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English & British

17,183 works

Beatrice

John Hamilton Mortimer, March 15, 1776 (originally published); published 1809

Pencil architectural elevation of the Palazzo Pollini facade in Siena with window rows, moldings and dimension notes.

Palazzo Pollini, Siena, Attributed to Peruzzi

John Russell Pope, 1896

Pencil elevation of an ornate doorway with putti flanking a coat of arms in an arched pediment, with color notes.

Siena Cathedral, Entrance to Library

John Russell Pope, c. 1896

Engraved oval portrait of a bearded man in a turban and armor, head bowed with a tear, with verse text below.

York, from Twelve Characters from Shakespeare

John Hamilton Mortimer, originally published March 15, 1776, published 1809

Pencil elevation drawing of a striped Romanesque church facade with tiered arcades and a central doorway.

An Interesting Romanesque Treatment, San Giovanni, Pistoia

John Russell Pope, c. 1896

Engraved oval portrait of Falstaff, a bearded balding man in a ruff collar raising a tankard, with a quotation below.

Falstaff

John Hamilton Mortimer, originally published March 15, 1776, published 1809

Pencil elevation drawing of the facade of St. Andrea in Pistoia, Italy, with pediment, round window and arched bays.

St. Andrea, Pistoia

John Russell Pope, c. 1896

Oval engraved portrait of Shylock, a bearded man in a cap and buttoned coat gesturing with a stern look.

Shylock

John Hamilton Mortimer, originally published March 15, 1776, published 1809

Pencil elevation drawing of a two-story library facade with a central pedimented doorway and wide staircase.

Library, San Lorenzo

John Russell Pope, c. 1896

Engraved oval portrait of Cassandra with wide eyes and raised hand, wearing a white headband and draped garment.

Cassandra, from Twelve Characters from Shakespeare

John Hamilton Mortimer, originally published March 15, 1776, published 1809

Pencil sketch of the Florence Duomo with its large dome and lantern, seen from a low angle with small figures below.

The Duomo, Florence

John Russell Pope, 1897

Pencil drawing of two seated stone lions on decorated pedestals, with fleur-de-lis shields and moulding profiles, by John Rus

Il Marzocco, Donatello

John Russell Pope, c. 1896

Pencil architectural drawing of an arched niche and round arcade with carved capitals, titled Bologna Brick Wall.

Bologna Brick Wall

John Russell Pope, c. 1896

Wood engraving of a large country house with trees and resting cattle on the lawn in front, captioned John Hunter's Home at E

John Hunter. Wood engraving by A. Roberts, 1870

Study of Moldings

John Russell Pope, c. 1896

Pencil architectural elevation of the Palazzo Communale in Bologna showing arcades, arched windows, columns and a cornice.

Palazzo Communale, Bologna

John Russell Pope, 1898

Pencil elevation drawing of a domed neoclassical tomb with pediment, arched niche, double door and chained steps.

Tomb of Dante, Ravenna

John Russell Pope, c. 1898

Pencil architectural drawing of brick wall with barred window, wrought iron gate, and pilaster elevation on tan paper.

Brickwork in Rimini

John Russell Pope, c. 1898

Hand-colored 1817 print of a ballroom with dancing couples, musicians in a balcony, and framed vignettes of dancing animals.

La Belle Assemblée

George Cruikshank, published August 31, 1817

Pencil architectural drawing of an ornate Byzantine-style doorway with a pediment, heraldic shield and carved relief panels.

Byzantine Doorway with Duomo, Rimini

John Russell Pope, c. 1898

Pencil architectural drawing of Santa Maria della Salute, Venice, with a plan and a sectional elevation showing the domed chu

Sta. Maria della Salute, Venice

John Russell Pope, c. 1898

Pencil elevation drawing of a multi-story loggia with arcades, columns, balustrade and stairs, labeled Loggia del Consiglio,

Loggia del Consiglio, Padua

John Russell Pope, c. 1898

Engraving of a nude man with a shield watching animals fight, including a lion, dragon, unicorn and boar, by a rocky cliff.

Allegorical Theme: Combat of Animals

Master of the Beheading of St. John the Baptist, c. 1515/1520

Engraving of Prospero, Miranda, Caliban and a flying spirit Ariel in a rocky landscape from Shakespeare's Tempest.

Prospero, Miranda, Caliban and Ariel

Jean Pierre Simon, 1797

Engraving of Titania embracing Bottom with an ass's head, surrounded by fairies in a dark forest, from Midsummer Night's Drea

Titania and Bottom with the Ass's Head

Jean Pierre Simon, 1796

Engraving of Titania embracing Bottom with a donkey head while fairies and Oberon gather in a dark forest.

Titania's Awakening

Thomas Ryder, 1803

Engraving of Macbeth and Banquo reacting to three hooded witches appearing in clouds above a dark landscape.

The Witches Appear to Macbeth and Banquo

James Caldwall, 1798

Engraving of a plumed king gesturing before armored nobles in a draped interior, with a seated man reading a document at left

King Henry Condemning Cambridge, Scroop and Northumberland

Robert Thew, 1798

Engraving of Hamlet, Horatio and Marcellus recoiling from a glowing armored ghost pointing a spear in a dark stone hall.

Hamlet, Horatio, Marcellus and the Ghost

Robert Thew, 1796

Stipple engraving of Abraham Rees in a powdered wig and dark coat, seated beside an inkwell and quill pen.

Abraham Rees. Stipple engraving by W. Holl, 1811, after J. Opie

Stipple engraving of William Hey, a man in a powdered wig and buttoned waistcoat, in an oval vignette with script caption.

William Hey. Stipple engraving by E. Scriven, 1823, after Allen

Stipple engraving of a bearded man in a dark jacket working with test tubes and glass vessels at a table.

James Sheridan Muspratt. Stipple engraving by J. Le Conte after Feard & Beard