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The War of Love - The Parade Entrance of Africa and Asia
Jacques Callot · 1592-1635
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| Paper size | Orientation | Quality | File |
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| A5 | Landscape | 300 dpi | Get with Pro |
| A4 | Landscape | 200+ dpi | Get with Pro |
| A3 | Landscape | 200+ dpi | Get with Pro |
| 5 × 7 in | Landscape | 300 dpi | Get with Pro |
| 8 × 10 in | Landscape | 300 dpi | Get with Pro |
| 11 × 14 in | Landscape | 200+ dpi | Get with Pro |
| 16 × 20 in | Landscape | 150 dpi, acceptable | Get with Pro |
| 30 × 40 cm | Landscape | 200+ dpi | Get with Pro |
A print-ready JPG or TIFF in sRGB with the color profile embedded, made from the museum master and never enlarged.
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All 4 colors in one file, ready to load as swatches in Adobe, Procreate, GIMP or Krita, or as CSS variables.
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The War of Love - The Parade Entrance of Africa and Asia, Jacques Callot (1616). Via artnap.com
The War of Love - The Parade Entrance of Africa and Asia, Jacques Callot (1616). Via artnap.comThe War of Love - The Parade Entrance of Africa and Asia, Jacques Callot (1616). Via <a href="https://artnap.com/artwork/pdx-1162311">artnap.com</a><figure><a href="https://artnap.com/artwork/pdx-1162311"><img src="https://img.artnap.com/artworks/pdx/pdx-1162311/web.jpg" alt="The War of Love - The Parade Entrance of Africa and Asia, Jacques Callot (1616)" width="1600" height="1213" style="max-width:100%;height:auto" loading="lazy"></a><figcaption>The War of Love - The Parade Entrance of Africa and Asia, Jacques Callot (1616). Via <a href="https://artnap.com/artwork/pdx-1162311">artnap.com</a></figcaption></figure>
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Why is this public domain? Jacques Callot died in 1635; this work is in the public domain.
About this work
An etched print shows a large oval arena in an Italian city square, filled with mounted riders, chariots and marching figures in formation. Spectators crowd wooden stands and balconies surrounding the arena, with a grand palace facade behind. The inscription beneath identifies it as a festival display of the War of Love held for the Grand Duke of Tuscany, dated 1616, by Jacques Callot.
