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Brown

139,602 works

Ideal Bust of a Woman

Attributed to Bartolomeo Passarotti, n.d.

Black chalk drawing of a muscular male nude with arms raised overhead and one knee bent, on tan paper.

Ascending Male Nude

after Michelangelo Buonarroti, n.d.

Pen and brown wash drawing of a muscular armored warrior above a small winged child with a cord, c. 1550.

Mars and Cupid

Luca Cambiaso, c. 1550

Brown ink and wash drawing of the Last Supper, with robed apostles gathered around a long table in a hexagonal frame.

Last Supper

After Raffaello Sanzio, called Raphael, and workshop, n.d.

Brown ink and wash drawing of a flying winged putto reaching upward, surrounded by sweeping cloud-like hatching.

Flying Putto

Attributed to Francesco da Urbino, c. 1581

Brown ink and wash drawing of a nude man on a gridiron tended by executioners while a crowd watches.

Martyrdom of Saint Lawrence

School of Luca Cambiaso, c. 1580

Brown ink study of a robed saint and a knight with a companion before sketched columns and architecture.

Study for Saint Francis of Assisi Giving His Cloak to an Impoverished Knight

called Il Fiamminghino Giovanni Battista della Rovere, 1591/95

Pen and brown wash drawing of a bearded saint in flowing robes, gazing upward with one hand raised and holding a book.

Saint Paul

Circle of Giovanni Battista Trotti called Il Malosso, 1590/1610

Red chalk drawing of a group of youths, one leaning forward pointing, others kneeling and looking upward, on aged paper.

Group of Youths

After Raffaello Sanzio, called Raphael, n.d.

Brown ink and wash drawing of draped figures in a procession beside a large ox.

Procession of Figures and Oxen

called dalle Lame Biagio Pupini, n.d.

Brown ink and wash drawing of a haloed seated saint with an open book beside a resting ox.

Saint Luke

After Paolo Caliari, called Paolo Veronese, n.d.

Brown wash drawing of the Virgin Mary handing a scapular to a kneeling saint, with angels and a lion and lamb.

Virgin Mary Handing Scapular to Saint Simon Stock

Possibly after Paolo Caliari, called Paolo Veronese, c. 1600-1700

Brown wash drawing of a crowded banquet under classical columns and a balustraded gallery, with a greyhound in the foreground

Christ in the House of Simon

After Paolo Caliari, called Paolo Veronese, c. 1700

Sepia drawing of Cupid asleep on a daybed as Psyche leans over him with a lamp and dagger in a classical interior.

Cupid and Psyche

Giuseppe Cammarano, 1821

Brown wash drawing of women attending a newborn infant beside a basin, with draped cloth and a stepped interior behind them.

Birth of the Virgin

School of Domenichino, n.d.

Brown wash drawing of a seated bishop with a mitre and open book, with two putti in a lunette-shaped architectural setting.

Seated Church Father (Saint Augustine?) with Putti

After Pietro Buonaccorsi, called Perino del Vaga, n.d.

Red chalk drawing of a standing draped female figure with one arm raised, on pale paper with angled corners.

Standing Draped Figure

called Il Cavalier d'Arpino Giuseppe Cesari, 1589/90

Black chalk drawing of a kneeling mother in draped robes embracing a child, on tan paper.

Kneeling Mother Embracing Child

Attributed to Michelangelo Anselmi, c. 1550

Pen and ink sketch of two classical figures, one helmeted and one draped, drawn on tan paper.

After the Antique: Greek and Amazon

called Il Semolei Battista Franco, 1530/36

Pen and brown ink drawing of Apollo in a chariot pulled by two rearing horses, with a billowing cloak and spoked wheel.

Apollo Driving the Chariot of the Sun

Workshop of Pietro Buonaccorsi, called Perino del Vaga, 1519/21

Pen and brown wash drawing of worshippers and an oracle before a many-breasted statue on a pedestal, with candelabra overhead

Oracle and Worshippers before the Statue of Artemis of Ephesus

Follower of Battista Franco, called Il Semolei, n.d.

Drawing of a Roman triumphal procession with soldiers carrying banners of cities and trumpeters in wash.

Triumphs of Julius Caesar: Canvas No. I

after Andrea Mantegna, n.d.

Grey wash drawing of a classical procession with elephants, an ox, torch bearers and a tower on a hill.

Triumphs of Julius Caesar: Canvas No. V

after Andrea Mantegna, 18th century

Pen and brown ink drawing of a nude winged putto, Cupid, standing beside a tree with a bow and arrows at his feet.

Cupid Tied to a Tree

Attributed to Giorgio Picchi, 1570/99

Pen and wash drawing of a crowd with soldiers, women, children and a dog beside a column and a banner reading SPQR.

Triumphs of Julius Caesar: Canvas No. VII

after Andrea Mantegna, 18th century

Pen and ink sketch of a kneeling robed saint with right arm raised and face turned upward, with red chalk lines.

Kneeling Saint Stephen with Upraised Right Arm

Attributed to Sabatini, called Lorenzino da Bologna, n.d.

Pen and ink drawing of a plump standing putto seen from behind, with curly hair and hatched shading on the body.

Standing Putto Seen From the Back

Attributed to Bartolomeo Passarotti, 1570/75

Pen and brown ink study of a nude standing putto seen from behind, arm raised, on warm brown paper.

Standing Putto Seen from the Front: Study for the Virgin in Glory with Saints Petronius, Dominic, and Peter Martyr

Bartolomeo Passarotti, 1570/75

Drawing of a seated woman in a crown and fur-trimmed gown, with an arched colonnade and curtain behind her.

Joanna of Aragon

After Raffaello Sanzio, called Raphael, n.d.

Pen and ink sketch of a reclining satyr beside a nymph with crossed legs on draped cloth, on tan paper.

Nymph and Satyr

Follower of Luca Cambiaso, after 1560

Black chalk drawing of a nude putto with raised arms, over faint grid lines, on a light tan sheet.

Putto with Raised Arms

Cristoforo Roncalli, 1580/90

Brown ink drawing of a youthful figure in a niche holding a severed head, with a relief panel above.

Niche Statue of David with the Head of Goliath

Possibly Francesco de'Rossi, called Salviati, n.d.