 1867, printed 1920

Print of two standing men in robes beside a woman in a long dress walking past an arched building with a crowd behind.

At the Universal Exhibition: Who are the real Chinese?

Charles Maurand, 1867, printed 1920

Engraving of a top-hatted man, a woman in a headscarf, and a child viewing Egyptian relief carvings in an exhibition hall.

At the Universal Exposition: The Egyptian Section

Julien Antoine Peulot, 1867, printed 1920

Woodblock print of travelers in straw hats by a latticed gate, with a rain-streaked hillside, pine, and palanquin bearers.

Tsuchiyama, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"

Katsushika Hokusai, c. 1806