Geweld of Satyriasis (19th century)
Félicien Rops · 1833-1898
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| Paper size | Orientation | Quality | File |
|---|---|---|---|
| A5 | Landscape | 300 dpi | Get with Pro |
| A4 | Landscape | 300 dpi | Get with Pro |
| A3 | Landscape | 200+ dpi | Get with Pro |
| A2 | Landscape | 150 dpi, acceptable | Get with Pro |
| 5 × 7 in | Landscape | 300 dpi | Get with Pro |
| 8 × 10 in | Landscape | 300 dpi | Get with Pro |
| 11 × 14 in | Landscape | 200+ dpi | Get with Pro |
| 16 × 20 in | Landscape | 150 dpi, acceptable | Get with Pro |
| 18 × 24 in | Landscape | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Landscape | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
Palette
All 3 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
Palette file
Credit this image
Geweld of Satyriasis (19th century), Félicien Rops. Via artnap.com
Geweld of Satyriasis (19th century), Félicien Rops. Via artnap.comGeweld of Satyriasis (19th century), Félicien Rops. Via <a href="https://artnap.com/artwork/pdx-1316039">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1316039"><img src="https://img.artnap.com/artworks/pdx/pdx-1316039/web.jpg" alt="Geweld of Satyriasis (19th century), Félicien Rops" width="1600" height="1149" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>Geweld of Satyriasis (19th century), Félicien Rops. Via <a href="https://artnap.com/artwork/pdx-1316039">artnap.com</a></figcaption></figure>
Free to use. A link back is appreciated.
Why is this public domain? Félicien Rops died in 1898; this work is in the public domain.
About this work
A monochrome print shows a contorted nude figure crouched low with its back arched, set against a dark, radiating mass of hatched shading that suggests wings or a cave. The figure's limbs are drawn in loose, expressive strokes, and the lower edge fades into pale paper. The work is catalogued as Geweld of Satyriasis (19th century) by Félicien Rops.
