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Brown

140,138 works

Etching of a stone windmill with latticed sails above village rooftops, a grazing cow, and trees at right.

The Windmill

Donald Shaw MacLaughlan, 1902

Etching of two harnessed horses beside a wooden cart on a furrowed field, drawn in loose black hatching.

Two Horses

Donald Shaw MacLaughlan, 1906

Brown ink and wash drawing of a helmeted commander and veiled woman before a crowd, with soldiers and a ruined tower behind.

Scipio Returning the Spanish Bride to Her Family

Follower of Rembrandt van Rijn, c. 1640

Etching of the Venice clock tower with a zodiac dial, winged lion, and crowd passing under the arched entrance.

The Clock Tower, Venice

Donald Shaw MacLaughlan, 1909

Etching of a Tuscan valley framed by tall cypresses, with a roofed building and shrubs in the foreground and hills beyond.

Tuscany

Donald Shaw MacLaughlan, 1909

Broadside showing townspeople looking up at a comet over a town skyline, with Spanish text columns below.

The Comet

José Guadalupe Posada, 1899, published 1910

Etching of rolling Tuscan hills with fields, cypress and poplar trees, and a hilltop town under an open sky.

Fields of San Gimignano

Donald Shaw MacLaughlan, 1909

Yellow broadside with a woodcut comet over a starry sky and a crowd of figures before a church skyline, with Spanish text.

The Great Halley's Comet

José Guadalupe Posada, 1899, published 1910

Green broadside with a large skeleton, hourglass and bells, and columns of satirical verse titled La Calavera Clerical.

The Priestly Calavera

José Guadalupe Posada, n.d.

Yellow broadside with song lyrics and a woodcut of a matador standing over a fallen bull in an arena.

The Popular Songbook

Manuel Manilla, n.d.

Broadside with a crowd of caricatured faces above two columns of printed verse, titled La Feria de San Juan de los Lagos.

The San Juan de los Lagos Fair

José Guadalupe Posada, n.d.

Mexican broadside with woodcut scene of a man on the ground, onlookers, two women, and columns of Spanish verse below.

Con las suegras, poco y bueno (With the Mother-in-Laws, Little and Good)

Attributed to Manuel Manilla, n.d.

Red broadside with woodcut scene of a man in sombrero among onlookers, above columns of Spanish verse.

El valiente costeño (The Brave Man from the Coast)

José Guadalupe Posada, n.d.

Orange broadside with Spanish verses and a woodcut of dressed animals in a lively gathering, by José Guadalupe Posada.

Versos muy extravagantes (Very Extravagant Verses)

José Guadalupe Posada, n.d.

Yellowed songbook broadside with printed verses and a woodcut of a soldier holding a rifle beside the text.

El cancionero popular, hoja num. 19 (The Popular Songbook, Sheet No. 19)

Attributed to Manuel Manilla, n.d.

Broadside with woodcut of a matador with a cape facing a bull, above columns of verse about Lino Zamora.

Legitimos versos de Lino Zamora (Legitimate Verses of Lino Zamora)

José Guadalupe Posada, n.d.

Orange broadside with a woodcut of sombrero-wearing men among trees above two columns of Spanish verse.

New Verses from Carlos Coronado

José Guadalupe Posada, 1910

Brown wash drawing of the abduction of Helen with a helmeted man, a veiled woman, attendants, dogs and flying cherubs.

Abduction of Helen

After Guido Reni, after 1627

Woodcut broadside of a skeleton in a sombrero and serape playing guitar, flanked by printed verse columns.

Calavera of the Masses, no. 2

José Guadalupe Posada, c. 1910

Broadside with a woodcut of a large prison building, trams and pedestrians, beside two columns of printed verse on orange pap

End of the XIX Century

José Guadalupe Posada, September 1890

Charcoal drawing of a bearded older man in three-quarter view wearing a cap and a chain with a medallion.

Self-Portrait

After Tiziano Vecellio, called Titian, n.d.

Charcoal drawing of a massacre in a vaulted hall, with an armed figure raising a sword above fallen bodies and women with chi

Massacre

Possibly Paul Falconer Poole, n.d.

Pen and brown ink drawing of a satyr playing pipes by a pool with a nymph and putto under trees.

Satyr, Nymph and Putto by Pool

After Michel Corneille, the Younger, n.d.

Pencil and watercolor drawing of a woman with a laundry basket holding hands with a small child in a bonnet.

Woman with Child

Kate Greenaway, n.d.

Pen and grey wash drawing of a seated woman with flowers in her hair and hands, draped in flowing cloth.

Flora

called Il Baciccio Giovanni Battista Gaulli, n.d.

Brown wash drawing of a sick man on a bed with kneeling men and winged angels beneath a shaft of light.

Healing of the Paralytic

Possibly Johann Gottlieb Prestel, n.d.

Red and white chalk sketch of four Italian comedian figures, two full-length and two head studies, with a hand gesture.

Italian Comedians

Jean-Antoine Watteau, 1719/20

Pen and wash drawing of a bearded man seated on stones, holding an open book, with white highlights on a grey-blue ground.

Standing Prophet Holding a Book

After Lattanzio Gambara, n.d.

Pen and wash drawing of a Gothic stained glass design with nine biblical scenes showing crowds, fire, and figures in tents.

Design for a Stained Glass Window with the Story of Aaron

the younger Jean Cousin, n.d.

Charcoal and white chalk drawing of a woman's head tilted upward, veiled, on a toned paper ground.

Head of the Virgin Looking Upwards

Jacopo Cavedone, c. 1615

Pen drawing of armored warriors in combat, one raising a sword, with scrollwork ornament in the lower left corner.

Soldiers of Cyrus Tearing Apart the Army of Spargabise

After Polidoro Caldara, called Polidoro da Caravaggio, n.d.

Drawing of two robed men in conversation, one pointing, on grey-toned paper.

Two Men Conversing and Gesturing

After Raffaello Sanzio, called Raphael, 18th century