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Art Institute of Chicago

13,165 works

Etching of a cloaked man and a bowed woman in a white headscarf against a dark wall, from Goya's Los Caprichos.

Poor Little Girls!, plate 22 from Los Caprichos

Francisco Goya, 1797/99

Etching of a seated woman in a tall cone hat beside a crowd, with a man reading from a raised platform.

Those specks of dust, plate 23 from Los Caprichos

Francisco Goya, 1797/99

Brown etching of a woman in a tall striped cap riding a donkey through a crowd of grotesque onlookers.

Nothing Could Be Done about It, plate 24 from Los Caprichos

Francisco Goya, 1797/99

Etching of a man kneeling and embracing a child beside a broken jug, with laundry on a line behind them.

Yes, He Broke the Pot, plate 25 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of a woman balancing two chairs on her head beside a seated woman, with laughing onlookers behind.

They've Already Got a Seat (i.e. bottom), plate 26 from Los Caprichos

Francisco Goya, 1797/99

Etching of a woman in a black mantilla beside a leaning man, with small dogs at her feet and figures behind them.

Which of Them is the More Overcome?, plate 27 from Los Caprichos

Francisco Goya, 1797/99

Etching of two cloaked figures, one leaning on a cane and one with a hand raised to her face, with the caption Chitón.

Hush, plate 28 from Los Caprichos

Francisco Goya, 1797/99

Brown etching of an elderly man reading while two figures behind and beside him hold books, from Goya's Los Caprichos.

That certainly is being able to read, plate 29 from Los Caprichos

Francisco Goya, 1797/99

Etching of a hunched old man clutching coins while grinning men in a top hat watch him, with the caption Porqué esconderlos?

Why Hide Them?, plate 30 from Los Caprichos

Francisco Goya, 1797/99

Sepia print of a seated woman in white dress, head bowed, in a dim room with a small window of light above a doorway.

Because She Was Susceptible, plate 32 from Los Caprichos

Francisco Goya, 1797/99

Etching of an elegant man in a wig standing over two bowing figures, with bottles on shelves behind, plate 33 from Los Capric

To the Count Palatine or Count of the Palate, plate 33 from Los Caprichos

Francisco Goya, 1797/99

Etching of a seated woman in a dark room with sleeping hooded figures below a barred window, by Goya.

Sleep Overcomes Them, plate 34 from Los Caprichos

Francisco Goya, 1797/99

Brown etching of a woman shaving a seated man in a chair while another woman watches from behind, in a shadowed interior.

She Fleeces him, plate 35 from Los Caprichos

Francisco Goya, 1797/99

Etching of a woman in a pale dress leaning over a shadowy crouched figure against a dark sky, titled Mala noche.

A Bad Night, plate 36 from Los Caprichos

Francisco Goya, 1797/99

Etching of a donkey-headed figure with a magnifying glass and a dog-headed figure reading letters, with animal heads behind t

Might not the Pupil Know More?, plate 37 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of a monkey playing guitar while a donkey sits listening and two figures look on from behind.

Bravo!, plate 38 from Los Caprichos

Francisco Goya, 1797/99

Etching of a man with a donkey's head reading a book beside an inkwell and quill, numbered plate 39.

And So Was His Grandfather, plate 39 from Los Caprichos

Francisco Goya, 1797/99

Etching of a donkey-headed man leaning over a sick figure in bed, with shadowy figures behind a curtain.

Of what ill will he die?, plate 40 from Los Caprichos

Francisco Goya, 1797-98, published 1799

Sepia etching of a donkey seated beside an easel while a monkey paints at the canvas, plate 41 of Goya's Los Caprichos.

Neither more nor less, plate 41 from Los Caprichos

Francisco Goya, 1797/99

Etching of two men straining under two donkeys, with the caption Tú que no puedes below the image.

Thou Who Canst Not, plate 42 from Los Caprichos

Francisco Goya, 1797/99

Etching of two old women with a bat above and a basket of infants in front, from Goya's Los Caprichos plate 45.

There is Plenty to Suck, plate 45 from Los Caprichos

Francisco Goya, 1797/99

Etching of hooded grotesque old figures, one with an animal head, with winged demons and a cherub flying above.

Correction, plate 46 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of hunched elderly figures, one offering a small doll to a seated old man, with grimacing faces behind.

A Gift for the Master, plate 47 from Los Caprichos

Francisco Goya, 1797/99

Etching of a winged demonic creature flying over a cowering cloaked figure with hands over face, plate 48 by Goya.

Tale-Bearers - Blasts of Wind, plate 48 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of three grotesque hobgoblins drinking from cups in a dim room with a barred window.

Hobgoblins, plate 49 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of a donkey-headed figure with a spoon beside two men with buckled head restraints, one reclining.

The Chinchillas, plate 50 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of grotesque figures, one trimming another with scissors while a smiling figure watches under a cloudy sky.

They Spruce Themselves Up, plate 51 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of a kneeling veiled woman looking up at a tall figure with raised arms, cherubs above, and a crowd at left.

What a Tailor Can Do!, plate 52 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of an owl on a pedestal addressing a group of open-mouthed, grotesque men below.

What a Golden Beak!, plate 53 from Los Caprichos

Francisco Goya, 1797/99

Sepia etching of a hooded old woman eating from a bowl, with a shadowy figure and an old man beside her.

The Shamefaced one, plate 54 from Los Caprichos

Francisco Goya, 1797/99