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Ornament & Design

5,917 works

Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex

Sir William Chambers, 1765-66

Pen drawing of a circular ceiling design with laurel garlands and urns, above a rectangular panel with Greek key border.

Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan)

Sir William Chambers, ca. 1769

Pencil design for a decorative ceiling with lozenge borders, Greek key patterns, acanthus scrolls and a laurel medallion.

Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset

Sir William Chambers, 1770-74

Pen and watercolor design with pink and green panels showing classical urns, scrolls, medallions and winged figures.

Design for a Ceiling

Sir William Chambers, 1743-96

Pen and wash design for a ceiling segment with laurel garlands, scrollwork, an oval cartouche, and two winged figures.

Design for Segment of an Octagonal Ceiling; Gower House, Whitehall, London

Sir William Chambers, ca. 1766-74

Pen and wash design for a gallery ceiling with a central circular medallion and scrolling ornamental corner panels.

Design for the Gallery ceiling, Richmond House, Whitehall, London

Sir William Chambers, 1760

Ink and wash design for an ornate pier-glass frame with acanthus border, sphinx, flower garlands and urn.

Design for a Pier-glass for Adderbury House, Oxfordshire, for the Duke of Buccleuch

Sir William Chambers, ca. 1768

Pen and wash design for a wall girandole with cockerel-head branches, arrows, rosettes and hanging chains.

Design for a Girandole Composed of Three Clasping Arrows and Candle-branches Terminating in Cockerel Heads

Sir William Chambers, 1743-97

Ink and wash drawing of three ornamental stucco frames with scrolls, rosettes and moldings around blank centers.

Design for Three Stucco Frames

Sir William Chambers, ca. 1750-55

Design for a Chimneypiece, Incorporating a Portrait of George III

Sir William Chambers, 1760-69

Architectural drawing of two fireplace designs with caryatid figures, urn, and side profiles on a pale sheet.

Designs for Two Chimney-pieces in Lord Viscount Charlemont's Casino at Marino, Dublin

Sir William Chambers, ca. 1758-59

Architectural drawing of a chimney-piece with a pediment, bust, garland swags, and side elevation, in grey wash.

Design for a Chimney-piece, for Thomas Hollis of Lincoln's Inn, London

Sir William Chambers, after 1754

Pen and grey wash design drawing of a classical chimneypiece with an urn, candelabra, garland and medallion relief.

Design for a Chimneypiece in the Eating-room, Danson Park, Kent

Sir William Chambers, ca. 1773

Grey wash design drawing of a classical chimneypiece with ram's heads and a Leda and the Swan medallion.

Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan

Sir William Chambers, 1745-1800

Pen and watercolor design for a neoclassical mirror frame with laurel wreath, shell ornament and pale blue empty panel.

Design for a Mirror

John Yenn, late 18th-early 19th century

Pen and watercolor design of a neoclassical fireplace with an oval mirror, garlands, and urn above a pink wall.

Design for a Chimneypiece

John Yenn, late 18th-early 19th century

Pen and grey wash design for a tall pier-glass with a palmette frieze border, a classical urn at top and a laurel wreath belo

Design for a Pier-glass, of Tall Oblong Form, the Border a Palmette Frieze, the Termination an Urn

Sir William Chambers, 1740-1800

Engraved ornamental cartouche with grotesque masks at top and bottom and an empty oval centre panel.

Cartouche met bovenaan en onderaan een masker

Jacob Lutma, 1654

Pen and watercolor design for a mirror with a two-handled urn, laurel wreath and swags on a pale green ground.

Design for a Mirror Surmounted by a Vase

John Yenn, late 18th-early 19th century

Engraved ornamental cartouche with an oval central field, curling scrolls and leafy volutes, numbered 10.

Hoofdvormige cartouche

Jacob Lutma, 1654

Watercolor design of a gilded rococo mirror frame on blue ground beside a candle sconce with a fluted base.

Design for a Oblong Mirror with Sconces

John Yenn, late 18th-early 19th century

Engraved ornamental cartouche with blank oval centre, scrolls and a mask at top and bottom, numbered 12.

Cartouche met onderaan en bovenaan een masker

Jacob Lutma, 1654

Pencil and watercolor design drawing of an oval gilt mirror with ram's head, urn, and laurel swags against pink wall.

Design for an Oval Mirror

John Yenn, late 18th-early 19th century

Design for a a Mirror with a Rounded Top

John Yenn, late 18th-early 19th century

Pen and wash drawing of a rococo fireplace with an ornate carved mirror frame above the mantel.

Design for a Fireplace

Henry Cheere, mid-18th century

Pen and grey wash drawing of three panel designs with seated allegorical women, a harp player, a globe, and a cherub.

Design for Three Panels for a Library

Giovanni Battista Cipriani, 1745-85

Watercolor design elevation of a bronze fountain with marble backing, plus ornament and drinking cup detail studies.

Design for a Fountain to be Executed in Bronze with a Marble Slab at the Back

Kay Maude Coggin, ca. 1895

Watercolor night scene of a man with clasped hands and a woman in white pointing at a starry sky under a moon.

Nocturnal Landscape with Two Figures (design for an engraved book illustration)

Henry Corbould, 1807-44

Watercolor design of a decorated room with painted ceiling, yellow wall panels, two fireplaces, and a central arched red door

Design for a room with two fireplaces

John Dibblee Crace, ca. 1860

Pen and brown ink drawing of an ornate crucifix with Christ, flanked by three figures at its base.

Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John

Polidoro da Caravaggio, n.d.